Het Verhaal van Genji deel 1

Het Verhaal van Genji #1

by Murasaki Shikibu, Jos Vos (Translator)

Een groepje adellijke heren dat een nachtelijke discussie voert over de ideale levensgezellin. Een liefdesnacht die faliekant misloopt door de ingreep van een boze geest. Een keizerszoon die in ballingschap moet omdat hij veel te roekeloos hooggeplaatste vrouwen verovert. Dit alles, en nog veel meer, staat in het eerste deel van Het verhaal van Genji, dat duizend jaar geleden werd geschreven door ’s werelds eerste vrouwelijke romancier. Diepe melancholie en superieure ironie wisselen elkaar af in een caleidoscopisch verhaal.

Genres: Classics

384 pages, Paperback

First published January 1, 1008

About the author

Murasaki Shikibu (Japanese: 紫式部), born around 978 in Heian-kyō (modern-day Kyoto), is widely celebrated as one of the most important and pioneering figures in Japanese literature. Though her real name is not definitively known, she is remembered by the sobriquet “Murasaki Shikibu,” a name derived from a combination of her most famous literary character, Murasaki, and her father’s official court position in the Bureau of Ceremonial (Shikibu-shō). This alias reflects both her literary contribution and her aristocratic lineage.
She was born into the prestigious Fujiwara family, though to a lesser branch that did not hold the most powerful positions in court. Her father, Fujiwara no Tametoki, was a scholar, poet, and provincial governor. Recognizing his daughter’s remarkable intellect, he allowed her to study Chinese classics, a field generally restricted to men in the Heian period. This early education proved foundational, setting her apart from many of her contemporaries and deeply influencing her literary style.
Murasaki married in her twenties, but her husband died shortly after their daughter was born. Following his death, she may have spent a period of seclusion before being summoned to court around 1005, where she entered the service of Empress Shōshi (also known as Fujiwara no Shōshi), the consort of Emperor Ichijō. In this environment of cultural refinement and political sophistication, Murasaki thrived, participating in the literary and poetic salons that were central to courtly life.
Her greatest and most enduring achievement is The Tale of Genji (Genji Monogatari), a monumental narrative often hailed as the world’s first novel. Written in the early 11th century during her time at court, the work consists of fifty-four chapters and follows the life, loves, and descendants of the nobleman Hikaru Genji. With rich psychological insight, a deep understanding of human emotion, and elegant prose interwoven with more than 800 waka poems, The Tale of Genji offers a vivid depiction of Heian court culture, aesthetics, and the complex interplay of personal ambition, desire, and fate. It remains one of the central pillars of classical Japanese literature.
In addition to The Tale of Genji, Murasaki also wrote The Diary of Lady Murasaki (Murasaki Shikibu Nikki), a work of non-fiction that offers unique glimpses into the daily life of the court and her own thoughts and experiences. Unlike her fiction, her diary is often introspective and frank, providing invaluable context for understanding Heian society, the role of women, and the tensions she faced as both a court insider and a perceptive, occasionally critical observer of her surroundings.
Despite the limitations placed upon women during her time, Murasaki Shikibu’s writings reflect a striking depth of knowledge, not only in poetry and prose but also in Chinese classics and Buddhist philosophy. Her work was deeply shaped by the refined aesthetics of the Heian period, especially the concept of mono no aware—the awareness of the impermanence of things—which permeates The Tale of Genji and gives it a profound emotional resonance.
Murasaki Shikibu’s influence transcended her own time. Her works continued to be read, studied, and copied in the centuries that followed. She has been commemorated in literature, art, and even in religious tradition, and is still celebrated today as a cultural icon. Statues and memorials honor her across Japan, and The Tale of Genji has inspired countless translations, adaptations, and scholarly studies worldwide.
Her legacy endures not only because of the historical significance of her writing but also because of the timeless insight she offered into the human condition. Murasaki Shikibu remains a symbol of literary brilliance, intellectual resilience, and artistic sensitivity—a voice from a millennium ago that continues to speak across the ages.

Reviews

[Peter Boot · Rating 4 out of 5]

Een heel bijzonder boek. Een roman van meer dan duizend jaar oud, geschreven door een vrouw, zo'n vijftienhonderd bladzijden lang. Maar het echt bijzondere is de samenleving die in het boek wordt beschreven, die van het keizerlijk hof en de hoge adel in Japan. Staatszaken lijken er niet toe te doen. De heren aan het hof wijden zich, als ze niet achter de vrouwen aan zitten, aan kalligrafie, muziek maken, de schilderkunst. Ze dossen zich uit in prachtige gewaden. Ze schrijven brieven met gedichten om iemand het hof te maken, en ook andere gesprekken worden regelmatig gevoerd in de vorm van gedichten vol beeldspraak.
Het is prachtig geschreven en je valt van de ene verbazing in de andere. Het boek is wel wijdlopig en nogal repetitief, het heeft een onafzienbare lijst personages, en het is niet zo makkelijk je in die personages te verplaatsen.
Ik heb nu de eerste twee delen gelezen en moet een paar andere boeken lezen; of ik aan de delen 3 en 4 nog ga toekomen weet ik niet.

[Kristien · Rating 2 out of 5]

Weak in the presence of beauty