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Kintsugi: A Novel - Winner of the Sushila Devi Award for the Best Book of Fiction 2021 and Oxford Bookstore Book Cover Prize 2022
Kintsugi -- named after the ancient Japanese art of mending broken objects with gold -- is a novel about young women breaching boundaries, overcoming trauma, and challenging the social order. And about men surprised by women who are unconventional, unafraid and independent. It is the story of Meena, rebellious and unexamined, and Yuri, as complex as Meena is naive. Of Hajime, outsider to two cultures, and Prakash, unable to see beyond his limited horizons. It is also the story of Haruko who has dedicated herself to her art, and of Leela who is determined to break gender roles and learn the traditional gold-craft of her community.Set between Japan and Jaipur, Kintsugi follows the lives of these characters as they intersect and diverge, collide and break and join again in unexpected ways. The result is a brilliantly original novel as profound as it is playful, as emotionally moving as it is gripping.
195 pages, Kindle Edition
Published July 28, 2020
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October 15, 2020
Kintsugi is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique. This is the definition that you will find on wiki.
Often we hear of the phrase "Broken things are beautiful too", but we don't really think what it really means.
I read Kintsugi at a go. I didn't, rather couldn't stop once I started. Initially, I had a feeling that this would focus more on the the literature (which it did actually) but it was so much more.
All the characters, be it Haruko or Prakash, Meena or Yuri and Leela or Hajime, had different shades to their characters. We see growth in some, and devastation in others.
Haruko's love for her art gives her strength to mend her broken heart. Prakash has still got a lot of growing to do. Meena is a free bird but way too sensitive for her own good. Yuri had a traumatic childhood, and she still carries it with herself. Leela is matured beyond her years and Hajime is still struggling to get his footing.
Through these characters we see the story spread and unfold and come back again to the point where it had started. Just as they say, the World is round. You ought to come back where you began.
A must read for everyone seeking a meaning from life, and everyone nursing a broken heart in the midst of all the chaos.
Often we hear of the phrase "Broken things are beautiful too", but we don't really think what it really means.
I read Kintsugi at a go. I didn't, rather couldn't stop once I started. Initially, I had a feeling that this would focus more on the the literature (which it did actually) but it was so much more.
All the characters, be it Haruko or Prakash, Meena or Yuri and Leela or Hajime, had different shades to their characters. We see growth in some, and devastation in others.
Haruko's love for her art gives her strength to mend her broken heart. Prakash has still got a lot of growing to do. Meena is a free bird but way too sensitive for her own good. Yuri had a traumatic childhood, and she still carries it with herself. Leela is matured beyond her years and Hajime is still struggling to get his footing.
Through these characters we see the story spread and unfold and come back again to the point where it had started. Just as they say, the World is round. You ought to come back where you began.
A must read for everyone seeking a meaning from life, and everyone nursing a broken heart in the midst of all the chaos.
Read
August 18, 2020The novel ends with a section that concerns two non-Indian characters outside India, and if one pauses and really thinks about it, the realization that such a thing is unique in a work of Indian English hits hard. That the novel arrives at this denouement naturally, even inevitably, is a credit to the writer.
Upadhyay's dexterity with elements of craft and her comfort with complex structures has been seen in her earlier novels (Daura and Bhaunri). Her story here, especially the conflicts the characters face and have to overcome or bypass, won't be everyone's cup of tea (matters of the heart dominate, art is a goal some characters get the chance to pursue, and the practicalities - the jobs that need doing, the cities that must be lived in - revolve around the necessary with a touch of arbitrariness).
For a novel that doesn't bother much with nationalities, that has Indian, Japanese, and Japanese-American characters interacting with each other, it is safe to say that a sort of multi-culturalism has been an essential enabling assumption. In such a novel, tonalities and accents in what is spoken become important, even if English is to be understood as the common language in all interactions. Here Upadhyay falters, not only in the lack of tonal variation between characters but also in the wordiness that all dialogue in the novel seems bear. Also, being clear and precise in communication and using le mot juste on all occasions, the characters speak as if they are characters in a novel, not real people; and though it is not something that continuously draws attention, it does jar if and when attention focalizes on it.
In Leela and Haruko, two women who become successful in their chosen fields through their stubbornness and hard work, we are offered two heroines. It is Leela, however, who we root louder for. Her socio-economic constraints make her journey of self-discovery and fulfillment more worthwhile. Haruko-the-globe-trotter's story is never that of an underdog, so while we appreciate the disciplined life she finally adopts for herself, we aren't quite sure of its appeal.
Leela and Haruko recover from being broken (by filling gold in their cracks, literally), but the other characters don't, or at least not as successfully. The other characters are also broken in deeper ways, and Kintsugi isn't possible for everyone. It is difficult to say how much the novel itself is conscious of this. I, for one, felt that despite lacing all characters with backstories and linking the present with the past, the novel belonged to a philosophical paradigm in which we are all responsible for our fates, and it is possible for us, for all of us, to excel after undergoing necessary journeys of the heart and then working hard. The success / happiness of Leela and Haruko become a touchstone for me to evaluate other characters by. But the way the other characters are broken does not contain the possibility of similar success/happiness, and it is in this that I found the novel's apparent motif - broken things can be beautiful, too - contradicted. How broken are we talking about?
There is Prakash, for instance, for whom a journey of the heart is cut short by the injunctions placed by society. A successful doctor in Jaipur, Prakash is dejected when he is spurned by a socially-sanctioned match but is, at the same time, unable to acknowledge the mildly transgressive love that is right before his eyes. That in this polyphonous novel, Prakash's interiority is never made available to us (except through dialogue with others) feels like a lost opportunity, a kind of perspective that might have added a new facet to the novel.
Upadhyay's dexterity with elements of craft and her comfort with complex structures has been seen in her earlier novels (Daura and Bhaunri). Her story here, especially the conflicts the characters face and have to overcome or bypass, won't be everyone's cup of tea (matters of the heart dominate, art is a goal some characters get the chance to pursue, and the practicalities - the jobs that need doing, the cities that must be lived in - revolve around the necessary with a touch of arbitrariness).
For a novel that doesn't bother much with nationalities, that has Indian, Japanese, and Japanese-American characters interacting with each other, it is safe to say that a sort of multi-culturalism has been an essential enabling assumption. In such a novel, tonalities and accents in what is spoken become important, even if English is to be understood as the common language in all interactions. Here Upadhyay falters, not only in the lack of tonal variation between characters but also in the wordiness that all dialogue in the novel seems bear. Also, being clear and precise in communication and using le mot juste on all occasions, the characters speak as if they are characters in a novel, not real people; and though it is not something that continuously draws attention, it does jar if and when attention focalizes on it.
In Leela and Haruko, two women who become successful in their chosen fields through their stubbornness and hard work, we are offered two heroines. It is Leela, however, who we root louder for. Her socio-economic constraints make her journey of self-discovery and fulfillment more worthwhile. Haruko-the-globe-trotter's story is never that of an underdog, so while we appreciate the disciplined life she finally adopts for herself, we aren't quite sure of its appeal.
Leela and Haruko recover from being broken (by filling gold in their cracks, literally), but the other characters don't, or at least not as successfully. The other characters are also broken in deeper ways, and Kintsugi isn't possible for everyone. It is difficult to say how much the novel itself is conscious of this. I, for one, felt that despite lacing all characters with backstories and linking the present with the past, the novel belonged to a philosophical paradigm in which we are all responsible for our fates, and it is possible for us, for all of us, to excel after undergoing necessary journeys of the heart and then working hard. The success / happiness of Leela and Haruko become a touchstone for me to evaluate other characters by. But the way the other characters are broken does not contain the possibility of similar success/happiness, and it is in this that I found the novel's apparent motif - broken things can be beautiful, too - contradicted. How broken are we talking about?
There is Prakash, for instance, for whom a journey of the heart is cut short by the injunctions placed by society. A successful doctor in Jaipur, Prakash is dejected when he is spurned by a socially-sanctioned match but is, at the same time, unable to acknowledge the mildly transgressive love that is right before his eyes. That in this polyphonous novel, Prakash's interiority is never made available to us (except through dialogue with others) feels like a lost opportunity, a kind of perspective that might have added a new facet to the novel.
December 6, 2020
Humans are all fallible, we experience, we break, we heal and we grow, that we survive broken relationships, unkempt health, and beaten career. We appreciate other's honesty but yet, we consider admitting our flaws difficult. We need transparency in any kind of relationship, yet we run away from facing the truth ourselves. Fostering trust requires both parties to admit mistakes and accept the flaws. We accept the flaws we see in others whereas we reject the flaws we see in ourselves.
Mistakes are a sign of trying something new. Mistakes are a sign of growth. Mistakes are vital. Things happen and mistakes occur. It is what we do after a mistake that counts. Do you fret over it and say it wasn't my cup of tea? No. You pick up the broken pieces and mend them.
Because "broken things are precious too."
金継ぎ - Kintsugi (golden joinery)
It is a Japanese art of repairing broken pottery by mending it with lacquer dusted or mixed with powdered gold, silver, or platinum. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.
Kintsugi by Anukrti Upadhyay is a story of two cultures - Jaipur and Japan. It is the story of six characters whose lives intersect and diverge, collide and break and join again in unexpected ways. It is the story of Haruko who is work-driven and dedicated herself to jewelry making and of Leela who is determined to learn the traditional craft of her community and become a sunar despite all sorts of obstacles. It is the story of Meena, spontaneous, rebellious, and unexamined, and Yuri, as complex as Meena is naive; of Hajime, an outsider to two cultures and Prakash, unable to see beyond his limited horizons.
The story transitions smoothly like a play from one scene to another. One chapter you're in Jaipur and another in Japan and another in Singapore. Between the written words, there's a deeper meaning just like the art of Kintsugi. It is comfortably one of those books for character development, for the story, for in-depth introspection, and also for the love of traveling.
Mistakes are a sign of trying something new. Mistakes are a sign of growth. Mistakes are vital. Things happen and mistakes occur. It is what we do after a mistake that counts. Do you fret over it and say it wasn't my cup of tea? No. You pick up the broken pieces and mend them.
Because "broken things are precious too."
金継ぎ - Kintsugi (golden joinery)
It is a Japanese art of repairing broken pottery by mending it with lacquer dusted or mixed with powdered gold, silver, or platinum. As a philosophy, it treats breakage and repair as part of the history of an object, rather than something to disguise.
Kintsugi by Anukrti Upadhyay is a story of two cultures - Jaipur and Japan. It is the story of six characters whose lives intersect and diverge, collide and break and join again in unexpected ways. It is the story of Haruko who is work-driven and dedicated herself to jewelry making and of Leela who is determined to learn the traditional craft of her community and become a sunar despite all sorts of obstacles. It is the story of Meena, spontaneous, rebellious, and unexamined, and Yuri, as complex as Meena is naive; of Hajime, an outsider to two cultures and Prakash, unable to see beyond his limited horizons.
