While no doubt written with an eye toward legend rather than explicit non-fiction, the tales and tracks of Alexander, as translated here, portray a very different side of the Macedonian king who originally left Greece with a sense of patriotism. In the beginning, throughout Books 1-5, we find somewhat reasonable justifications for Alexander's campaign against the Persian Empire, an empire that had spent years (and arguably centuries) attacking Greek cities, well before the birth of Alexander or even his father. But once Alexander finishes that campaign against Darius and the Persian Empire, once he sits on the throne in Babylon and Persepolis, once he tastes that final victory, he then weighs the urge to go farther, to invade cities and lands beyond the Tigris River, beyond the Indus Valley, beyond the mountains, as far as the Indian Ocean (or whatever the Macedonians believed to be the ocean, if not the Bay of Bengal or the Arabian Sea more likely). In turn, Alexander becomes more aggressive, more irritable, more ambitious, and ultimately, more god-like with every new obstacle to his power being vanquished, even at the cost of so many lives from either side of these repetitive contests, each one a battle over his rising, expanding, and seemingly global right to rule. In the end, Alexander's biographically-obvious death shows up in the text as an almost necessary if anti-climactic act, considering all the brutality that came before.