Franz Kafka. Przemiana i inne opowiadania / Die Verwandlung und andere Erzählungen. Adaptacja klasyki

by Franz Kafka

CZYTASZ WCIAGAJACE OPOWIADANIA W ORYGINALE
I UCZYSZ SIE NIEMIECKIEGO
Franz Kafka to jeden z najwybitniejszych i najbardziej zagadkowych pisarzy XX wieku. Stworzyl charakterystyczny dla siebie, umykajacy prostym klasyfikacjom styl pisania z tzw. ,,sytuacja kafkowska". Wymyslone przez niego postaci musialy mierzyc sie z groteskowymi i niezrozumialymi zdarzeniami. Tak jest tez w wydanych w latach 1912-1915 opowiadaniach ,,Wyrok", ,,Przemiana" i ,,Kolonia karna". Zagubieni bohaterowie sa bezsilni wobec mechanizmów wladzy, systemu czy rozpadajacych sie wiezi miedzyludzkich. Opowiadania, jak cala twórczosc Kafki, mozna interpretowac na rózne sposoby, za kazdym razem odnajdujac w nich nowe watki i znaczenia.
Niemiecki. Die Verwandlung und andere Erzählungen to niekonwencjonalny sposób nauki jezyka, który laczy lekture wciagajacej historii z rozwiazywaniem pomocniczych cwiczen. Podczas czytania opowiadan w naturalny sposób przyswoisz slownictwo i konstrukcje leksykalno-gramatyczne oraz utrwalisz umiejetnosc czytania ze zrozumieniem. Na koncu ksiazki znajdziesz klucz odpowiedzi i praktyczny slowniczek niemiecko-polski.
Czytaj adaptacje i...
wciagnij sie w pelne absurdu, sprzecznosci i czarnego humoru opowiadania,
sprawdzaj znaczenie slówek, nie odrywajac sie od ksiazki dzieki tlumaczeniom na marginesach,
poznaj niemieckie slownictwo na poziomie srednio zaawansowanym (B1-B2),
cwicz umiejetnosc czytania ze zrozumieniem,
rozwiazuj ponad 30 urozmaiconych cwiczen leksykalnych i gramatycznych.
ADAPTACJA KLASYKI LITERATURY ZE SLOWNICZKIEM I CWICZENIAMI!

160 pages, Paperback

Published January 1, 2019

About the author

Franz Kafka was a German-speaking writer from Prague whose work became one of the foundations of modern literature, even though he published only a small part of his writing during his lifetime. Born into a middle-class Jewish family in Prague, then part of the Austro-Hungarian Empire, Kafka grew up amid German, Czech, and Jewish cultural influences that shaped his sense of displacement and linguistic precision. His difficult relationship with his authoritarian father left a lasting mark, fostering feelings of guilt, anxiety, and inadequacy that became central themes in his fiction and personal writings.
Kafka studied law at the German University in Prague, earning a doctorate in 1906. He chose law for practical reasons rather than personal inclination, a compromise that troubled him throughout his life. After university, he worked for several insurance institutions, most notably the Workers Accident Insurance Institute for the Kingdom of Bohemia. His duties included assessing industrial accidents and drafting legal reports, work he carried out competently and responsibly. Nevertheless, Kafka regarded his professional life as an obstacle to his true vocation, and most of his writing was done at night or during periods of illness and leave. Kafka began publishing short prose pieces in his early adulthood, later collected in volumes such as Contemplation and A Country Doctor. These works attracted little attention at the time but already displayed the hallmarks of his mature style, including precise language, emotional restraint, and the application of calm logic to deeply unsettling situations. His major novels The Trial, The Castle, and Amerika were left unfinished and unpublished during his lifetime. They depict protagonists trapped within opaque systems of authority, facing accusations, rules, or hierarchies that remain unexplained and unreachable. Themes of alienation, guilt, bureaucracy, law, and punishment run throughout Kafka’s work. His characters often respond to absurd or terrifying circumstances with obedience or resignation, reflecting his own conflicted relationship with authority and obligation. Kafka’s prose avoids overt symbolism, yet his narratives function as powerful metaphors through structure, repetition, and tone. Ordinary environments gradually become nightmarish without losing their internal coherence. Kafka’s personal life was marked by emotional conflict, chronic self-doubt, and recurring illness. He formed intense but troubled romantic relationships, including engagements that he repeatedly broke off, fearing that marriage would interfere with his writing. His extensive correspondence and diaries reveal a relentless self-critic, deeply concerned with morality, spirituality, and the demands of artistic integrity. In his later years, Kafka’s health deteriorated due to tuberculosis, forcing him to withdraw from work and spend long periods in sanatoriums. Despite his illness, he continued writing when possible. He died young, leaving behind a large body of unpublished manuscripts. Before his death, he instructed his close friend Max Brod to destroy all of his remaining work. Brod ignored this request and instead edited and published Kafka’s novels, stories, and diaries, ensuring his posthumous reputation.
The publication of Kafka’s work after his death established him as one of the most influential writers of the twentieth century. The term Kafkaesque entered common usage to describe situations marked by oppressive bureaucracy, absurd logic, and existential anxiety. His writing has been interpreted through existential, religious, psychological, and political perspectives, though Kafka himself resisted definitive meanings. His enduring power lies in his ability to articulate modern anxiety with clarity and restraint.