Robert Rauschenberg: Combines

by Robert Rauschenberg, Paul Schimmel (Editor)

Poetic and lush, Robert Rauschenberg's Combines present layers of complex and sometimes conflicting information. This approach, first explored by Rauschenberg in the early 1950s, proved prescient and has become increasingly relevant in the current age of cascading information, when even the most ground-breaking artists are referencing and sampling disparate elements to create new forms. The Combines suggest the fragility of definitions, the fluidity of materials, and the complexity of forms that are characteristic of Rauschenberg's works. The artist's handling of materials provides a precise physical evolutionary link between the painterly qualities of Abstract Expressionism and iconographical, subject-driven early Pop Art. This book focuses on the works created roughly between 1954 and 1964, the most important decade in the artist's 50-year career, and constitutes the most complete survey of the Combines ever presented, as well as the most rigorous analysis of their political, social, autobiographical, and aesthetic significance. An introductory essay by exhibition curator Paul Schimmel titled "Reading Rauschenberg" offers an iconographic analysis of the earlier Combines, based on in-depth conversations with the artist. Other texts help to contextualize the Combines, such as Thomas Crow's essay that calls them the major artistic statement of their time, and the one body of art that could simultaneously hold its own with De Kooning to the rear and Pop art to come.

Genres: Art, Nonfiction

318 pages, Paperback

First published January 28, 2005

About the author

Milton Ernest "Robert" Rauschenberg was an American painter and graphic artist whose early works anticipated the Pop art movement.

Reviews

[Aaron the Pink Donut · Rating 4 out of 5]

This massive tome of a book is a must have. Absolutely beautiful reproductions of all of Rauschenberg’s Combines series (late 50’s to early 60’s). With this inventive work Rauschenberg redefined mixed media. Very insightful commentary on methods, approaches and execution.

[Jonathan · Rating 5 out of 5]

Rauschenberg is alright, but this is one of the best books I've seen on any artist. So many plates, so little time.