The world of Tolkien’s imagination is a virtually boundless universe, one in which multiple layers of cultural heritage revolve around his enduring passion for storytelling, fascination with languages and devotion to the Catholic faith. In effect, much of his fiction is an eclectic, though, at the same time, remarkably coherent, mixture in which certain elements of the old lore appear to be constantly reinvented, reimagined and reinterpreted to suit the tastes of the Professor’s readers and listeners. It is a constant mediation between the world of the past (ancient, medieval or other) and the world in which he lived, an informed dialogue tinted by the writer’s personal convictions and beliefs. Ever since the dawn of Tolkien scholarship, the majority of serious academic discussions concerning his works and ideas have brought into play this very dialogue, an oft-repeated journey, back and forth (much like Bilbo’s own quest in The Hobbit ), between Tolkien’s Middle-earth and the other realms of human imagination, chiefly, though not exclusively, located in the north-western fringes of the European continent. It is precisely this kind of journey (or, rather, journeys), perilous and full of pitfalls, that the reader will undertake in the present book, guided by a group of six authors from Poland, scholars whose academic interests (apart from Tolkien) are wide and varied, ranging from the Greek Antiquity to the age of Queen Victoria. And so, to Middle-earth or, rather, there and back again! Let us delve into those multiple layers of Tolkien’s fiction in search for some of the foremost sources of his literary inspiration. In this way, we might be able to observe Tolkien’s worldbuilding processes at work and, by going there and back again, catch a glimpse of what, in his essay “On Fairy-stories”, the writer himself referred to as “forming mental images of things not actually present”.
This compact book offers some fascinating insights into Tolkien. Though its primary focus is on The Lord of the Rings, it is rendered especially useful because it also takes a look at less-widely-known and studied texts such as The Fall of Arthur. Its primary interest is source study, and it offers up some intriguing and suggestive possibilities, perhaps most notably a not entirely persuasive (lots of "maybe" and "could have" constructions) but definitely insightful argument for the influence of the medieval poem Pearl on LotR. Tolkien's familiarity with that poem is widely-known (he both worked on an edition of it and produced a translation of it), but here we see a close analysis of how some of its specific elements may have affected Tolkien's thinking about the One Ring. This is a book mainly for Tolkien scholars, but that audience should find much to chew on here.
If you like the publications of The Tolkien Society before they decided to appease the headlines, this book is for you—all the intellect of Tolkien scholarship, making connections with the stories, not with an agenda. Click below for full review.