The story transitions smoothly like a play from one scene to another. One chapter you're in Jaipur and another in Japan and another in Singapore. Between the written words, there's a deeper meaning just like the art of Kintsugi. It is comfortably one of those books for character development, for the story, for in-depth introspection, and also for the love of traveling.
August 10, 2020
Read full review here: https://soundingwords.blogspot.com/20...
That night, Leela lingered in Haruko’s room, leafing through her books as Haruko sat in silence, her eyes abstracted. ‘Jiji, what is this?’ She asked pointing at the picture of a terracotta-coloured bowl, deep and shaped like a cupped palm. The bowl had uneven golden lines running all over it.
Haruko glanced at the picture. ‘That’s a broken clay bowl mended with gold.’ Leela’s eyes widened. ‘Isn’t it beautiful? I had tried my hand at the art of Kintsugi in a ceramic class one semester.’
‘Not all vessels are meant to hold water, some are for allowing water to seep away.’ Haruko trailed a finger over the photograph. ‘Broken things are precious too’.
After finished reading Kintsugi by Anukrti Upadhyay, I meditated over each sentence I underlined before. Have you ever felt an urge to decode paragraphs, or just a quaint desire to enter into author’s brain, and catching way of observing images? Upadhyay’s depth of seeing things turned this novel into breathing tale.
That night, Leela lingered in Haruko’s room, leafing through her books as Haruko sat in silence, her eyes abstracted. ‘Jiji, what is this?’ She asked pointing at the picture of a terracotta-coloured bowl, deep and shaped like a cupped palm. The bowl had uneven golden lines running all over it.
Haruko glanced at the picture. ‘That’s a broken clay bowl mended with gold.’ Leela’s eyes widened. ‘Isn’t it beautiful? I had tried my hand at the art of Kintsugi in a ceramic class one semester.’
‘Not all vessels are meant to hold water, some are for allowing water to seep away.’ Haruko trailed a finger over the photograph. ‘Broken things are precious too’.
After finished reading Kintsugi by Anukrti Upadhyay, I meditated over each sentence I underlined before. Have you ever felt an urge to decode paragraphs, or just a quaint desire to enter into author’s brain, and catching way of observing images? Upadhyay’s depth of seeing things turned this novel into breathing tale.
August 30, 2020
I would read anything that Anukrti Upadhyay writes. Even if it’s the label on a packet of chips. This is a dazzling storyteller at the peak of her powers - so snap her up, really! I had read both her earlier works, and ‘Kintsugi’ too, like those books, is partly set in Jaipur. Much to my delight, a lot of it is also set in Japan and that beautiful place where I fell in love called Kyoto.
With typical deftness, Anukrti took me through the jeweler lanes in Jaipur, introducing me to Haruko, Leela, Prakash, and then later to Japan where Meena meets Yuri and Hajime, their paths crossing in tragic, mysterious, unpredictable, and beautifully shattered ways.
I was surprised at the unexpected LGBT angle in the book (a courageous move, I feel, from a relatively new author), and then I was surprised at the unexpected darkness that weaves in through the book. It’s almost like Upadhyay is sharpening her Kafka pencils, lulling us through the myriad messes we make of our lives and relationships. But I absolutely loved the strong feminist streak through most of her characters, except in Yuri, and most visible in Leela - who tries to break into the man-stronghold of jewelry making in Jaipur.
There are a number of Indian terms that might be unfamiliar to the Western audience, and there are no attempts to describe them. BUT. But it doesn’t take away from the reading. You see, I can barely understand Hindi and I made it just fine. That’s a writer’s craft. It doesn’t need translation.
"Broken things are precious too." I will tell that to myself every time I feel broken, which is almost every day.
(4 mouses from me because I felt the end was...a bit...broken).
With typical deftness, Anukrti took me through the jeweler lanes in Jaipur, introducing me to Haruko, Leela, Prakash, and then later to Japan where Meena meets Yuri and Hajime, their paths crossing in tragic, mysterious, unpredictable, and beautifully shattered ways.
I was surprised at the unexpected LGBT angle in the book (a courageous move, I feel, from a relatively new author), and then I was surprised at the unexpected darkness that weaves in through the book. It’s almost like Upadhyay is sharpening her Kafka pencils, lulling us through the myriad messes we make of our lives and relationships. But I absolutely loved the strong feminist streak through most of her characters, except in Yuri, and most visible in Leela - who tries to break into the man-stronghold of jewelry making in Jaipur.
There are a number of Indian terms that might be unfamiliar to the Western audience, and there are no attempts to describe them. BUT. But it doesn’t take away from the reading. You see, I can barely understand Hindi and I made it just fine. That’s a writer’s craft. It doesn’t need translation.
"Broken things are precious too." I will tell that to myself every time I feel broken, which is almost every day.
(4 mouses from me because I felt the end was...a bit...broken).
November 24, 2020
• r e v i e w •
.
Kintsugi is much for than a pretty Japanese art. It preaches the concept of finding beauty in imperfection, of bearing scars and yet being beautiful. In many ways, Upadhyay shows why the title is apt for her latest novel. Behind this beautiful cover, a handful of characters come together in the most unexpected manner. Their stories are interwoven like a carefully made sweater, each loop perfectly layered next to the other. From taking us to the colourful streets of Jaipur to the quiet mountains of Japan, Upadhyay's descriptions are a treat to read. I read this as part of #readingindia initiative.
.
Haruko comes to Jaipur to learn the art of jewelry making, something that intrigues the residents and sunars of the city. Her nimble fingers create beautiful pieces of jewelry and she soon gains popularity but an unfortunate accident wavers her perfectly curated itinerary. Confined to bed for few weeks, she finds an unlikely disciple who happens to be a sunar's daughter. Leela learns the art through Haruko against the wishes of her people because jewelry making is considered a man's job. Haruko finds a friend in her doctor, a man who happens to wait for his fiancé's return from Japan. Prakash is bothered about Meena's hesitancy in returning to the country and this forges a bond between him and Haruko. Across oceans, Meena finds love and is reluctant to head back home. But love is never easy and Meena's story isn't too different from it. With Hajime's entry into her life, Meena's already complicated life gets entangled like a pair of stubborn earphones.
.
Upadhyay, through her seamless writing connects the dots together and binds all the characters , making one feel like they've solved a jigsaw puzzle. Her manner of explaining the art of jewelry making is detail, pushing the readers to picture the steps right from melting metals to picturing a finished necklace. It's always a joy to read about places that one hasn't visited and Upadhyay does it brilliantly. My only concern was how most of the words, especially the ones that appear in Haruko's chapters were in local dialect. A glossary would have helped. But I definitely recommend this.
.
4.6/5.
.
Kintsugi is much for than a pretty Japanese art. It preaches the concept of finding beauty in imperfection, of bearing scars and yet being beautiful. In many ways, Upadhyay shows why the title is apt for her latest novel. Behind this beautiful cover, a handful of characters come together in the most unexpected manner. Their stories are interwoven like a carefully made sweater, each loop perfectly layered next to the other. From taking us to the colourful streets of Jaipur to the quiet mountains of Japan, Upadhyay's descriptions are a treat to read. I read this as part of #readingindia initiative.
.
Haruko comes to Jaipur to learn the art of jewelry making, something that intrigues the residents and sunars of the city. Her nimble fingers create beautiful pieces of jewelry and she soon gains popularity but an unfortunate accident wavers her perfectly curated itinerary. Confined to bed for few weeks, she finds an unlikely disciple who happens to be a sunar's daughter. Leela learns the art through Haruko against the wishes of her people because jewelry making is considered a man's job. Haruko finds a friend in her doctor, a man who happens to wait for his fiancé's return from Japan. Prakash is bothered about Meena's hesitancy in returning to the country and this forges a bond between him and Haruko. Across oceans, Meena finds love and is reluctant to head back home. But love is never easy and Meena's story isn't too different from it. With Hajime's entry into her life, Meena's already complicated life gets entangled like a pair of stubborn earphones.
.
Upadhyay, through her seamless writing connects the dots together and binds all the characters , making one feel like they've solved a jigsaw puzzle. Her manner of explaining the art of jewelry making is detail, pushing the readers to picture the steps right from melting metals to picturing a finished necklace. It's always a joy to read about places that one hasn't visited and Upadhyay does it brilliantly. My only concern was how most of the words, especially the ones that appear in Haruko's chapters were in local dialect. A glossary would have helped. But I definitely recommend this.
.
4.6/5.
August 23, 2020
I enjoyed this book thoroughly and was hooked from page one. I especially liked the simplicity in the book and the connections that the author has built with the characters. I also loved visiting the by-lanes of Jaipur through this book. And I am an ardent follower of Japan's culture and life, so that was also a binding hook for me. In all, it's a wonderful book. Must-read.
September 10, 2020
I have been meaning to read books by Anukrti Upadhyay for a while and I finally got the chance to read her new release Kintsugi. Kintsugi is named after the ancient Japanese art of mending broken objects with gold and this novel is about strong and independent women breaking the norms of society while dealing with traumas. Through Haruko, Leela, Meena, and Yuri, we see different personalities unfolding. I absolutely adored the relationship between Leela and Haruko, it felt pure and unconditional.
I wasn't sure about my feelings towards this book when I started it but this book certainly grew on me as I progressed. I have a soft corner for books with strong complex characters and multiple perspectives and luckily, this book had both. I loved reading about these characters life, their inner struggles, and unpredictable future amongst many other things. The intersection of different lives living on different sides of the world in unexpected ways was as effective as anything.
We also get a hard look into the patriarchal thinking of society which restricts women to grow in their own way through the eyes of some men and also women who can’t digest seeing women being independent and thinking for themselves, who are doing things out of the box or something that only men are supposed to do.
I loved the way Anukrti has reflected the meaning of Kintsugi in these characters' lives in different ways, giving it a much deeper meaning. These broken characters emerged beautifully and embraced their brokenness. The end of every character’s story (which wasn’t really an end) was amazingly done but I found myself longing for more, more of their lives, and a deep look into their past and insight into their future.
Sometimes, I felt that the intensity of few emotions or events wasn’t as effective as others but that being said, every line of this book had a sense of serenity even in the most tragic moments. I was consumed with their stories. Overall, I loved the writing style, the narration, and the whole ambiance around it and I am definitely going to explore more of her work after reading this.
“Broken things are precious too.”, yes indeed they are. Experiences, be it bad or good are a part of our lives but our brokenness doesn’t mean that we are less deserving. It is part of us, it defines and molds our personality and we should embrace it.
I wasn't sure about my feelings towards this book when I started it but this book certainly grew on me as I progressed. I have a soft corner for books with strong complex characters and multiple perspectives and luckily, this book had both. I loved reading about these characters life, their inner struggles, and unpredictable future amongst many other things. The intersection of different lives living on different sides of the world in unexpected ways was as effective as anything.
We also get a hard look into the patriarchal thinking of society which restricts women to grow in their own way through the eyes of some men and also women who can’t digest seeing women being independent and thinking for themselves, who are doing things out of the box or something that only men are supposed to do.
