“The bridges linking Manhattan Island with the outside world began blowing at precisely twelve minutes after three…”
Thus begins a novel that is like reading tomorrow morning’s newspaper today.
A great city lies under siege – and the nation is powerless to help it.
An expertly trained black militant army has taken over the island of Manhattan. Their goal: a separate state for American Negroes.
The hero is Major General Stanley Shawcross, the brilliant black military leader of the takeover. The political leader of the rebellion is William Gray, a dedicated, seemingly fearless agitator who will use any means to win freedom for American blacks. His “enforcer,” Raymond Carpenter, is a militant poet – and terrorist.
Set against these men are a President whose understanding of black frustration makes his dilemma even more excruciating; a terrified Mayor who seems unable to act decisively; a black U.S. Army Colonel who is convinced that separatism is the wrong answer for black Americans.
These are the characters who converge and clash during the three bloody days of the siege, in which the country’s racial polarization becomes frighteningly clear. You will see how the takeover is planned, prepared for, and carried off. The story builds from page to page, chapter to chapter as the conflicting forces threaten to tear America apart.
Edwin Ray Corley was born on October 22nd, 1931, in Bayonne, New Jersey, and passed away on November 7th, 1981, in Gulfport, Mississippi. During the intervening 50 years, his career varied from that of an underage Air Force staff sergeant to a carnival fire-eater to a vice-president of a leading advertising agency.
This was an amazing novel. I read this one week after I finished The Spook Who Sat by the Door in 1970...the year I graduated from High School.
Spook was intelligent, but adventurist, fantastical, while SIEGE was based in a realistic espionage style adventure with the goal of having the world weigh in and encourage the US Gov to grant African Americans 3 Southern States which would establish relations with foreign governments.
Excellent opening (prologue) with a throw-away character that we come to care for in about 2 sentences, and then a stunning opening, characterizing and giving backstory in the first paragraph. Wow. Shira James-MEOW Date: Sunday, July 8. 12014 H.E. (Holocene Era)
Well, it's an interesting enough story. It suffers from having a pulpy premise--a black revolutionary army takes over Manhattan and holds it to ransom--but a 'prestige' treatment. The book is 300 pages long and the actual 'siege' doesn't kick off until 200 pages in. An entire book could be written of all the stories that could happen during such an event and in its aftermath, but the book is almost over by then, so it just gets breezed through and we end with basically no indication of how this incident will affect race relations (aside from an implication that things will actually IMPROVE since now, to quote the Falcon, they'll "do better, Senator").
We get A LOT of backstory, which I guess is the author's way of being evenhanded by showing that the black villains were pushed to their actions, but it makes for an unsatisfying conclusion that even at the end, when millions have died, they're still insisting 'well, you MADE us do it.' No one points out the obvious counterargument that all the time, effort, and resources that went into this 'revolution' could just as easily have gone into fixing the problems they try to force the government to solve for them.
The author also puts a lot of plot armor on the revolutionaries so they can get as far as they do. I guess verisimilitude demands that their plan is unfeasible, but it has to be partially successful to keep the protagonists from looking too stupid for trying it in the first place--you end up with a lot of crap being shoved under the premise that "we took them by surprise!"
Yeah, sure, but if the logline of your book is "how would a black revolution realistically play out?", then what sense does it make for it to then be barely believable?
The themes for thrillers reflect the popular concerns of the American people, so the bad guys have changed through the years. Nazis, Communists, international cartels, the terrorist masterminds, and in the 1970's the Black Nationalists. SIEGE is about plot to take over Manhatten, by blowing of tunnels and bridges, to force the U.S goverment to give them piece of the country for a African-American nation......New Jersey! The best of the lot-AFRO-6, TRESPASS, THE SPOOK WHO SAT AT THE DOOR-the action is exciting, the dialog is terrible and the rest is a fun guilty pleasure.
Tremenda, tremenda obra de la explosión de un colectivo que ha sufrido como pueblo esclavo y más tarde, ya liberado, la opresión constante y el no ser ciudadanos de pleno derecho del país que han ayudado a construir.
Los dos personajes principales cada uno llegado a una vivencia extrema y el resto, sólidamente construidos en un relato fascinante lleno de sentimiento, mostrando las diversas facetas de una sociedad muy dividida que desemboca en una rebelión sin precedentes.
Tanto la prosa, desde descripciones a dialogos y discursos, como el contenido, merecen las cinco estrellas que pocas veces otorgo pero que este libro merece sobradamente.