It is the year 1882, and Erast Petrovich Fandorin, detective and diplomat in Tsarist Russia, has returned to Moscow after six years of foreign adventures, ready to commence a new role assigned to the Governor General of Moscow. Hardly has he settled into his new environment that the news spreads that his former mentor and friend General Michel Sobolev, known as "Achilles" by the adoring Muscovites, has been found dead. Fandorin, however, is suspicious of the circumstances of the death: the thirty eight year old General, fit as can be, does not die from a heart attack while sitting in an armchair in his hotel suite...
This, the fourth installment of Boris Akunin's Fandorin detective stories (in English translation, there are more in the Russian original) is, without doubt, one of his best. Fans of the series will recognize some characters from previous volumes, including Achilles and ...well, an enemy who might turn out to be more dangerous than anybody else involved in the conspiracies centred around the Russian Royalty and governing class and the ongoing power struggle between Moscow and St. Petersburg.
What makes it one of Akunin's best novels? His characters are very vividly drawn, Fandorin has "matured" even though he is still only in his late twenties, and his four years in Japan has equipped him with a few extraordinary skills and martial art tools. He has also acquired a Japanese sidekick, Masa, 'manservant' in name only. Last but not least, Fandorin has found an opponent of equal intelligence, sharp and cunning. Just over half-way through the novel, Akunin introduces this adversary, starting with the description of childhood and upbringing. The reader ends up almost liking the man. The author succeeds in developing this other central character, without losing any of the tension that has been built around Fandorin's investigation. We see two sides of the coin, we can make connections that neither of the characters can... Not satisfied with focusing on his central characters, Akunin paints a comprehensive picture of Moscow's class society of the day, and expertly evokes the underbelly of the city and the people who try to survive there - by any means. Readers new to Akunin and Fandorin, will nevertheless enjoy the book, however, it would be preferable if they started at the beginning with The Winter Queen: A Novel (An Erast Fandorin Mystery). Their enjoyment will be enhanced.