I've lost the use of my heart / But I'm still alive / Still looking for the light / And the endless pool on the other side (Soldier of Love – Sade).
I tend to avoid critically acclaimed media because I’m always afraid that my traitorous brain will inadvertently find something to complain about in every corner just so I can justify my contrarian brain's needs. You know how it is. But really though, I wouldn't even be able to count the number of times where I’ve searched something like “best non-romance manga” or “best historical-fiction manga” on Reddit or wherever and only found an endless stream of disappointing slop. I use the word "slop" too much, huh? Well, once you start using it, it’s hard not to see everything as such. It's all coming up slop! That being said, this manga is almost always brought up in conversations surrounding the top manga of the times and I've seen it recommended in more reputable places by people whose interests more align with my own... which is basically just my Goodreads timeline and the Tumblr feed. Well, a reputable source for books or games or shows only, I specifically never take music recommendations from Tumblr. I've learned my lesson there! So yeah, I figured I’d have to give this bad boy a shot. Besides, I love both manga and historical-fiction, so could I really call myself a fan of either if I didn't dive into the classic historical-fiction manga, Vinland Saga? So yeah, it turns out that all the praise that was doled out was done so for a good reason, because I absolutely loved this. A clean and gritty art style contrasts nicely against the dynamic paneling where there's a clear sense of movement (which is very important for me, considering my head is still spinning after trying to read Tokyo Ghoul and never understanding what was happening in any given panel), and finally… just a wonderful story with a strong story direction full of morally gray characters trying to find purpose. Now, you can find that last bit in a lot of stories out there, and while that’s true for literature, I need to stress the fact that it’s very rare for me to find all three in a manga of all places. I’m just saying, it’s a format of story-telling that often falls back on a rather clear cut sense of morality where the characters will frequently give speeches to the audience about what’s right and wrong. And I guess that’s what all stories are trying to do in a general sense, but what makes Vinland Saga stand out is that even if it’s an anti-war tale preaching non-violence, the story shows the long route that it would take for someone molded to be accustomed to terrible violence from an early age to actually get to the mindset of pure pacifism. I guess this is the part where I confess that this isn’t actually my first encounter with this manga… because I’ve actually read a good portion of it when I was probably too young to be reading something of its kind. I got up to the point where there was a time skip and then dipped, but you know, now that I’ve brushed up on my Vinland Saga, I can give the full synopsis! Thorfinn is a young boy who’s forced to watch as his "true warrior" of a father is killed by a Viking group lead by a man named Askeladd, and rather than listening to his dad’s last wish of peace and going back home to grieve with the rest of his family, he instead joins up the merry band of monsters in hopes of one day getting a chance to kill Askeladd.
It's a simple premise that stays true to its strong emotional core no matter how complicated the political machinations become, and the wonderful story not only maintains Rurouni Kenshin’s heightened sense of urgency to one’s personal journey for redemption, but also manages to resonate with the reader by simply avoiding to sugarcoat the horrors of the time period and the actions of the main characters. Thorfinn is sympathetic (and a pretty badass viking ninja, if I do say so myself), but he's not a good person or a hero... yet. The fact that the narrative never forgets that at the end of the day, he did join up with men who regularly pillage innocent villages for a living for a chance at his own selfish revenge does a lot of heavy lifting to give nuance to an otherwise singularly focused and seemingly unchangeable main character. I mean, even without his little Last Samurai arc, I'd still find him really awesome, but that could be because because he dual wields daggers, which has been my go-to play style for every Dragon Age game. But since he is a three-dimensional character, I can add layers to my shallow praise by adding on that most of the emotional gut punches from this manga were the moments where Thorfinn shows just enough humanity to give hope that he might give up on his revenge, only for this imagine-spot to be snatched away time and time again. If I had one critique though, it would be that there was a bit of a tonal whiplash in that the manga tries to realistically portray the horrors of war one moment, but then peppers in super powerful Dragon Ball Z type characters who can withstand deathly blows the next. It reminds me a little of those Dynasty Warriors games, where there’s a set group of super sexy main characters taking down hordes of no-named NPCs and it's like, okay? War is hell and senseless... but also here's a group of people who are more important than everybody else! It gives the story a fantastical element that doesn't really work in a grounded setting. Otherwise, my favorite kind of revenge tale is when the author writes the journey so perilous and exhaustive for the main character and the audience alike that there’s a subtle narrative shift where we no longer want the story to end in bloodshed. I love Red Dead Redemption 2's story for this exact reason, because it isn’t Arthur Morgan’s quest for revenge that we follow, but rather his surrogate father Dutch van der Linde’s, and through Arthur’s eyes, we see first-hand just how destructive and pointless Dutch’s thirst for revenge really was, and as he becomes more and more reckless, it’s shown clearly that Dutch really just wants to hurt, even if it's the people he claimed to care about. It’s a cliché at this point, but it's never not been true that “showing, not telling” is the way to go! Anyway, the best thing about Vinland Saga is that it never glorifies its subject matter. These events have to occur in an entertaining enough way for the story to go on, but there’s always an undercurrent of pointlessness to every one of Thorfinn's actions that highlights the main theme more strongly than any Naruto monologue could ever accomplish. It’s a manga that never stops forcing the reader to ask themselves, “and then what?” or “to what end?” And to that end, I have to say that I can’t wait to find out myself where this ends, and what the point of it all was.
I've been torn up inside, I've been left behind / Tall I ride / I have the will to survive, In the wild, wild west / Trying my hardest / Doing my best to stay alive.