I loved the way Anukrti has reflected the meaning of Kintsugi in these characters' lives in different ways, giving it a much deeper meaning. These broken characters emerged beautifully and embraced their brokenness. The end of every character’s story (which wasn’t really an end) was amazingly done but I found myself longing for more, more of their lives, and a deep look into their past and insight into their future.
Sometimes, I felt that the intensity of few emotions or events wasn’t as effective as others but that being said, every line of this book had a sense of serenity even in the most tragic moments. I was consumed with their stories. Overall, I loved the writing style, the narration, and the whole ambiance around it and I am definitely going to explore more of her work after reading this.
“Broken things are precious too.”, yes indeed they are. Experiences, be it bad or good are a part of our lives but our brokenness doesn’t mean that we are less deserving. It is part of us, it defines and molds our personality and we should embrace it.
May 17, 2021
Kintsugi revolves around the lives of three women - Meena, Haruko and Leela and is set in Japan and India. The women are connected in visible and invisible ways as they tackle their fish-out-of-water circumstances. Leela's tale is the most endearing of them all.
Meena's case is slightly similar but she attempts to thwart conventions by staying in Japan for her studies and following her heart. She discovers her sexuality and falls in love twice. The butterfly effect like impact of that on Haruko, a Japanese-American jewelry designer temporarily living in Jaipur, is quite well done.
As much as I loved the writing, I couldn't get fully invested in the characters. Especially considering the relatability of the urban-queer context, Meena's tale didn't impact me as much as it should have. I also don't know if this was the authors choice but the sex scenes felt jarring, except in the last couple of chapters. Hajime and Haruko's dialogues didn't seem NY-esque either but that could be on me.
To me, the book felt almost 'lost in translation'. I think if it had been longer, meatier, then I would have really enjoyed it.
Ultimately, Kintsugi wasn't for me but I can see how it can be loved by a lot of people.
Meena's case is slightly similar but she attempts to thwart conventions by staying in Japan for her studies and following her heart. She discovers her sexuality and falls in love twice. The butterfly effect like impact of that on Haruko, a Japanese-American jewelry designer temporarily living in Jaipur, is quite well done.
As much as I loved the writing, I couldn't get fully invested in the characters. Especially considering the relatability of the urban-queer context, Meena's tale didn't impact me as much as it should have. I also don't know if this was the authors choice but the sex scenes felt jarring, except in the last couple of chapters. Hajime and Haruko's dialogues didn't seem NY-esque either but that could be on me.
To me, the book felt almost 'lost in translation'. I think if it had been longer, meatier, then I would have really enjoyed it.
Ultimately, Kintsugi wasn't for me but I can see how it can be loved by a lot of people.
September 23, 2020
Kintsugi is a Japanese cultural art form of mending pottery by filling gold or lacquer in the cracks. As a philosophy, it translates into meaning that the broken can be repaired and be beautiful too. Anukriti Upadhyay, through her novel, spins a wonderful tale around this incredible ideology zooming in and out of the busy lanes of Jaipur in Rajasthan (India) and surreally transporting us to Japan and its atmospheric beauty with her lucid writing.
The novel, Kintsugi, follows a structured approach of storytelling that focusses on the characters who walk in and out of the spotlight from the center stage. It starts with Haruko who comes to Jaipur to learn the unique art of jewelry making, for which the bazaars of Jaipur and its artisans are famous. She crosses paths with Leela and Dr. Prakash here when she meets with an unfortunate accident breaking her leg and being bedridden for a while. During this course, she befriends both of them; sharing sentiments of a heartbroken lover and teaching Leela the workmanship of gold. In the next phases of the book, we get introduced to Meena, Yuri, and Hajime in the magnificent surroundings of Japan. Meena who is in Japan for her fellowship meets Yuri and Hajime at different intervals of her life which eventually leads to a tragedy that Meena finds herself guilty of. These inter-connecting life stories portray people who break but build themselves up by finding a purpose to fill their life. Through cracks seeps in the light to heal, and even though these cracks leave scars, they only remind one of their healed past. Here, we witness the entire process of “gold joinery (Kintsugi)” through the characters Anukriti molds for us.
Keeping the principal motif people-centric, the author explores other themes like- restrictions on the girl child to inherit family trade, the custom of fixing marriages as children, a woman exploring her sexuality, the upheaval caused by a misunderstood relationship, and its repercussions. With characters befitting the themes, the pages come alive with Anukriti’s talented prose. Her careful writing is laden with minute details of the places featuring the socio-cultural aspect of the story. She brings to plate the vernacular charm of Jaipur and Japan in the form of food, people, mannerisms, and ambiance. These elements alleviate the reading experience giving the reader a stage of imagination. Anukriti Upadhyay picks up this age-old custom of Kintsugi and adroitly infuses it to form a story of broken-mended lives.
The novel, Kintsugi, follows a structured approach of storytelling that focusses on the characters who walk in and out of the spotlight from the center stage. It starts with Haruko who comes to Jaipur to learn the unique art of jewelry making, for which the bazaars of Jaipur and its artisans are famous. She crosses paths with Leela and Dr. Prakash here when she meets with an unfortunate accident breaking her leg and being bedridden for a while. During this course, she befriends both of them; sharing sentiments of a heartbroken lover and teaching Leela the workmanship of gold. In the next phases of the book, we get introduced to Meena, Yuri, and Hajime in the magnificent surroundings of Japan. Meena who is in Japan for her fellowship meets Yuri and Hajime at different intervals of her life which eventually leads to a tragedy that Meena finds herself guilty of. These inter-connecting life stories portray people who break but build themselves up by finding a purpose to fill their life. Through cracks seeps in the light to heal, and even though these cracks leave scars, they only remind one of their healed past. Here, we witness the entire process of “gold joinery (Kintsugi)” through the characters Anukriti molds for us.
Keeping the principal motif people-centric, the author explores other themes like- restrictions on the girl child to inherit family trade, the custom of fixing marriages as children, a woman exploring her sexuality, the upheaval caused by a misunderstood relationship, and its repercussions. With characters befitting the themes, the pages come alive with Anukriti’s talented prose. Her careful writing is laden with minute details of the places featuring the socio-cultural aspect of the story. She brings to plate the vernacular charm of Jaipur and Japan in the form of food, people, mannerisms, and ambiance. These elements alleviate the reading experience giving the reader a stage of imagination. Anukriti Upadhyay picks up this age-old custom of Kintsugi and adroitly infuses it to form a story of broken-mended lives.
February 3, 2021
An awesome engrossing read about women of strength. It is absolutely unputdownable. The story holds you until the end. And unlike many books which take a while to hold your attention, this one grabs your attention right from start.
Absolutely enjoyed the stories of the characters between Japan and Jaipur. Loved the story of Haruko and her passion to learn the art of jewellery making. Emotional yet practical, contemporary yet conservative, Anukriti has expressed the complexities of human beings beautifully through her writings.
“Broken can be beautiful too”. It is what perfectly sums up Kintsugi: Each character is broken. Some recover. Some do not. There are grit and determination of Leela fighting patriarchy, the teenager who you root for. The melancholy surrounding Meena and Yuri dealing with broken family bonds.
The book grabs you from the word go. The cover is beautifully designed. The writing style is lucid and descriptive.
“Not all vessels are meant to hold water, some are for allowing water to seep away.”
P.s:
I don’t know why i chose this book over anyone from the heap In that shelf but i hooked up with this somehow. I had been reading this from days and didn’t want to reach the last pages of this supernova. People were asking me to finish it but some nerves didn’t want to move ahead as it feels like the story needs to be completed. But unfortunately, it ends and surprisingly this made me feel “incompleteness is also a route to completeness“
AND
“Keep few things untapped as they are saving their interiority.”
Absolutely lovely!!!
Absolutely enjoyed the stories of the characters between Japan and Jaipur. Loved the story of Haruko and her passion to learn the art of jewellery making. Emotional yet practical, contemporary yet conservative, Anukriti has expressed the complexities of human beings beautifully through her writings.
“Broken can be beautiful too”. It is what perfectly sums up Kintsugi: Each character is broken. Some recover. Some do not. There are grit and determination of Leela fighting patriarchy, the teenager who you root for. The melancholy surrounding Meena and Yuri dealing with broken family bonds.
The book grabs you from the word go. The cover is beautifully designed. The writing style is lucid and descriptive.
“Not all vessels are meant to hold water, some are for allowing water to seep away.”
P.s:
I don’t know why i chose this book over anyone from the heap In that shelf but i hooked up with this somehow. I had been reading this from days and didn’t want to reach the last pages of this supernova. People were asking me to finish it but some nerves didn’t want to move ahead as it feels like the story needs to be completed. But unfortunately, it ends and surprisingly this made me feel “incompleteness is also a route to completeness“
AND
“Keep few things untapped as they are saving their interiority.”
Absolutely lovely!!!
October 9, 2020
Kintsugi is an ancient Japanese art of mending broken pottery by filling the areas of breakage with lacquer dusted or mixed with precious metal like powdered gold, silver or platinum.
Much like the title, the novel follows the stories of our characters Haruko, Meena, Leela, Yuri, Prakash and Hajime; as their lives briefly intersect and go in their respective directions, sometimes leaving them scars or patching them up.
Told in the form of interconnected stories and moving between Jaipur and Japan, each section is dedicated to a character that beautifully carves their strengths, weaknesses and experience in their own ways. Be it Haruko’s hunger for learning a foreign craft and excelling in it, Meena and Leela’s rebellion to follow their hearts, Prakash’s limited understanding of things or Yuri’s dark and complex nature; each unique with their passions and desires.
I absolutely loved Anukriti’s writing and how well she crafts her characters as real as any of us. You can find bits and pieces of yourself in a blend of their stories, their quest to find themselves.
I was pulled towards her theme of broken people, the scars we carry and the walls we built around ourselves yet leaving cracks wanting for someone to step in, stitch them up and heal us.
⭐️⭐️⭐️⭐️/5 and highly recommend it for the characters and the beautiful writing!
Much like the title, the novel follows the stories of our characters Haruko, Meena, Leela, Yuri, Prakash and Hajime; as their lives briefly intersect and go in their respective directions, sometimes leaving them scars or patching them up.
Told in the form of interconnected stories and moving between Jaipur and Japan, each section is dedicated to a character that beautifully carves their strengths, weaknesses and experience in their own ways. Be it Haruko’s hunger for learning a foreign craft and excelling in it, Meena and Leela’s rebellion to follow their hearts, Prakash’s limited understanding of things or Yuri’s dark and complex nature; each unique with their passions and desires.
I absolutely loved Anukriti’s writing and how well she crafts her characters as real as any of us. You can find bits and pieces of yourself in a blend of their stories, their quest to find themselves.
I was pulled towards her theme of broken people, the scars we carry and the walls we built around ourselves yet leaving cracks wanting for someone to step in, stitch them up and heal us.
⭐️⭐️⭐️⭐️/5 and highly recommend it for the characters and the beautiful writing!
