Nigel Farndale focuses on the pre-WW2 years in Germany and England, the rise of Hitler in the 1930s and Oswald Mosley's British Union of Fascists, the Blackshirts. Leni Riefenstahl, the innovative and sexually liberated film maker loved by Hitler and seen as the Nazis poster girl, her propaganda film, The Triumph of the Will elevated Hitler to a Wagnerian deity, a messiah for the German nation. She is entrusted with filming the 1936 Berlin Olympics (Olympia), where the black Jesse Owens upsets Germany's propaganda apple cart by winning 4 gold medals. In 2005, 32 year old Sigrun Meier is at Leni's home, her will granting Meier sole access to her film archives, where a short film of a unknown blonde British athlete has her embarking on a journey to find out more about him, a mission that is to have personal implications for her.
Kim Newland is an impoverished, good looking British athlete with ambitions of winning more than one gold medal at the Olympics which he hopes will make him an acceptable prospect for his girlfriend Connie's aristocratic family. She is a shallow lightweight social butterfly, taking nothing seriously, even flirting with the idea of joining the Blackshirts. Kim is struggling to find enough time to train, he has to work, having failed to secure any finance, as a last resort he is desperate enough to join the BUF, to attain funds from Mosley. Alun Pryce is a passionate radical, a Welsh communist agitator, who is responsible for the serious injuries sustained by Connie at a Blackshirts rally. Feeling guilt, he gets to know her in the hospital, becoming close to Connie and Kim, a friendship that develops into love for Connie, spiraling into obsession, and an out of control jealousy.
Tasked with infiltrating the BUF, Alun is in Berlin with Connie, where Newland catches the eye of Leni, and where a fateful set of events follow that are to haunt all of them in the future. I thought this was a terrific piece of historical fiction, but I did have a few problems with it. The role of Sigrun feels like a clumsy insertion to fulfil a specific function, she appears only at the beginning and the end of the novel, and I felt uneasy at the more benign depiction by the author of Leni and her relationship with the Nazis, and Kim and Connie's membership of the BUF, compared with that of Alun, a communist and committed antifascist, who played a central role in the Battle of Cable Street. Otherwise, this is a great and fascinating read, that will appeal to those wanting to know more about the iconic film maker Leni Riefenstahl and for those interested in this turbulent period of history. Many thanks to the publisher for an ARC.