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688 pages, Paperback
First published September 1, 2020
At-homeness and a passionate attachment to this country were articulated still more clearly among the next generation, who identified strongly with their river birthplaces, families and communities, and called themselves Australians. p. 275Nevertheless, the dispossession on which this new sense of belonging was based, extended to the prevailing notion that Aboriginal culture is/was somehow fixed and therefore doomed. The dynamism and flexibility of Indigenous culture is still largely ignored today, with many lamenting the loss of traditional cultural practices.
Aboriginal people continued their own cultural practices and movements within 'settled' areas for decades, a tenacious and practical form of resistance. But they also adopted and transformed some of the settler's pleasures and participated in others:..p.430Just when I began to wonder if this book was becoming slightly plodding I found myself enthralled with the description of songs as connective events. In 1933, on the edge of Australia's western MacDonell Ranges, my father witnessed the last great pre-contact gathering of Nalliae, Pintubi and Loritcha groups. During a corroboree the Nalliae sang a song (among many others) referred to as the Duck Flying Away song. Not only was it rhythmically remarkable in that it was clear to all that it was about the flight of ducks as they circle a water hole, but it was sung in an old language no-one understood. My father speculated that it may have been a relic of a more sophisticated period. Karskens provides another explanation:
Songs also spread language far across Country, for when Aboriginal people learned the words, they learned the 'dialects of the language hence the poets sprung', although they could not always understand the meaning. p.441.