September 12, 2020
A few months ago I read Bhaunri by Anukrti Upadhyay, and I absolutely loved it. The writing is what makes it a beautiful reading experience for me. I am still left to read Daura, but before that I read 'Kintsugi' by her.
📚
It's a novel art and craft of traditional jewellery made in Jaipur, of love and human relationships. Haruko, a Japanese woman, who has dedicated herself to this art, and has plans to learn traditional jewellery making from all around India and be a sunar. In Rajasthan or in traditions of jewellery making a woman cannot be a sunar, and for me it's ironical to know this.
The story also revolves around Meena, Yuri, Hajime. How love destroyed and made them a human. I loved reading Meena's story, but her character is highly vulnerable and she is like hot wax who settles easily where she finds comfort. Yuri, her past and present brings a sad end to her. Hajime becomes a victim of his own love. Read the book to find out how.
There are two more characters Leela and Prakash, who are interrelated to Haruko and Meena. But I was somehow intrigued about Meena's story, so couldn't relate to Prakash's side.
📚
The author has written a beautiful story. The title 'Kintsugi' - it is an art of putting broken pottery pieces back together with gold. All the characters in this book are like those broken pottery pieces, and their feelings, emotions, vulnerabilities forms the gold to bring them together. I am astound by the author's writing style. Her imagination and observation gives birth to unexplored reality.
For me this book is a fine piece of Indian literary fiction, with themes of Queer love, slapping hard at unknown facts of sheer patriarchal notions that 'still' exists.
I really wish Meena's story could have some more pages to make my heart full. Because i didn't want it to end. The beautiful description of Tokyo and Japanese culture and food is something you will surely look forward to read and know.
📚
It's a novel art and craft of traditional jewellery made in Jaipur, of love and human relationships. Haruko, a Japanese woman, who has dedicated herself to this art, and has plans to learn traditional jewellery making from all around India and be a sunar. In Rajasthan or in traditions of jewellery making a woman cannot be a sunar, and for me it's ironical to know this.
The story also revolves around Meena, Yuri, Hajime. How love destroyed and made them a human. I loved reading Meena's story, but her character is highly vulnerable and she is like hot wax who settles easily where she finds comfort. Yuri, her past and present brings a sad end to her. Hajime becomes a victim of his own love. Read the book to find out how.
There are two more characters Leela and Prakash, who are interrelated to Haruko and Meena. But I was somehow intrigued about Meena's story, so couldn't relate to Prakash's side.
📚
The author has written a beautiful story. The title 'Kintsugi' - it is an art of putting broken pottery pieces back together with gold. All the characters in this book are like those broken pottery pieces, and their feelings, emotions, vulnerabilities forms the gold to bring them together. I am astound by the author's writing style. Her imagination and observation gives birth to unexplored reality.
For me this book is a fine piece of Indian literary fiction, with themes of Queer love, slapping hard at unknown facts of sheer patriarchal notions that 'still' exists.
I really wish Meena's story could have some more pages to make my heart full. Because i didn't want it to end. The beautiful description of Tokyo and Japanese culture and food is something you will surely look forward to read and know.
September 21, 2020
A 3.5/5 read.
Kintsugi is an art of repairing objects with gold or lacquer. It works on the principle that even broken pieces can be valuable if one works on them. The title of the book works to its advantage not only because two of its three female protagonists are artists, working with gold and precious jewels, but because each of the character in the book, inspired by the real world, has been are broken and in need of being repaired.
The book is methodically divided into six sections – Haruko, Meena, Leela, Yuri, Prakash, Hajime – giving us glimpse into their individual stories while simultaneously maintain a common thread with one or more of the characters. Haruko is an art student who briefly lives in Jaipur, India, training under some of the master sunars or goldsmiths of the country. An accident which results in a fracture introduces her to Doctor Prakash and in extension to his finance, Meena, who refuses to return from Japan to get married. Haruko’s accident also brings her close to young Leena, who while taking care of her, studies under her and dreams of becoming the first female sunar of the community. Meena, who is a research scholar in Tokyo, juggles her work at the university and her complicated personal relationship with Yuri and Hajime, all the while trying to situate herself in a strange land.
There was no dull moment in Anukrti Upadhyay’s ‘Kintsugi’. The adequacy and preciseness of the prose was impressive. The story never gave out too much or too little of a character. However, I did questions how Prakash, Hajime and Yuri figure as major characters while the book was very evidently about Haruko, Meena and Leela. What stood out in the book was the idea of being broken yet whole in oneself. Each of the characters eventually make their own way in the story, making independent choices. Some (like Leela) broke the age-old ancestral barriers defining gender roles and others (like Haruko) carved a life for herself manifesting her life’s dream.
In my opinion, the book was not only well-written but also well-researched in terms of knowing a community, their means of livelihood and the uniqueness of their art, as well as knowing a place well enough to paint it appropriately for the reader.
Some other things I liked about the book:
How the private stories/lives of the individuals lead to stories about Jaipur, Tokyo, and Kyoto.
How the artisans (including some of the protagonists) spoke about their skill and art as a prayer connecting them to a higher form
Lastly, the exploration of the idea of being an outsider while belonging to that community/culture
Some things I disliked/thought could’ve been worked on:
The inconsistencies in the narrative style: Only Meena’s sections in the book were in first person, rest of the book was in third person.
The inconsistencies in the form: As mentioned earlier, the book seemed like the stories of three women – Haruko, Meena and Leela. It could’ve been easily divided in three instead of six sections. More so because the narratives of the two men – Prakash and Hajime – were never completely explored, and we see them only in relation to the women. Additionally, the book at times italicised dialogues (conversations) which took place in the past, and at times puts them in single quotes making it highly inconsistent.
The inconsistencies in the character development: I found a major disconnect between Haruko’s character in the first and the last sections of the book. Could this new unfeeling self of Haruko emerge from a heartbreak she experienced? It just wasn’t consistent to me. Hajime too appeared to change from a confident young professor taking interest in his work to a resigned, compliant follower of a woman he doesn’t even seem interested in. However, his character development is till a bit more convincing than Haruko’s.
An enjoyable read, nonetheless. Recommended to people who like stories of self-exploration, internal conflicts, and travel written in interesting yet comprehensible language.
Kintsugi is an art of repairing objects with gold or lacquer. It works on the principle that even broken pieces can be valuable if one works on them. The title of the book works to its advantage not only because two of its three female protagonists are artists, working with gold and precious jewels, but because each of the character in the book, inspired by the real world, has been are broken and in need of being repaired.
The book is methodically divided into six sections – Haruko, Meena, Leela, Yuri, Prakash, Hajime – giving us glimpse into their individual stories while simultaneously maintain a common thread with one or more of the characters. Haruko is an art student who briefly lives in Jaipur, India, training under some of the master sunars or goldsmiths of the country. An accident which results in a fracture introduces her to Doctor Prakash and in extension to his finance, Meena, who refuses to return from Japan to get married. Haruko’s accident also brings her close to young Leena, who while taking care of her, studies under her and dreams of becoming the first female sunar of the community. Meena, who is a research scholar in Tokyo, juggles her work at the university and her complicated personal relationship with Yuri and Hajime, all the while trying to situate herself in a strange land.
There was no dull moment in Anukrti Upadhyay’s ‘Kintsugi’. The adequacy and preciseness of the prose was impressive. The story never gave out too much or too little of a character. However, I did questions how Prakash, Hajime and Yuri figure as major characters while the book was very evidently about Haruko, Meena and Leela. What stood out in the book was the idea of being broken yet whole in oneself. Each of the characters eventually make their own way in the story, making independent choices. Some (like Leela) broke the age-old ancestral barriers defining gender roles and others (like Haruko) carved a life for herself manifesting her life’s dream.
In my opinion, the book was not only well-written but also well-researched in terms of knowing a community, their means of livelihood and the uniqueness of their art, as well as knowing a place well enough to paint it appropriately for the reader.
Some other things I liked about the book:
How the private stories/lives of the individuals lead to stories about Jaipur, Tokyo, and Kyoto.
How the artisans (including some of the protagonists) spoke about their skill and art as a prayer connecting them to a higher form
Lastly, the exploration of the idea of being an outsider while belonging to that community/culture
Some things I disliked/thought could’ve been worked on:
The inconsistencies in the narrative style: Only Meena’s sections in the book were in first person, rest of the book was in third person.
The inconsistencies in the form: As mentioned earlier, the book seemed like the stories of three women – Haruko, Meena and Leela. It could’ve been easily divided in three instead of six sections. More so because the narratives of the two men – Prakash and Hajime – were never completely explored, and we see them only in relation to the women. Additionally, the book at times italicised dialogues (conversations) which took place in the past, and at times puts them in single quotes making it highly inconsistent.
The inconsistencies in the character development: I found a major disconnect between Haruko’s character in the first and the last sections of the book. Could this new unfeeling self of Haruko emerge from a heartbreak she experienced? It just wasn’t consistent to me. Hajime too appeared to change from a confident young professor taking interest in his work to a resigned, compliant follower of a woman he doesn’t even seem interested in. However, his character development is till a bit more convincing than Haruko’s.
An enjoyable read, nonetheless. Recommended to people who like stories of self-exploration, internal conflicts, and travel written in interesting yet comprehensible language.
August 18, 2020
KINTSUGI- A Novel : Review
"Not all vessels are meant to hold water, some are for allowing water to seep away". Haruko trailed a finger over the photograph. "Broken things are precious too."
Kintsugi, also known as kinsukuroi, is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique.As a philosophy, kintsugi can be seen to have similarities to the Japanese philosophy of wabi-sabi, an embracing of the flawed or imperfect.
A refreshing surprise reading this novel took me to trip back to Kyoto's beauty and simple life of Japan. On the contrary, I can say I picked it up because of the Japanese title.
A broken heart too needs mending. Each one of us has a story about heartbreak or that unfulfilled desire, non-reciprocated love or burden of the past. This novel resonates those quiet stories in and around us.
Kintsugi- a Novel is a simple story of 6 different individuals, who are poles apart but their stories are interlinked. And their life journey takes us to traditional Jaipur lane to Japan.
Haruko, a Japanese woman, is learning the Indian art of meenakari, and the craft is heavily influenced and dominated by men in Jaipur. Haruko is beautifully indifferent to this fact, and while pursuing her passion, she inspires Leela. Leela young girl rebels the idea imposed upon her by the social system around. She is finding the source of learning at an uncanny place and giving it back to the world in an unapologetically.
It is a beautiful feeling when you know what you want in life. That clarity of thought is rare. Prakash while excelling at the professional front is totally at a loss when it comes to where to find love. His misplaced priorities come from his traditional upbringing and belief system.
Love is simple if it is there it is in front of you else there is nothing. And when you find it, you need to grab it, hold on to it and live it. Which Praksh fails to do, and so does Meena. Meena is in search of who she is ? by grabbing the opportunity to travel away from family in unknown land she gets lost more horrifically.
