I downloaded this from audible for two reasons: one, I am a massive fan of the 'tartan noir' genre; two, this novel is read by David Monteath, who so excellently narrated all of Denzil Meryrick's DCI Daley crime thrillers which I massively enjoyed.
Johnstone unfortunately has not written the crime thriller I was hoping for, but more a novel about a troubled seargent with a bit of policing thrown in.
Overall, too many questions were left unanswered, which I find the most frustrating and disappointing litcome after reading any sort of crime novel.
Who was responsible for the abduction/rape/murder of the girls? We are told Olgivly was not at 'the top of the pyramid,' so what role did he play? Did the newphew take over at some point, or was it the nephew's plan all along? Why? Was it just the Olgivly family at the start, or was it a town-wide pack that killed and raped together from the outset? If so, how did Olgivly decide who to trust? Or which of the men first voiced the idea to rape and murder the town's teenagers together? How were the girls selected or abducted? Where they offered money or employment on Olgilvy's estate? Or were they groomed in some way? It is still not made clear to the reader WHO in the town is involved (was it everyone at the card table?) Why were some employees not allowed to join in - even when they demonstrated their willingness to join by perversely photographing their own daughter? How was the Inspector blackmailed into joining the cover up? The reader is left to surmise at some point Olgivly and/or his henchmen informed the Inspector they would be killing and raping and if he didn't go along with it his family would be threatened, and the Inspector simply said 'okay.' Why didn't the Inspector move his family to Australia ahead of him? Why not inform someone in Glasgow? Did he really believe he would be allowed to retire with all he knows?
Unfortunately, the reader is not given the answer to any of these questions as Johnstone kills Olgilvy, his nephew, the Inspector and a few henchmen. This is lazy writing akin to 'and then they all woke up.' Killing off every character before the reader is given one interview, one arrest, one confession is incredibly frustrating and leaves you wondering why graphic descriptions of somebody blowing off half their face with a shotgun is more important than offering the reader some answers.
I also didn't enjoy the first person narration, which, without much inner monologue from Sergeant Colyear left the reader feeling exactly like Rowan - an inexperienced police officer who spends most of the novel exasperatedly demanding Colyear share his thinking with her and wondering what is going on.
Finally, much of the plot rests on the premises that an entire town was willing to believe it was so bad to live there that teenagers would repeatedly disappear and never come back. If that is the case, this is not explained enough to the reader. Surely the point of creating a fictional Scottish town 'miles away from civilisation' is to utilise the landscape: barren, wild, harsh, unforgiving, the same way Victorian London was so essential to echo the gothic genre of Jekyll and Hyde for example. Johnstone presents Stratharder as a bit bleak and a bit boring, but it is not enough for the reader to understand why fleeing would be so commonplace.