Although I was not really expecting Leigh Dragoon’s Little Witches: Magic in Concord, her 2020 graphic novel adaptation of Louisa May Alcott's classic Little Women to be a unilaterally enjoyable personal reading (and viewing) experience (and mostly because I am not all that much a fan of graphic novels by any stretch of my imagination anyhow and that the entire premise presented by Dragoon in Little Witches: Magic in Concord of Louisa May Alcott's March Sisters being cast as witches also just does not really tickle my reading fancy), I do have to admit that I am in fact and indeed pretty negatively and frustratingly surprised just how much the combination of Leigh Dragoon’s words and her accompanying images in Little Witches: Magic in Concord was and is totally and utterly NOT AT ALL to my liking.
Sure, there are a few parts of Little Witches: Magic in Concord that I have kind of appreciated and even mildly enjoyed, mostly in the first part, which does seem to present an interesting combination of Little Women and actual and historically authentic Alcott family history (and yes, the presented textual information on transcendentalism is definitely intriguing, although having Leigh Dragoon then combine transcendentalism with witchery and magic really does leave me personally rather cold, unaffected and even a trifle annoyed).
But truly, the second part of Little Witches: Magic in Concord, it has indeed just majorly frustrated me, it has not been even remotely pleasurable for me. For not only does Leigh Dragoon make her story in part two veer really too far away from what Louisa May Alcott has penned in Little Women, the entire curse on Concord Massachusetts which needs to be lifted and neutralised by the witchy March Sisters and their witch finding friend Theodore Laurence does not really make all that much sense to me in and of itself and has thus rendered Little Witches: Magic in Concord both strange and also quite hard to fathom (and with an annoyingly abrupt and totally incomplete ending), well, that the featured arch villain in Little Witches: Magic in Concord (the individual creating all that magical havoc in Concord) is Amy March's Confederate in background warlock teacher, not only is that totally surprising and coming out of the proverbial blue so to speak, it also just makes the entire storyline of Little Women: Magic in Concord not at all something fun for me to read, but mostly something silly and tedious.
And combined with the fact that I actually have totally NOT AT ALL aesthetically liked Leigh Dragoon’s artwork (finding the colour scheme she has used in Little Witches: Magic in Concord too dark, the facial features of in particular Meg, Jo and Beth often sinister, squinty and so similar that for much of Little Women: Magic in Concord I have had huge issues telling Meg, Jo and Beth apart), sorry, but I ended up only considering but one star for Little Witches: Magic in Concord (because you know, if I cannot stand the illustrations of a graphic novel, for me, said entire graphic novel simply ends up as majorly hugely problematic and disappointing).