Of all the places I have been and travelled to Japan is very close to my heart. I now I will go there again not just once but at every opportunity at my hand. It seems the author, too had a good trip down there. Japan and Japanese people and its culture do have a lasting impact that comes out nicely here. On a side note, let me say JAPAN is the most underrated country when it comes to travel and to explore. Go there, be there once and live the culture, talk to the people. It is simply beautiful.
Yuri, a beautiful, fragile soul, is looking for love. Her failure at finding it is not her mistake. It is a burden for living. At the same time, Hajime is mending his heart while mending Haruko's.
These simple stories are pieces, of the life around us, and are put together to make a picture with simple yet compelling writing by Anukriti, the author. She has embraced the art of " KINTSUGI" in her writing while putting together these stories in one book.
After this, I am sure going to read her other books soon. Gald that I found this one!
"Not all vessels are meant to hold water, some are for allowing water to seep away". Haruko trailed a finger over the photograph. "Broken things are precious too."
Kintsugi, also known as kinsukuroi, is the Japanese art of repairing broken pottery by mending the areas of breakage with lacquer dusted or mixed with powdered gold, silver, or platinum, a method similar to the maki-e technique.As a philosophy, kintsugi can be seen to have similarities to the Japanese philosophy of wabi-sabi, an embracing of the flawed or imperfect.
A refreshing surprise reading this novel took me to trip back to Kyoto's beauty and simple life of Japan. On the contrary, I can say I picked it up because of the Japanese title.
A broken heart too needs mending. Each one of us has a story about heartbreak or that unfulfilled desire, non-reciprocated love or burden of the past. This novel resonates those quiet stories in and around us.
Kintsugi- a Novel is a simple story of 6 different individuals, who are poles apart but their stories are interlinked. And their life journey takes us to traditional Jaipur lane to Japan.
Haruko, a Japanese woman, is learning the Indian art of meenakari, and the craft is heavily influenced and dominated by men in Jaipur. Haruko is beautifully indifferent to this fact, and while pursuing her passion, she inspires Leela. Leela young girl rebels the idea imposed upon her by the social system around. She is finding the source of learning at an uncanny place and giving it back to the world in an unapologetically.
It is a beautiful feeling when you know what you want in life. That clarity of thought is rare. Prakash while excelling at the professional front is totally at a loss when it comes to where to find love. His misplaced priorities come from his traditional upbringing and belief system.
Love is simple if it is there it is in front of you else there is nothing. And when you find it, you need to grab it, hold on to it and live it. Which Praksh fails to do, and so does Meena. Meena is in search of who she is ? by grabbing the opportunity to travel away from family in unknown land she gets lost more horrifically.
Of all the places I have been and travelled to Japan is very close to my heart. I now I will go there again not just once but at every opportunity at my hand. It seems the author, too had a good trip down there. Japan and Japanese people and its culture do have a lasting impact that comes out nicely here. On a side note, let me say JAPAN is the most underrated country when it comes to travel and to explore. Go there, be there once and live the culture, talk to the people. It is simply beautiful.
Yuri, a beautiful, fragile soul, is looking for love. Her failure at finding it is not her mistake. It is a burden for living. At the same time, Hajime is mending his heart while mending Haruko's.
These simple stories are pieces, of the life around us, and are put together to make a picture with simple yet compelling writing by Anukriti, the author. She has embraced the art of " KINTSUGI" in her writing while putting together these stories in one book.
After this, I am sure going to read her other books soon. Gald that I found this one!
October 2, 2020
Before hearing about this book I was not really known to the art of "KINTSUGI", But eventually I heard and read about it. It is a Japanese art form of repairing broken pottery by sticking the pieces together with lacquer dusted or mixed with powdered gold. Who really imagined that one can convert some broken pieces into an art which is so beautiful and its history gets preserved as well.
Upadhyay, by the means of her novel, transported the reader to the galis of Jaipur where Haruko was learning the art of goldsmiths from Madanji and Munnaji. An unforeseen accident met Haruko and she was ended up being bedridden for a couple of months. Meanwhile, she befriended Leela Munnaji's youngest daughter. The relation of Haruko and Leela is something which I adore very much.
Later in the story, we meet Meena. She was a literature student from Jaipur who came to Tokyo for research purposes. She was introduced to Yuri. Her existence shaped Meena's life.
The main representation of the book is to break the patriarchy just to heal up the character once again. Three protagonists Haruko, Meena, and Leela assisted by three other people Prakash, Hajime, and Yuri are distant but interrelated to each other in an extremely influential way.
Leela's character is my favourite among all. She was a teenager who was enthusiastic, strong and curious. From a supporting character initially, she was grown into a fierce woman. Her relation with Haruko was very warming.
Meena was a tender woman and the chapters with her being in focus were very susceptible and yet portrays a strong, free-willed, inspiring character.
Yuri's and Hajime's characters were restrained.
The book was descriptive in the best way possible. The descriptions are vivid, striking and expressive but they are short and not very extensive. On one hand, mentions of some Indian sweets like boondi and ghewar just made me drool as the atmosphere which was built up was just perfect and on the other hand, the descriptions of Meena's trip to hills till the turtle island in the sulu sea and the island beach in Indonesia just urged me a lot more to pack my bags.
Exquisite metaphorical representations in the book are something to die for.
For instance:-
"To convert humble glass and meagre gold foil into such fragile beauty requires the highest form of swarankari. It goes beyond the art of ornament making - it is the art of life itself. To fuse the pure with the frail without melting one or breaking the other."
"The turtle is stupid. All shores are the same. You are the sea. Roll endlessly."
‘Not all vessels are meant to hold water, some are for allowing water to seep away.’
I was genuinely very excited to read this book because last year I read her twin novels "Daura and Bhaunri" and those were two of my best reads of 2019.
And not to my surprise kintsugi was one another great piece written by the author. One thing which I want to mention is that all the 3 books of the author has a very serious undertone. Author's way of writing is very profound yet transparent.
In this book specifically I felt that the plot was all over the place but the portrayals and the metaphors in this book made it one of my best read of 2020.
Upadhyay, by the means of her novel, transported the reader to the galis of Jaipur where Haruko was learning the art of goldsmiths from Madanji and Munnaji. An unforeseen accident met Haruko and she was ended up being bedridden for a couple of months. Meanwhile, she befriended Leela Munnaji's youngest daughter. The relation of Haruko and Leela is something which I adore very much.
Later in the story, we meet Meena. She was a literature student from Jaipur who came to Tokyo for research purposes. She was introduced to Yuri. Her existence shaped Meena's life.
The main representation of the book is to break the patriarchy just to heal up the character once again. Three protagonists Haruko, Meena, and Leela assisted by three other people Prakash, Hajime, and Yuri are distant but interrelated to each other in an extremely influential way.
Leela's character is my favourite among all. She was a teenager who was enthusiastic, strong and curious. From a supporting character initially, she was grown into a fierce woman. Her relation with Haruko was very warming.
Meena was a tender woman and the chapters with her being in focus were very susceptible and yet portrays a strong, free-willed, inspiring character.
Yuri's and Hajime's characters were restrained.
The book was descriptive in the best way possible. The descriptions are vivid, striking and expressive but they are short and not very extensive. On one hand, mentions of some Indian sweets like boondi and ghewar just made me drool as the atmosphere which was built up was just perfect and on the other hand, the descriptions of Meena's trip to hills till the turtle island in the sulu sea and the island beach in Indonesia just urged me a lot more to pack my bags.
Exquisite metaphorical representations in the book are something to die for.
For instance:-
"To convert humble glass and meagre gold foil into such fragile beauty requires the highest form of swarankari. It goes beyond the art of ornament making - it is the art of life itself. To fuse the pure with the frail without melting one or breaking the other."
"The turtle is stupid. All shores are the same. You are the sea. Roll endlessly."
‘Not all vessels are meant to hold water, some are for allowing water to seep away.’
I was genuinely very excited to read this book because last year I read her twin novels "Daura and Bhaunri" and those were two of my best reads of 2019.
And not to my surprise kintsugi was one another great piece written by the author. One thing which I want to mention is that all the 3 books of the author has a very serious undertone. Author's way of writing is very profound yet transparent.
In this book specifically I felt that the plot was all over the place but the portrayals and the metaphors in this book made it one of my best read of 2020.
September 22, 2020
“Not all vessels are meant to hold water, some are for allowing water to seep away.”
Kintsugi is a Japanese technique that involves repairing broken pottery with gold. The idea, from what I understand after reading it up, is to make the piece stronger and valuable. The art, however, finds very little and metaphorical mention in the book.
Anukrti Upadhyay’s book of the same name opens up in the narrow alleys of the jewellers’ market in the old city of Jaipur. Haruko, a design student from New York, works with Madanji, a fourth generation goldsmith. After showing a keen interest in Indian enamel, her advisor introduced her to Madanji, who took her as a favor. The advisor, after her visit to Johari Bazaar, wrote about the goldsmiths in magazines which brought seasonal tourist to his gaddi. Haruko now works at both Madanji’s and Munnaji’s (his cousin) gaddi, learning her way around intricate jewellery pieces.
A tragic accident leaves Haruko bedridden with some fractures. She befriends Leela, Munnaji’s youngest daughter, who takes charge of taking care of Haruko. Leela, a rather curious thirteen year old, questions and shows a keen interest in Haruko’s sketches. Women were not allowed to learn the craft of goldsmiths but Leela’s interest was hinting at something else.
Miles away from Jaipur, we meet Meena who is on her way to a hilltop accompanied by her friend, Yuri. A literature student from Jaipur, Meena is in an arranged association with a doctor from named Prakash, the same doctor who treated Haruko’s broken leg.
Kintsugi is about our three main protagonists — Haruko, Meena, and Leela — supported by three other voices — Prakash, Hajime, and Yuri.
Each place, scene, and scenario has been outlined descriptively, yet in a compact way. Starting from the galis of Jaipur where Haruko works on the intricate designs, how she uses the furnace and the blow touch, to Meena’s trip to the hills, till the Turtle Island in the Sulu Sea everything made me want to pack my bags and run away.
Keeping to the true meaning of the title, Kintsugi ‘breaks’ patriarchy at many steps in order to piece the character back. They shed the decades of norms and learnings, what the society has told them or rather passed on to them. In the case of Leela’s, gender creates hindrance in her work because “women were not allowed to learn the craft of goldsmiths”. She is paid poorly for her work as compared to the male workers. A tenant teaches her the intricate thewa style, which earns her name among the community. Meena refuses to go back to India and marry Prakash, a choice of her parents.
As we make the journey from Jaipur to Tokyo to Singapore and the Turtle Island, the characters cross each other’s paths, break them & mend them, but also go beyond the title of this book. To put everything in almost 200 pages is an art, something Anukrti Upadhyay pulled off smoothly.
Kintsugi is a Japanese technique that involves repairing broken pottery with gold. The idea, from what I understand after reading it up, is to make the piece stronger and valuable. The art, however, finds very little and metaphorical mention in the book.
