(Note: I won this through the author’s Goodreads giveaway.)
What a nice, wonderful and heartfelt story. Unfortunately, that is also one of its weaknesses.
The year is 2040 and we meet freelance reporter Eric Dundston who is listening to the cop radio band and heads to a possible jumper situation. While his photographer partner is already at the scene getting the pictures, Eric finds a way in through the back door of the hotel that this is occurring at. He makes his way up to the roof with the help of his charming personality and is allowed to talk to the jumper, granted by the cop in charge of the scene (Eric knows people). Eric climbs down to the ledge from the roof and tries to see if he can help with the suicidal person.
The man’s name is George and he gives Eric a message. While Eric is writing down said message, George jumps. Of course, the message leads our freelancer on the biggest story of his life. From a senator to an ex wife to a doctor, we discover what this big secret is that George wanted Eric to discover.
First things first, Mr. Thompson does a good job of giving us enough background of all his major players so they aren’t 2D. However, the problem is that most of them felt too much like stereotypes that the reader has read in other books. Don’t get me wrong, for the most part I found myself going along with each of them, but that nagging feeling that I’ve seen them before was persistent.
An example of this is the reporter, Harrelson. We see this guy a handful of times and we know what kind of sleaze ball he is. We’re not surprised at how he acts and his presence seems almost token to the story, like he was a character on the author’s checklist of people that needed to be included. I don’t mind people like this involved in a book I am reading, but him being there doesn’t do anything for the story. Sure, he adds a tiny bit of drama (and trust me it was welcomed as you will find out), but not enough to warrant him to be there, especially since he disappears before the halfway mark.
Sadly, the main characters don’t fair much better. Like I said earlier, they seem well rounded, but some of it comes off as superficial. The ones involved in the coverup of the secret argue with each other because Eric is getting closer to them, but essentially they are nice people who made a bad call. When we get halfway and pass it, while some voice their dissatisfaction with what they did, they’re basically forgiven.
I loved the premise and I found the story easy to follow along, but the biggest problem I had was the lack of conflict. Things were happening, but they weren’t. The first half of the plot felt like it was only there to hurry to the more exciting later part.
To give credit where credit is due, Mr. Thompson creates a scene of the experience being inside and seeing from the outside of a rocket blast off into space that, even though may seem simple to describe, pulls the reader in and actually made me feel something for it. There are tiny gems like this throughout the story that made me wish for more, but the tale was content with the basic. I enjoyed the reporting story sections. Again, it wasn’t enough.
I liked the ending. Even so, it came too easy. It was another byproduct of no conflict in the story. I was waiting for something, anything to happen that would blow my mind, but it didn’t. The author was able to build some tension, but it ended...well, I think I’ve said enough.
The book overall was descent. I held in there, even over the bumps. I was rooting for everyone involved, even while there were some eye rolling moments in response to the thick sappiness. I understand this is Mr. Thompson’s first novel, and while I had some fun times reading it, Abandoned left me a little empty.
(Another note: I don’t usually make grammar comments, but I had to this time. As I see it, Mr. Thompson came from an editor newspaper background, and because of that I noticed he was using the reporter’s method of closing a dialogue paragraph or a line, even though the character would continue into the next paragraph or line. While that would have been fine for the reporter story sections, he did it even in the regular story parts, which became frustrating because it gave me the impression several times that a new character was talking. Also, maybe cut back on the word “just” every few seconds?)