EDITED APRIL 30, 2021: I've read the prequel novella, SLOW DANCE AT ROSE BEND, and I loved it. None of the issues presented in this review are present there.
REVIEW:
DNF @ 45%
I have previously read and enjoyed 12 of Naima Simone’s books. What I'm about to say re: THE ROAD TO ROSE BEND, does not transfer to her other work.
I have three main issues with this book: 1) The portrayal of trauma 2) Some of the internal logic the book is asking us to accept 3) Marketing decisions by Harlequin (HQN)
THE PORTRAYAL OF TRAUMA
The Hero and Heroine are individuals with heaps of trauma in their lives. Here are the examples I saw in the 45% that I read:
Hero - orphaned at a young age, adopted, of Puerto Rican heritage in a mostly white small town, lost his wife and child two years ago in childbirth, in a memory we learn that the Hero sat in the nursery with a gun in his hands contemplating suicide, receiving end of micro-aggressions
Heroine - sister dies at 13, when heroine was 8, Heroine was asked to have countless painful procedures/surgeries in her first 8 years to save her sister, heroine at age 8 had a screaming fit on the floor of the hospital when she was asked and refused to have another surgery and painful recovery this time to give her sister a partial kidney - ever since she blames herself for her sisters death and feels her parents have regarded her as selfish - she has never even been able to visit her sister’s grave, married at 21 and divorced by 26, pregnant by her exhusband, everyone in her family questions her life choices, receiving end of micro-aggressions
By 45% I had written in my notes 5 times "IF THESE TWO DON'T GO TO THERAPY, I'LL NEVER BELIEVE AN HEA". Here’s why I say that. People who have been traumatized, but have not successfully processed that trauma, will do things and behave in ways at times that make no sense to anyone, including themselves. Depending on the trauma, they may have trouble connecting with people, they may have may have trouble trusting people, they may have trouble sleeping, they may have self-esteem issues, they may have addiction issues, they may have trouble keeping and maintaining romantic relationships, they may feel lost and scared in their still-all-to-real feeling dreams/nightmares.
None of these issues can be worked out without the help of a therapist and specifically a trauma therapist. I know this issue intimately, as I started working with a Trauma Psychologist in September of 2020. I checked with another reviewer friend who had read the whole book. Neither of these two characters go to therapy. Therefore, no matter what else happens in this book, I don’t believe in their HEA. Especially because the Heroine is due to give birth, and the sleep-deprivation that comes with being a new parent will only exasperate her trauma more.
In the future, if one is going to write two characters with this much trauma, please employ a 'Trauma Sensitivity' reader, as I think it's a very dangerous notion to put in to the world, that trauma of this magnitude can be healed by romantic love. Very dangerous.
FOR MORE INFORMATION ON THIS TOPIC, I SUGGEST YOU LISTEN TO THE AUGUST 12, 2020 “FATED MATES" PODCAST TITLED "Representation of Trauma Survivors In Romance: Adriana Herrera and Jen Prokop". It changed my life.
INTERNAL LOGIC
The heroine of this book is pregnant by her ex-husband. She has left North Carolina, where she and her ex lived, to move back home to Massachusetts. I’m not sure legally, that you can cross state lines without the father’s permission. The book attempts to tell us why she is allowed, but it still didn’t make sense to me.
Also, the logic about if the father wanting to be present at the sonogram appointment was confusing. He wanted to be there, but couldn’t. She agreed to film the appointment for him. Then, the author states that 'the father of her baby couldn’t be bothered to come to her doctors appointment when they were figuring out the sex of the baby. It's humiliating because contains a kernel of truth'. Which, what now? Then she forgets to film the appointment, which upsets the father, understandably. She takes responsibility for this. If he didn’t care to be there, than why was he so upset?
MARKETING BY HQN
This cover to me feels like a bait-and-switch. It does not say 'misery-fest with two traumatized people, one of whom is Puerto Rican and the other, who is Black, with high sexytimes heat'. I think some people will be shocked. The book cover I most compare it to was MEET CUTE by Helena Hunting. That adorable cartoon cover did nothing to prepare you for the heavy topics and subject matter held within. It’s the same here.
I've already mentioned that a 'Trauma' sensitivity reader was needed. But this book also needs Content Warnings. It’s cruel to not include them, especially for big-ticket issues like childhood cancer, loss of a sibling to cancer, orphaned as a child, loss of wife and child in childbirth. This is not a Naima Simone issue. It's a Harlequin issue (HQN).
Two last points. One, I see many people calling this an 'Angst Fest'. The word I would use is misery. I love my romances angsty. The angsty-er, the better. But this is not that. It’s just layering misery on top of misery that left me feeling not much of anything. Two, this is not the review I wanted to write, or expected to write for that matter, about a book with Naima Simone's name on the cover. I will continue to read her work and I look forward to whatever she writes next.
I received an ARC in return for a fair review. I am friendly with the author on various social media platforms.