Anukrti Upadhyay’s book of the same name opens up in the narrow alleys of the jewellers’ market in the old city of Jaipur. Haruko, a design student from New York, works with Madanji, a fourth generation goldsmith. After showing a keen interest in Indian enamel, her advisor introduced her to Madanji, who took her as a favor. The advisor, after her visit to Johari Bazaar, wrote about the goldsmiths in magazines which brought seasonal tourist to his gaddi. Haruko now works at both Madanji’s and Munnaji’s (his cousin) gaddi, learning her way around intricate jewellery pieces.
A tragic accident leaves Haruko bedridden with some fractures. She befriends Leela, Munnaji’s youngest daughter, who takes charge of taking care of Haruko. Leela, a rather curious thirteen year old, questions and shows a keen interest in Haruko’s sketches. Women were not allowed to learn the craft of goldsmiths but Leela’s interest was hinting at something else.
Miles away from Jaipur, we meet Meena who is on her way to a hilltop accompanied by her friend, Yuri. A literature student from Jaipur, Meena is in an arranged association with a doctor from named Prakash, the same doctor who treated Haruko’s broken leg.
Kintsugi is about our three main protagonists — Haruko, Meena, and Leela — supported by three other voices — Prakash, Hajime, and Yuri.
Each place, scene, and scenario has been outlined descriptively, yet in a compact way. Starting from the galis of Jaipur where Haruko works on the intricate designs, how she uses the furnace and the blow touch, to Meena’s trip to the hills, till the Turtle Island in the Sulu Sea everything made me want to pack my bags and run away.
Keeping to the true meaning of the title, Kintsugi ‘breaks’ patriarchy at many steps in order to piece the character back. They shed the decades of norms and learnings, what the society has told them or rather passed on to them. In the case of Leela’s, gender creates hindrance in her work because “women were not allowed to learn the craft of goldsmiths”. She is paid poorly for her work as compared to the male workers. A tenant teaches her the intricate thewa style, which earns her name among the community. Meena refuses to go back to India and marry Prakash, a choice of her parents.
As we make the journey from Jaipur to Tokyo to Singapore and the Turtle Island, the characters cross each other’s paths, break them & mend them, but also go beyond the title of this book. To put everything in almost 200 pages is an art, something Anukrti Upadhyay pulled off smoothly.
October 2, 2020
I often wonder, which I’d choose to go with when given an option, profound or simple. Two days back I chose something simple to read. It was soothing, beautiful and it also had a surprise package, I found some profound lessons it, hidden under the cover of regularity and discord.
The book follows five lives, interconnected to each other directly or indirectly. Each with a personality quite different from the rest and each with a different childhood, some born and brought up in Jaipur, the ancient city, in always buzzing houses with always chirping family members, while others in Japan or US brought up by lonely mothers and fathers.
The story takes place in a couple of places, but most of it is based in Jaipur, Japan and Singapore. The way the author talks about each of these places she has visited, through this book, makes me wonder why is she not already a travel blogger. Why? The small references she gives for every place she visits are so soothing and joyful. I found myself smiling at a couple of local phrases and familiar ways of being.
Given, I was born in Rajasthan, the part of the story covered in that place was so endearing. But having never set foot in Japan didn’t stop me from smelling the blossoms and feeling the warm and cold vibes of the mountain, which applies consistently for Singapore too.
The way the author has talked about the various relationships and why something happened or didn’t happen or how it couldn’t be improved or improved at great will was so realistic, at various events I found myself putting my own life into that of the character’s and comparing them against each other, then moving on to compare the lives of people I couldn’t understand but still knew well.
In the end, it’s a story about who you were born to be, who you became, what prevented you from being who you are, how did you overcome the hurdles thrown at you but ultimately fell into another dark pitch sadness and confusion this world keeps weaving for you and if there really is a way out of it.
Amazed how the author covered so many lives in such detail, in only two hundred pages; a life of a rejected man, an unflinching artist, a looked down upon teenager, a lonely child, a never-belonging-to-any-place man, a brought down father and just a couple more. Also, adore the author for writing such a natural gay love story (however tragic).
No doubt, not an extra sentence was written anywhere, not even an extra word. (Praises to the editor, here!)
Ratings-
Concept- 4.1/5
Plot- 4.1/5
Characterisation- 4.2/5
Flow- 4/5
Feels- 4.1/5
Narration- 4/5
Inclusive Ratings- 4/5
The book follows five lives, interconnected to each other directly or indirectly. Each with a personality quite different from the rest and each with a different childhood, some born and brought up in Jaipur, the ancient city, in always buzzing houses with always chirping family members, while others in Japan or US brought up by lonely mothers and fathers.
The story takes place in a couple of places, but most of it is based in Jaipur, Japan and Singapore. The way the author talks about each of these places she has visited, through this book, makes me wonder why is she not already a travel blogger. Why? The small references she gives for every place she visits are so soothing and joyful. I found myself smiling at a couple of local phrases and familiar ways of being.
Given, I was born in Rajasthan, the part of the story covered in that place was so endearing. But having never set foot in Japan didn’t stop me from smelling the blossoms and feeling the warm and cold vibes of the mountain, which applies consistently for Singapore too.
The way the author has talked about the various relationships and why something happened or didn’t happen or how it couldn’t be improved or improved at great will was so realistic, at various events I found myself putting my own life into that of the character’s and comparing them against each other, then moving on to compare the lives of people I couldn’t understand but still knew well.
In the end, it’s a story about who you were born to be, who you became, what prevented you from being who you are, how did you overcome the hurdles thrown at you but ultimately fell into another dark pitch sadness and confusion this world keeps weaving for you and if there really is a way out of it.
Amazed how the author covered so many lives in such detail, in only two hundred pages; a life of a rejected man, an unflinching artist, a looked down upon teenager, a lonely child, a never-belonging-to-any-place man, a brought down father and just a couple more. Also, adore the author for writing such a natural gay love story (however tragic).
No doubt, not an extra sentence was written anywhere, not even an extra word. (Praises to the editor, here!)
Ratings-
Concept- 4.1/5
Plot- 4.1/5
Characterisation- 4.2/5
Flow- 4/5
Feels- 4.1/5
Narration- 4/5
Inclusive Ratings- 4/5
October 8, 2020
Kintsugi by Anukriti Upadhyay is a book about broken people. Broken people who mend themselves with streaks of gold and become unique and precious in their own way. Just like the Japanese art of Kintsugi where broken objects are repaired with gold to highlight imperfections. This art teaches that broken objects are not something to hide but to display with pride.
🏺
The book focuses on the stories of 6 main characters - Haruko, Meena, Yuri, Leela, Dr. Praksh and Hajime.
🏺
Haruko is staying in Jaipur to learn the jewelry making from the well known kundansaaz of the Johari bazar. A dedicated artist, will she learn only the art of making jewelry or life has something more to offer?
🏺
There she befriends 14 year old daughter Leela of the kundansaaz. Leela has the skill of a sunar but because of the traditions of the family where the daughters are not allowed to sit on the gaddi has been criticised. Will she abide by these traditions or follow her heart?
🏺
Haruko in an unfortunate accident meets Dr Prakash who is treating her for her broken leg. Prakash is a man stuck up with the societal norms and has his own perceptions about how women should be. His definition of normal is what normal society is. But how right is this normal?
🏺
Meena is staying in Japan doing her research. A rebel from the childhood, Meena is struggling to find her originality in land of strangers. But will her struggle help her or will she cause pain to others in her process of finding herself.
🏺
Yuri, Meena's friend in Japan has had a disturbed childhood memory and is finding ways to repair that with the help of Meena. But is she healing or falling deep down in her pain?
🏺
Hajime who meets Meena in her college is a true friend of her. But where will this friendship take him?
🏺
Distinct and unique in their own way, each character is dealing with something only they know of.
🏺
I'm in awe of the author's writing style that is so picturesque that weaves magic. While you'll experience the hustle and bustle of the Jaipur streets in India at one moment, in the next it'll take you to the tranquility of Japan. With her poetic and lyrical prose, she creates a story that is a perfect blend of Indian and Japanese literature, two of the genres that I've come to love recently.
🏺
The book focuses on the stories of 6 main characters - Haruko, Meena, Yuri, Leela, Dr. Praksh and Hajime.
🏺
Haruko is staying in Jaipur to learn the jewelry making from the well known kundansaaz of the Johari bazar. A dedicated artist, will she learn only the art of making jewelry or life has something more to offer?
🏺
There she befriends 14 year old daughter Leela of the kundansaaz. Leela has the skill of a sunar but because of the traditions of the family where the daughters are not allowed to sit on the gaddi has been criticised. Will she abide by these traditions or follow her heart?
🏺
Haruko in an unfortunate accident meets Dr Prakash who is treating her for her broken leg. Prakash is a man stuck up with the societal norms and has his own perceptions about how women should be. His definition of normal is what normal society is. But how right is this normal?
🏺
Meena is staying in Japan doing her research. A rebel from the childhood, Meena is struggling to find her originality in land of strangers. But will her struggle help her or will she cause pain to others in her process of finding herself.
🏺
Yuri, Meena's friend in Japan has had a disturbed childhood memory and is finding ways to repair that with the help of Meena. But is she healing or falling deep down in her pain?
🏺
Hajime who meets Meena in her college is a true friend of her. But where will this friendship take him?
🏺
Distinct and unique in their own way, each character is dealing with something only they know of.
🏺
I'm in awe of the author's writing style that is so picturesque that weaves magic. While you'll experience the hustle and bustle of the Jaipur streets in India at one moment, in the next it'll take you to the tranquility of Japan. With her poetic and lyrical prose, she creates a story that is a perfect blend of Indian and Japanese literature, two of the genres that I've come to love recently.
September 27, 2021
Loved this book for its title, ‘KINTSUGI’, which is named after the Japanese art of mending broken objects with gold; the beautiful description of the jewellery making art; the powerful characters of Haruko and Leela; the use of vernacular terms in the context of India and Japan and last but not the least the essence of the book, which is about learning to live with our brokenness and finding beauty in it.
I liked how Haruko responded to Hajime when he shared his life experiences with her, the ones that had left him without any proper closure, in a state of unending emotional turmoil. After listening to him, Haruko said, “ It is difficult enough to understand our own actions. It is never of any use to analyse someone else’s actions or motives, Hajime. It happened [ that’s it].”
The message embedded in this book which revolves around six characters and their complex lives is of acceptance , letting go and moving on with an open mind and heart. Overall, it was a good read.
I liked how Haruko responded to Hajime when he shared his life experiences with her, the ones that had left him without any proper closure, in a state of unending emotional turmoil. After listening to him, Haruko said, “ It is difficult enough to understand our own actions. It is never of any use to analyse someone else’s actions or motives, Hajime. It happened [ that’s it].”
The message embedded in this book which revolves around six characters and their complex lives is of acceptance , letting go and moving on with an open mind and heart. Overall, it was a good read.
