The San Francisco season of The Real World was the best of all time. Hyperbole? Just look at the facts. Sure, the first New York season was good, but it was short and unleashed Eric Nies onto the world. The L.A. season was good, but the people were all annoying, and not in an entertaining way. And obviously, the whole franchise started to go downhill after the third season.
But it all came together with the San Francisco cast, which featured mostly intelligent people who could carry on a conversation about any number of topics, and who wouldn’t dream of engaging in on-camera naked hot-tub hookups for the purposes of furthering their “acting” careers (sorry, traumatic flashback to the Las Vegas season). You had the beautiful SF locale, the entertaining drama of Puck, and most importantly, the compelling presence of Pedro Zamora, whose charisma, integrity, and desire to create positive change were equaled only by the impact he had on middle America’s idea of what a person with AIDS, or even just a regular old out gay person, might be like. He was a trailblazer in more than one way.
So when this book first came out in 2000, I naturally wanted to read it to learn more about the story—the things that happened off-camera, and after the cameras stopped rolling for good. Pedro and Me definitely delivered in this area. I don’t know why I decided to read it again now, but this time I was more curious about Judd Winick’s abilities as a comic-book artist—something I wasn’t really thinking about the first time around. I know Judd has had a lot of success in this area since the show ended, but since 2000 I’ve read a lot of graphic novels and wanted to know if his work stood up to some of the best of those.
Somewhat surprisingly, it absolutely did. I was impressed by both his artistic ability and his skill at telling the story—he effectively conveyed both the fun and the immense sorrow of the situation, and the book is never less than riveting. I was most surprised at his ability to convey emotion through the characters’ faces, possibly some of the most effective work I’ve ever seen in that area. I was constantly studying the faces, trying to figure out exactly how he’d done it. Very, very affecting. Given that it’s been more than 20 years since the show ended, I was a little surprised at how sad the ending still made me (let’s be honest: I cried like a baby), but that’s a testament to both Pedro’s story and Judd’s skill in telling part of it.
The copy I read this time was the second edition, released in 2008. In a new Foreword, Judd speculates about how Pedro would feel about the progress that’s been made against AIDS in the years since his death. In particular, Judd excoriates the useless “Abstinence-Only” programs that continue to exert influence in the U.S., despite the fact that they clearly don’t work. An unpleasant online search reminded me that one of their other housemates, Rachel Campos, has been using her platform as a former Real World star to push abstinence, among other aspects of her conservative agenda. How depressing that a person could live with someone like Pedro and yet refuse to learn anything from him. It there’s any justice in the world, Pedro’s message is the one that will continue to resonate across the years.