Brief Encounter (1945), adapted from Noel Coward's play Still Life, is a classic of British cinema – a tale of impossible love between a married woman and a man she meets while waiting for a train. Though it's a film made by men, it is the woman's voice we hear recounting the story of a small-town love affair and her renunciation of it. In his lucid analysis of the film, Richard Dyer explores how its depiction of powerful feelings kept under wraps is a definitive example of a particularly English style of emotional restraint, but also how it spoke to a gay audience for whom this subject – forbidden love between ordinary people – had a special resonance.This reissued edition features original cover artwork by Rania Moudaress and a substantial new foreword that revisits the film and recent readings of it, covering its enduring legacy and adaptation for theatre and television.
An interesting book exploring the themes and issues of the movie Brief encounter and the role of Laura as played by Celia Johnson. Although at times long winded it was still a good read though I do think that as the author mentioned he was gay he DOES make a lot of gay references, allusions and imagery that relate to that lifestyle etc so am unsure how unbiased an account this really is as though I have seen the film many times I did not pick up on the gay themes mentioned. An interesting take on the movie in general but feel it was a little one sided in lots of ways. A good read though especially if you are a fan of the film and movie history in general.
??? '90s: this is one of bfi classics series (british film institute) which are critical monographs on specific films. I really like the understated if not repressed romance of brief encounter. this book made me think about why. this book is a quick read that reminds me of the pleasure...