October 6, 2020
Intrigued by the title and by the fact that it was set in places as diverse as Japan and Jaipur, I picked this up. I read it in one go, and I found it enchanting. I love authors who draw out their worlds in vivid colourful detail, and Anukrti is definitely one of them. The most fascinating part of this book for me was that peek into the jewellery world, learning about enamel and meena and thewa. Feeling like I was in one of those Gaddis too, watching young Leela trying so hard to establish her place in a male dominated craft. She was my favourite character of this book. While several of the characters were well fleshed out, some remained a little flat to me. For instance, Hajime. I do not know if that was intentional. But the ending was where I was most puzzled. It felt abrupt and frazzled to me.
This one is definitely an author who I want to read more of though.
This one is definitely an author who I want to read more of though.
Read
February 27, 2023Liked the parts set in India revolving around the craft of jewellery making. The stories set in Japan were good but weren’t appealing to me at a personal level.
February 28, 2021
Loved every single thing about this!
December 11, 2020
Broken, shattered, tattered, fragmented, cracked, smashed, in pieces, torn, splintered, pierced, unfinished
So many words in the dictionary to describe something that is not whole, something that is incomplete.
Human beings as a collective don't attribute the concept of beauty to objects that are broken. Once an object is broken, it becomes a non-entity, something to be thrown away, something that has to be purged.
What happens when human beings become broken, shattered, tattered individuals. Do we label them as non-entities too, reduced to being branded as trash, something to be thrown away, something that has to be purged.
Why do we not find incompleteness alluring? Why do we not see that there is beauty in broken things?
Kintsugi, the ancient Japanese art of mending broken objects with gold, stems from the philosophy that broken parts of an object is a part of its history, not something that needs to be hidden.
What if we attach this philosophy to broken individuals too? Then we get the novel, Kinstugi written by Anukrti Upadhyay.
Kintsugi, the novel, spans from Jaipur to Japan and stops over at Singapore too, showcasing the lives of six incomplete individuals.
Some manage to mend their broken parts and show them to the world, not hiding their imperfections but rejoicing in it. Some are unbrokem, yet have started to show signs of cracks in their facade, but they are absolutely sure that they can withstand the wear and tears, come what may. Some are broken beyond repair. Some tend to remain incomplete despite their endeavors to mend their broken parts. Some show the world their unbroken side, hiding their imperfections. Some have no clue how to deal with their brokenness, they're still in search of a method to help mend them.
Six people, six different stories, six lives that intersect, three countries, one story- a masterpiece
Broken things are precious too; but sometimes somethings are better left broken.
So many words in the dictionary to describe something that is not whole, something that is incomplete.
Human beings as a collective don't attribute the concept of beauty to objects that are broken. Once an object is broken, it becomes a non-entity, something to be thrown away, something that has to be purged.
What happens when human beings become broken, shattered, tattered individuals. Do we label them as non-entities too, reduced to being branded as trash, something to be thrown away, something that has to be purged.
Why do we not find incompleteness alluring? Why do we not see that there is beauty in broken things?
Kintsugi, the ancient Japanese art of mending broken objects with gold, stems from the philosophy that broken parts of an object is a part of its history, not something that needs to be hidden.
What if we attach this philosophy to broken individuals too? Then we get the novel, Kinstugi written by Anukrti Upadhyay.
Kintsugi, the novel, spans from Jaipur to Japan and stops over at Singapore too, showcasing the lives of six incomplete individuals.
Some manage to mend their broken parts and show them to the world, not hiding their imperfections but rejoicing in it. Some are unbrokem, yet have started to show signs of cracks in their facade, but they are absolutely sure that they can withstand the wear and tears, come what may. Some are broken beyond repair. Some tend to remain incomplete despite their endeavors to mend their broken parts. Some show the world their unbroken side, hiding their imperfections. Some have no clue how to deal with their brokenness, they're still in search of a method to help mend them.
Six people, six different stories, six lives that intersect, three countries, one story- a masterpiece
Broken things are precious too; but sometimes somethings are better left broken.
September 2, 2020
Hailing from Rajasthan, I've always had in me, the zestfulness about my place, the roots I belong to. Away from a place I have a profound liking for, hasn't been easy. I grew up being an ardent reader from the early days of my life which is why I've landed where I am today. Anukrti upadhyay ji is the author I've been waiting for all these years - someone whose words connect to me in an unthinkably beautiful way, a writer whose words stir and churn, my thoughts and emotions peculiarly. Having fell for her words, language and her portrayal of critically psychological and intellectual problems of the Indian society after reading Bhaunri and Daura; I was waiting for her next one. And here I am writing about her another mind-boggling work - KINTSUGI.
The title had me thinking about it's meaning - the Japanese art of repairing broken objects with powdered gold, silver or platinum, a philosophy that treats breakage as part of the history of an object, rather than something to disguise. The summary kept me even more pondering about the distinct characters and diverse cultures weaved into a tale. This is the story of Haruko, Meena, Prakash, Yuri, Hajime and Leela, all entangled strangely.
Haruko, a Japanese girl, who after completing her programme at the design school back in New York, was looking for a suitable project. Meenakari - the traditional enamel work of Jaipur brought her there. There, at her apprenticeship in Munnaji's haveli, an incident introduced her to Prakash - the doctor. Prakash was engaged to Meena, his neighbour since childhood. Inspite of an orthodox environment in Jaipur, she made her way to Tokyo - a magnificent place to begin reasearching women-themed Japanese literature for her project where she was stuck between Yuri's inextricable desire and Hajime's love, ending up missing both. Death changed life. This made Meena return to India to teach at a university in Delhi. After Meena's return to India, Hajime clashed with Haruko who was profoundly dedicated to her Art.
Haruko, while her stay at Munnaji's haveli, was intrigued by Leela's commitment towards the traditional craft of her community. Leela was Munnaji's youngest daughter. Haruko taught her all that she had learned. Leela observed earnestly and never stopped when she set her heart on something. She learnt by watching and became the most talked-about girl in the bazaar. She became a "Sunar".
'Papaji saying only sons make jewellery. Girl cannot be sunar. But he is wrong. You are girl and You become sunar, Jiji.' - Leela
'Just observe and you'll absorb.' - Haruko
'They think I am only a girl, they don't see the quality of my work.' - Leela
'Whatever I know, I have learnt by watching. No one has ever wanted to teach me, not even Pappaji...' - Leela.
'I am a sunar, Maa. Everyone knows that now. And the community will not pay back loans or pay for Jiji's delivery. We must do what we must do.' - Leela
'Is all this so important, Leela? Is it so important to be a sunar ?'
'There is nothing more important', she said.
'It did not grow so big without being able to look after itself. You are not helping. We are all self-sustaining and, most of the time if we are left alone and not meddled with, we do just fine.' - Haruko
With every sentence arose in me an emotion, worth savouring. Anukrti ji's strong words makes her works my most relished pieces of literature.
Reading to me is learning. I loved this book for the enormous knowledge it had given me. There were many words that were easily comprehensible to me, for my association to the place of my birth. Whereas there were also many Japanese as well as certain Indian terms, I had to google for aiding the level of my imagination and perhaps, savouring all that the book had to offer. I have also collected some pictures related to the book. The book also made me research about Japan, its culture, traditions, foods, clothing, places etcetera.
1.Johri bazaar : A shopper's paradise and a must visit, Johari bazaar in Jaipur is the market of exquisite jewellery and artefacts that can immerse shoppers in its glittering glory. Considered to be one of the oldest markets in Jaipur, it is famous for different handicrafts and traditional rajasthani craftsmanship. Alluring jewellery made from gold, diamonds, rubies, emeralds and silver are the highlights of this bazaar. 'Lac chudiyaan' and 'Lehenga chunri' are a must-buy at this market. It is also an ideal place for lahengas, mojaries or juties.
2.Meenakari - It is the process of painting and colouring the surfaces of metals and ceramic tiles through enameling. It involves intricate designs using geometric shapes and designs and is applied as a decorative feature.
3.Champlere' style - Champlevé is an enamelling technique in the decorative arts. It is the process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished.
4.Ginza - The Ginza is Tokyo's most famous upmarket shopping, dining and entertainment district, featuring numerous department stores, boutiques, art galleries, restaurants, night clubs and cafes.
5.Harajaku - Harajuku is renowned for colorful street art and youth fashion, with quirky vintage clothing stores and cosplay shops.
6.Shinto - Shinto is a religion originating in Japan. Four Affirmations of Shinto
Tradition and the family:
Understanding that family is the foundation for preserving traditions.
Love of nature: Holding nature sacred.
Ritual purity: Ritual bathing to spiritually and physically cleanse yourselves before entering a shrine to worship the kami. ...
Matsuri: Worshipping and honoring gods and ancestral spirits.
7.Vairocana Buddha is a major iconic figure in Mahayana Buddhism, especially in Vajrayana and other esoteric traditions. He has played various roles, but, generally, he is seen as a universal Buddha, a personification of the dharmakaya and the illumination of wisdom. He is one of the Five Dhyani Buddhas.
8. A tatami is a type of mat used as a flooring material in traditional Japanese-style rooms.
9.A shoji is a door, window or room divider used in traditional Japanese architecture, consisting of transparent sheets on a lattice frame. Shoji usually slide, but may occasionally be hung or hinged, especially in more rustic styles.
10.Futon is the Japanese traditional style of bedding.
Futons are used on which also provides a softer base for the futon than most harder flooring types, such as wood or stone. Futons must be folded away daily and aired in the sun regularly to prevent mold from developing and also to keep the futon free of mites.
11.Kabuki is a classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate Kumadori (make-up) worn by some of its performers.
12. Timaniyas:
'Timaniyas' are the traditional gold jewellery, intricately detailed, worn by women in Rajasthan. From the place I come from, a small village in Pali district, I observe that old women see an honour in flaunting Timaniyas. Though women who've migrated to cities are not used to wearing it, they do believe it to be the most admired ornament by the village folks.
13.Kanthi
'Kanthis' are also the most-worn jewellery by the rural women in Rajasthan. My mother told me that it was considered to be the most sought after ornament and that a girl's in laws got a Kanthi made for their bahu as the custom demanded. Despite modern necklaces increasing their impact, Kanthis have maintained their place in the rural Rajasthan.
14. Kachri
'Kachri' is a vatiety of cucumber resembling a small melon. It is predominantly grown in the desert areas. It is bitter but sweetens as it ripens. Kachris are used in making sabjis, chutneys and also Pickles. It is the most-awaited vegetable in the monsoon season, which people from Rajasthan never fail to relish.
I also loved the mention of monsoon festival, Teej celebrated by women and girls in North India. I celebrated kajari Teej where fast is observed without food and water, which involves praying to the moon and where the focus of the day is to pray to the neem tree.
I strongly recommend this book to all those who love literature, the art of clever usage of words, travel, exploring cultures and traditions. The book talks about Love, Desire, attachment and freedom. Relationships are delicate. And even more fragile are the people. Anybody can love but freedom is rare. And those who set you free, the rarest.
