Penrod by Booth Tarkington
10 out of 10
Having read The Magnificent Ambersons and Alice Adams, I was not surprised to find that Penrod is another splendid, extraordinary, wonderful novel by the same mesmerizing Booth Tarkington.
Penrod is the smart, creative, naughty, intrepid, determined, imaginative hero of the novel that bears his name, a boy of eleven, mischievous as most children of that age, especially the male ones, growing before World War I, in Midwestern America.
In the first chapters, he is made to participate in a school play, taking on the role of " The Child Sir Lancelot", which causes agitation and a commotion in the house, where his mother and sister work hard to create a medieval - well as close as they think they can get - for the reluctant actor.
Indeed, before going on stage, the protagonist retires for a while, aghast at the stockings taken from his sister to be added at the costume, but he is finally overwhelmed when he notices that for his outfit, mother and sister have taken his father's winter protection - I'm guessing this was some sort of underwear - an apparel that most of the small town must have been acquainted with.
The woman who washes the clothes has had a habit of placing these and other rather intimate habits on the line to dry, towards the main road, in full view of the passers by and this memory provoked Penrod into decisive action.
Unwilling to act in such a ridiculous attire that would surely make everyone laugh, Penrod has a brilliant idea and takes the overalls of the janitor and covers the shame with them, with the result that these much bigger clothes make walking next to impossible and finally, when the audience sees how ridiculous the hero is in them, they cannot stop laughing.
Embarrassed, those sitting near his mother and sister, stand up from their seats and take their jocularity outside.
After he sees a film at the cinema, the hero uses the plot to escape from a very difficult situation - during class, he was imagining how he would be able to lift himself in the air, the tricks he would do, when the teacher is asking him a question and the boy replies in a very rude manner, with something like - why don't you find a better thing to do.
Outraged, the teacher is considering drastic action and the report of the incident to the school master, with all the dramatic repercussions, asking the pupil one last time what drove him to be so foolish and repellent, hearing from the audacious boy that his aunt has just run away from her husband, who had taken to drink and had beaten both her and their baby girl, forcing them to find refuge with the Schofield family, where the hero has been so active in consoling and offering emotional support.
This is the plot of the film he had seen and using this ruse would provoke some amusing consequences, for when the aunt meets the professor on the street, the latter is very tender and compassionate, nearly crying when she talks with her former class mate, thinking of her - invented by Penrod - ordeal.
All this would be cleared, when mother, suspicious anyway of the outre story, would visit the teacher to see what she had acted so strangely, coming close to tears, and then she understands what the infernal child had been up to, inventing something like that about the brother in law and his bogus alcoholism.
The hero has a good friend, Sam, and a family of African Americans moves next door, and their two boys, Herman and his younger brother, Verman, become companions, after they are integrated in a venture, called a circus by the inventive Penrod, who ads to this collection of rarities his own dog, Duke, which he pretends is an Indian animal, the rats he had caught in a trap and which he pretends that they are trained.
Verman talks in a strange manner, being tongue tied as his brother explains, and he would be the main attraction of the show, for which the young Barnum charges one cent or a tax in pins, until the time when they make an addition to the collection of bizarre figures.
A boy from the family that is best situated in the town - rather arrogant and pretentious - claims that he is indeed related to an infamous killer - a woman that had killed eight people - and he is thus included in the representation and becomes the highlight of the show.
Up to the point where his mother comes to claim him, furious and enraged by this spectacle that would be related by the newspaper which prints the information that they might be connected to such a monstrous figure.
Later on, Penrod is fascinated by a scoundrel from the Third school, who is very violent, good at tricks and traps, asking for the finger to see a mole, only to twist it, then using other nefarious tactics to send the hero to the ground, to lick the dirt and impressing the gullible protagonist so much that this one starts to worship this God of the battle, a superhero with magical powers, that nobody can defeat.
Nobody before he meets Herman and Verman and with his challenging, abusive manner he antagonizes, insults and infuriates the brothers to the point where they defeat this vicious stranger thoroughly, making him run like the wind to escape death by decapitation or some other violent means.
Since we mention this battle, there is another one provoked by the rather innocent use of "little gentleman" which the hero takes as an unbearable insult and thus he gets into a fight with tar, involving Sam and other boys, including Marjorie and her little brother, although in the case of the girl that Penrod fancies, there was no violent opposition, he just threw a stone in the bucket with the malodorous, sticky substance.
Penrod is a wonderful, magnificent novel, included on The Guardian list of 1,000 Novels Every One Must Read, in the comedy section.