Danielle Geller uses an admirable spareness in tone, coupled with a marked absence of sentimentality, to portray her emergence into adulthood in Dog Flowers. Recounting the events of a childhood marked by constant upheaval as the child of two parents struggling with alcoholism and substance abuse, Geller's language never relies on overt signifiers to telegraph how readers should react; it's a minimalist delivery that underscores the power of simply being able to document her story. Geller also exhibits an admirable resistance against playing to expectations that she perform Tour Guide to "explain" her Native heritage (why is every work by a Native author so often judged "inadequate" when it doesn't function double duty as a Lonely Planet Guide to Being Indigenous?) In addition, Geller steadfastly rejects following the "struggle + redemption/triumph of the human spirit" arc. This memoir is a brave, unflinching excavation of how Danielle Geller, and Danielle Geller alone (as opposed to Danielle Geller the Navajo Nation rep, or Danielle Geller the Survivor), came to write this work.
Despite the many attributes I admired, I also found the book lagging in parts. It's as if Geller's vigilance against following hackneyed, antiquated expectations of what a Native memoir should be, or what the survival story of childhood trauma should resemble, was so at the forefront, she inadvertently shut out vibrant aspects of her voice in the process; after a while, the narrative almost reads like a catalog of one emotional devastation after the next, without much panoramic perspective to frame the events.
The approach of "This book you have in your hands is the proof that I made it out the other side - that this work exists is enough testimony" is inarguably badass. Unfortunately, there were a few technical issues throughout (several times I had to double back because I hadn't realized I was in the middle of a flashback, or that I was already Out of one; there's also no mention of schooling after a certain point, so I wasn't sure when she earned the graduate degree that would mark the beginning of her work as an archivist) - this confusion came to overtake the narrative at times, to the extent that I began to wonder if the lack of an apparent arc was even a conscious authorial choice, or whether it was more of a first-time author's uncertainty letting the story get away from her.
One aspect of Geller's story which initially drew me in was how her training and work as a professional archivist shaped the writing and construction of this memoir. We all, as humans, carry mental baggage as we plow on - our brains mercifully push some of that gnarly stuff back into the cobwebs, so that we might forge on to the next moment... but what if your profession is to fully examine and catalog every item of history you encounter - and then, what if you suddenly become the sole caretaker of all the worldly possessions your estranged mother left behind? The prospect of witnessing Geller's process, the assembling of all the mysterious pieces of her mom's life to decode exactly who Tweety was, all through an archivist's lens, was a truly fascinating premise. Unfortunately, Geller's exploration of these ideas doesn't feature directly in the narrative much, save for a paragraph or two, and mostly drops off by the end. I imagine part of reason is that she simply didn't have enough material left to work with (we are told it's the contents of several suitcases), but I would have appreciated more engagement with the ideas that emerged from what little she uncovered.
And while I genuinely admired the minimalist delivery, by the conclusion, I felt that Geller never quite figured out how to balance the spare tone in a manner that enabled more of her personality to emerge; I suspect she wasn't sure how to mesh the witty voice that peeks out from time to time (see: hot take on the Muppets' creepy faces) with the heavy content of the memoir. Also, as a fellow geek, I wish she had written more about that aspect of her life - not the video games per se, but what she got out of being in those alternate worlds, aside from the obvious (that they are not the usually-harsh one she had to be physically present in).
It's a continual Catch-22 - write about having to overcome near-unfathomable blockades in one's personal life to eventually attain a graduate degree/steady career and form genuine bonds with good people who will stay by your side, but risk writing one more BIPOC Exceptionalism narrative in the process, or alternately, focus solely on the heartbreaking moments, and end up writing another kind of "struggle porn" tale that is also commonly peddled for mass consumption. The triumph of Dog Flowers is that Geller successfully avoids both traps; I only wish this alternate ground had better highlighted more of Danielle Geller, the geeky archivist.
4 stars because what the author set out to do is part of a new direction I really hope we see more and more in BIPOC writing, that of writing one's own story with no bowing whatsoever to clichéd mass expectations. Now that she committed this integral, profoundly dark story to the page, perhaps Danielle Geller will feel freed up enough to tell more tales that feature her impressive powers of observation + skillful use of minimalist tone, but with the distinctly funny, quirky voice we caught fleeting glimpses of in this memoir at the very forefront.