When we think of struggles of liberation, the first and only struggle that comes to mind is the political kind. You cannot separate the political from the person, from the gendered, from the sexual, and from the racial.
In this book, Shanthini Naidoo chronicles the journey of four women, Joyce Sikhakhane-Rankin, Rita Ndzanga, Shanthie Naidoo, and Nondwe Mankahla, who were arrested between April and May 1969, with other 18 suspected terrorist, political activists, or any other title the apartheid police could manufacture, on trumped-up charges, which couldn't and didn't stick in the court of the day even during those turbulent times.
Joyce, Rita, Shanthini, and Nondwe were awaiting trial prison at the same time and in the same Pretoria Central Prison as Winnie Madikizela-Mandela and almost nothing was written about their experiences. Thank you Shanthini, not related to Shanthie Naidoo, for changing the focus of your Masters' thesis and validated, by giving a voice, to the harrowing and traumatic experiences of these four brave women, who even during grievous physical, mental, and emotional torture, starvation and despicable acts against their female bodies endured their arduous journeys towards South Africa's "Long Walk To Freedom".
Joyce was 23 years old with a breast-feeding baby when she was arrested, Rita and Nondwe were both 36 with toddlers who they had to leave in their mothers' care. Shanthie was 34, a young woman growing into herself. State violence is more than advancing the policies of the day, state violence is lifelong torture and mental anguish, a stealer of young people's dreams, and a huge force which not only destructs current families but turns the children left behind into anguished, untethered, and unrooted adults.
Shanthini Naidoo lets the four women tell their stories in their own voices. We know how we narrate stories as black people, and I loved how the four women were left to bring out their experiences in the Englishes which they understood and felt comfortable with. Once we care less about the Western palatability of our stories, not only does our narrating become richer, it also carries a level of communal spirituality.
All the four women expected to be arrested, they were political activists, and with the township whistleblowers at every corner, they understood the risks and accepted the consequences. What they didn't prepare for was the level of torture at the hands of Theunis J "Rooi Rus" Swanepoel. This man, although dead, hovers above the four women's mental states. They still suffer from nightmares, 50 years later, and his name still invokes anxiety attacks in most of them.
Women in Solitary is more than a chronological account of a single common event in these four women's lives whose paths would never have crossed had they not believed in an equal South Africa for all. This is not a story of four women who risked personal, though limited liberties, for a greater good for all mankind. This book is not about the role of women in the struggle for liberation, this is a story of the roles women assume in struggles of all forms of liberations. Joyce and Rita had to leave their children in their mothers' care for over two years, we do not hear of their fathers or their fathers' families rising to the occasion of raising them.
All four women speak about hunger. Constantly being hungry and the unpalatable food which they had no choice but to eat to keep their bodies going. It was no longer about nourishment but sustenance. When that failed, their bodies started shutting down. Their periods stopped completely which was traumatic to them, but more traumatic and shameful was their denial of sanitary pads. They had to bleed out on themselves without another change of clothes. Degradation of the worst kind. Solitary confinement is not only traumatic, it is gendered too.
Apartheid was designed to totally break down all black people, but the story of the national formation and the place of women in history has mostly been about male leaders and fighters and one or two women because of their proximity to political power and perceived political royalty.
Shanthini Naidoo included an essay on Winnie Mandela, though a lot has been written about her experiences in detention, whose inclusion placed her in her rightful moment in history. These four women had never met Winnie prior to their detention, but she was the driving force behind the fight to liberation when Nelson was incarcerated on Robben Island. Shanthini Naidoo's dedication to these women pushes the reader to consider her-story, to foreground the roles of women in national struggles. Women In Solitary joins "These Bones Shall Rise Again" and "The Ressurection of Winnie Mandela" in rejecting old dichotomies of a parochial sense of nation and belonging in order to reach beyond national boundaries.
I read this novel in conversation with other African writings dealing with state violence, condition of exile, and the immigrant experience - "Travellers", Helon Habila; "Sitting Pretty", Christi van der Westhuizen; "We, The Scarred", Mukoma wa Ngugi; "She Would Be King", Wayetu Moore; "We Need New Names", Noviolet Bulawayo; Emma Mashinin's "Strikes Have Followed Me All My Life"; "Miriam's Song: A Memoir" by Miriam Mathabane as told to Mark Mathabane and "Dreams, Betrayal and Hope", Mamphela Ramphela.