Happy reading.
The title had me thinking about it's meaning - the Japanese art of repairing broken objects with powdered gold, silver or platinum, a philosophy that treats breakage as part of the history of an object, rather than something to disguise. The summary kept me even more pondering about the distinct characters and diverse cultures weaved into a tale. This is the story of Haruko, Meena, Prakash, Yuri, Hajime and Leela, all entangled strangely.
Haruko, a Japanese girl, who after completing her programme at the design school back in New York, was looking for a suitable project. Meenakari - the traditional enamel work of Jaipur brought her there. There, at her apprenticeship in Munnaji's haveli, an incident introduced her to Prakash - the doctor. Prakash was engaged to Meena, his neighbour since childhood. Inspite of an orthodox environment in Jaipur, she made her way to Tokyo - a magnificent place to begin reasearching women-themed Japanese literature for her project where she was stuck between Yuri's inextricable desire and Hajime's love, ending up missing both. Death changed life. This made Meena return to India to teach at a university in Delhi. After Meena's return to India, Hajime clashed with Haruko who was profoundly dedicated to her Art.
Haruko, while her stay at Munnaji's haveli, was intrigued by Leela's commitment towards the traditional craft of her community. Leela was Munnaji's youngest daughter. Haruko taught her all that she had learned. Leela observed earnestly and never stopped when she set her heart on something. She learnt by watching and became the most talked-about girl in the bazaar. She became a "Sunar".
'Papaji saying only sons make jewellery. Girl cannot be sunar. But he is wrong. You are girl and You become sunar, Jiji.' - Leela
'Just observe and you'll absorb.' - Haruko
'They think I am only a girl, they don't see the quality of my work.' - Leela
'Whatever I know, I have learnt by watching. No one has ever wanted to teach me, not even Pappaji...' - Leela.
'I am a sunar, Maa. Everyone knows that now. And the community will not pay back loans or pay for Jiji's delivery. We must do what we must do.' - Leela
'Is all this so important, Leela? Is it so important to be a sunar ?'
'There is nothing more important', she said.
'It did not grow so big without being able to look after itself. You are not helping. We are all self-sustaining and, most of the time if we are left alone and not meddled with, we do just fine.' - Haruko
With every sentence arose in me an emotion, worth savouring. Anukrti ji's strong words makes her works my most relished pieces of literature.
Reading to me is learning. I loved this book for the enormous knowledge it had given me. There were many words that were easily comprehensible to me, for my association to the place of my birth. Whereas there were also many Japanese as well as certain Indian terms, I had to google for aiding the level of my imagination and perhaps, savouring all that the book had to offer. I have also collected some pictures related to the book. The book also made me research about Japan, its culture, traditions, foods, clothing, places etcetera.
1.Johri bazaar : A shopper's paradise and a must visit, Johari bazaar in Jaipur is the market of exquisite jewellery and artefacts that can immerse shoppers in its glittering glory. Considered to be one of the oldest markets in Jaipur, it is famous for different handicrafts and traditional rajasthani craftsmanship. Alluring jewellery made from gold, diamonds, rubies, emeralds and silver are the highlights of this bazaar. 'Lac chudiyaan' and 'Lehenga chunri' are a must-buy at this market. It is also an ideal place for lahengas, mojaries or juties.
2.Meenakari - It is the process of painting and colouring the surfaces of metals and ceramic tiles through enameling. It involves intricate designs using geometric shapes and designs and is applied as a decorative feature.
3.Champlere' style - Champlevé is an enamelling technique in the decorative arts. It is the process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished.
4.Ginza - The Ginza is Tokyo's most famous upmarket shopping, dining and entertainment district, featuring numerous department stores, boutiques, art galleries, restaurants, night clubs and cafes.
5.Harajaku - Harajuku is renowned for colorful street art and youth fashion, with quirky vintage clothing stores and cosplay shops.
6.Shinto - Shinto is a religion originating in Japan. Four Affirmations of Shinto
Tradition and the family:
Understanding that family is the foundation for preserving traditions.
Love of nature: Holding nature sacred.
Ritual purity: Ritual bathing to spiritually and physically cleanse yourselves before entering a shrine to worship the kami. ...
Matsuri: Worshipping and honoring gods and ancestral spirits.
7.Vairocana Buddha is a major iconic figure in Mahayana Buddhism, especially in Vajrayana and other esoteric traditions. He has played various roles, but, generally, he is seen as a universal Buddha, a personification of the dharmakaya and the illumination of wisdom. He is one of the Five Dhyani Buddhas.
8. A tatami is a type of mat used as a flooring material in traditional Japanese-style rooms.
9.A shoji is a door, window or room divider used in traditional Japanese architecture, consisting of transparent sheets on a lattice frame. Shoji usually slide, but may occasionally be hung or hinged, especially in more rustic styles.
10.Futon is the Japanese traditional style of bedding.
Futons are used on which also provides a softer base for the futon than most harder flooring types, such as wood or stone. Futons must be folded away daily and aired in the sun regularly to prevent mold from developing and also to keep the futon free of mites.
11.Kabuki is a classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate Kumadori (make-up) worn by some of its performers.
12. Timaniyas:
'Timaniyas' are the traditional gold jewellery, intricately detailed, worn by women in Rajasthan. From the place I come from, a small village in Pali district, I observe that old women see an honour in flaunting Timaniyas. Though women who've migrated to cities are not used to wearing it, they do believe it to be the most admired ornament by the village folks.
13.Kanthi
'Kanthis' are also the most-worn jewellery by the rural women in Rajasthan. My mother told me that it was considered to be the most sought after ornament and that a girl's in laws got a Kanthi made for their bahu as the custom demanded. Despite modern necklaces increasing their impact, Kanthis have maintained their place in the rural Rajasthan.
14. Kachri
'Kachri' is a vatiety of cucumber resembling a small melon. It is predominantly grown in the desert areas. It is bitter but sweetens as it ripens. Kachris are used in making sabjis, chutneys and also Pickles. It is the most-awaited vegetable in the monsoon season, which people from Rajasthan never fail to relish.
I also loved the mention of monsoon festival, Teej celebrated by women and girls in North India. I celebrated kajari Teej where fast is observed without food and water, which involves praying to the moon and where the focus of the day is to pray to the neem tree.
I strongly recommend this book to all those who love literature, the art of clever usage of words, travel, exploring cultures and traditions. The book talks about Love, Desire, attachment and freedom. Relationships are delicate. And even more fragile are the people. Anybody can love but freedom is rare. And those who set you free, the rarest.
Happy reading.
September 18, 2020
The story revolves around it's three main characters - Haruko, Leela and Meena, the three women coming from entirely different background and going to different destinations yet tied together. What I love the most is the beauty and subtlety with which the author detailed the emotions and feelings that a woman goes through and what all she endures to get what she wants. A woman can be confused, can be ambitious but the society never readily accepts them or comfort them. The society includes the people who are close, too. An independent woman - the phrase is endearing but only a woman knows what it really means.
The language is simple. The author has a strong influence of Japan and it reflects in the writing. The descriptions are vivid and eerily calm...maybe that is how Japan is..I am intrigued to go there. Usually I skip the descriptions but Anukriti didn't let me.
A word of caution - The novel is not for everyone, it is written simply but is way too profound.
The language is simple. The author has a strong influence of Japan and it reflects in the writing. The descriptions are vivid and eerily calm...maybe that is how Japan is..I am intrigued to go there. Usually I skip the descriptions but Anukriti didn't let me.
A word of caution - The novel is not for everyone, it is written simply but is way too profound.
January 3, 2022
Picked up this book for the title, and because of the author’s other two books I’ve loved – ‘Bhaunri’ and ‘Daura’. Kintsugi, the Japanese art of mending broken things with gold, stems from the philosophy that damage is a part of that object’s history, and does not need to be hidden. Rather, it gets enhanced by gold. I love that.
But what happens when people break? How do we mend our broken hearts and souls? Doesn’t the philosophy behind Kintsugi apply to humans too? How do we teach ourselves to accept and love our damaged selves and start believing that we are stronger and more beautiful now because of that damage and not despite it?
This book is about extraordinary women, incomplete, beautiful, broken, and damaged, connecting India and Japan, also taking us to Singapore and Borneo. Most of these women find the strength to mend themselves with gold, enamel, precious stones, and love, and a few of them believe they are too broke to be mended ever.
The simplicity of the writing is contradictory to the complex characters and the way their relationships are intertwined throughout the story. Despite this complexity, there is also a sense of serenity, calmness, and a quietness between the sentences. It’s a feeling difficult to describe, but something you won’t miss noticing.
I thoroughly enjoyed reading it and will happily give it 5 stars. Kudos to the author @anukrti_u for this beautiful beautiful book! I must also mention, I finished reading this 200+ page book in just under 3 days!
But what happens when people break? How do we mend our broken hearts and souls? Doesn’t the philosophy behind Kintsugi apply to humans too? How do we teach ourselves to accept and love our damaged selves and start believing that we are stronger and more beautiful now because of that damage and not despite it?
This book is about extraordinary women, incomplete, beautiful, broken, and damaged, connecting India and Japan, also taking us to Singapore and Borneo. Most of these women find the strength to mend themselves with gold, enamel, precious stones, and love, and a few of them believe they are too broke to be mended ever.
The simplicity of the writing is contradictory to the complex characters and the way their relationships are intertwined throughout the story. Despite this complexity, there is also a sense of serenity, calmness, and a quietness between the sentences. It’s a feeling difficult to describe, but something you won’t miss noticing.
I thoroughly enjoyed reading it and will happily give it 5 stars. Kudos to the author @anukrti_u for this beautiful beautiful book! I must also mention, I finished reading this 200+ page book in just under 3 days!
February 19, 2022
So endearing and it sucked me right in, the women here are so complex, with so much to say and feel. Loved it.
April 8, 2021
'Broken things are precious too.' Kintsugi is the art of mending broken vessels with gold. This is the story of many lives, broken and mended again with determination and desire.
Haruki is a Japanese lady who came to India to learn jewellery making. She meets leela there and helps her discover the inner talent she holds. When Haruko met doctor Prakash, he was waiting for his fiancee Meena to return from Japan. While meena was enjoying her liberation from all the bounds she had and spending her days with Yuri and Hajime.
Each character is very different from the other. Yet they share a common story. Sometimes of a bad past, or their desire for freedom, the limitless boundaries they cross for making their dreams come true. And the art they finally become was a perfect Kintsugi.
Haruki is a Japanese lady who came to India to learn jewellery making. She meets leela there and helps her discover the inner talent she holds. When Haruko met doctor Prakash, he was waiting for his fiancee Meena to return from Japan. While meena was enjoying her liberation from all the bounds she had and spending her days with Yuri and Hajime.
Each character is very different from the other. Yet they share a common story. Sometimes of a bad past, or their desire for freedom, the limitless boundaries they cross for making their dreams come true. And the art they finally become was a perfect Kintsugi.
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