Ladies Who Punch: Fifty Trailblazing Women Whose Stories You Should Know - Yasmin Alibhai-Brown
After an initial rating of three stars, I rounded this up to four on the basis that it's not blatant consumerist feminism (think Paperchase's notebooks and pens that have "Yas Queen", "Girl Power!", "Don't Call Me Pretty" emblazoned on them in pastel and neon typography) and the analysis is thorough and intelligent while still being accessible to the average reader. Alibhai-Brown also features women who weren't popular and haven't been remembered as such, but she (rightfully, IMO) says they can't be excluded from the narrative on women's progress because they don't fit the 2020 vision of what a "real feminist" is (N.B. the definition a real feminist cannot be established, it will always exclude someone) e.g. Margaret Thatcher, who the Clintons conveniently left out of their feminist book "Gutsy Women", because Thatcher's legacy is controversial. I found it a bit rich Hillary excluded a politician for an unpopular legacy when she knows what it's like to have your reputation take a nose dive.
Anyway, I liked the range of this book in including women in lesser-discussed fields such as classical music and conducting (the most random place where sexism is apparently rife), astronomy, or the police force. There were quite a few politicians or political figures, but I have to say my main gripe was the overwhelming number of Oxbridge graduates. Of course it's brilliant so many women have graced these elitist halls and gone on to do amazing things, but the book felt disproportionate in terms of women from working-class backgrounds who didn't make it to elite institutions, I would have liked to read about more women who didn't have such opportunities, or perhaps didn't do too well at school, but still have a record of achievements. The book felt thin on women who didn't have a great education even by the 1950s onwards. I also wasn't too keen on some opinions the author wrote in a tone of voice that suggested as though they were fact, particularly about Royals, female Royals actually, in the same text where she is seeking to discuss women who were shaped by their backgrounds and how they moved within their designated sphere.
Ultimately, in the current market where feminist books are easy money and quick to be churned out, Alibhai-Brown's contribution is a nuanced discussion that isn't reduced to patronizing feminist affirmations or notions of "good feminism".