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International Copyright: Principles, Law, and Practice
This book surveys and analyzes the principal legal doctrines affecting copyright practice around the world, in both transactional and litigation settings. It provides a step-by-step methodology for advising clients involved in exploiting creative works in or from foreign countries. Written by
one of the most distinguished scholars of copyright both in the United States and abroad, this volume is a unique synthesis of copyright law and practice, taking into account the Berne Convention, the TRIPs Agreement, and the advent of the Internet. National copyright rules on protectible subject
matter, ownership, term, and rights are covered in detail and compared from country to country, as are topics on moral rights and neighboring rights. Separate sections cover such important topics as territoriality, national treatment and choice of law, as well as the treaty and trade arrangements
that underlie substantive copyright norms.
International Copyright is an indispensable reference work for professionals involved with international intellectual property transactions or litigation. It is essential reading for scholars and for intellectual property practitioners worldwide, yet also uniquely accessible for an American
readership.
one of the most distinguished scholars of copyright both in the United States and abroad, this volume is a unique synthesis of copyright law and practice, taking into account the Berne Convention, the TRIPs Agreement, and the advent of the Internet. National copyright rules on protectible subject
matter, ownership, term, and rights are covered in detail and compared from country to country, as are topics on moral rights and neighboring rights. Separate sections cover such important topics as territoriality, national treatment and choice of law, as well as the treaty and trade arrangements
that underlie substantive copyright norms.
International Copyright is an indispensable reference work for professionals involved with international intellectual property transactions or litigation. It is essential reading for scholars and for intellectual property practitioners worldwide, yet also uniquely accessible for an American
readership.
- GenresReference
640 pages, Hardcover
First published January 1, 2000
3 people are currently reading
15 people want to read
About the author
Paul Goldstein
79 books18 followersPaul Goldstein is a writer, lawyer, and the Lillick Professor of Law at Stanford Law School. His novel "Havana Requiem" received the 2013 Harper Lee Prize for Legal Fiction.
Series:
* Michael Seeley Mystery
Series:
* Michael Seeley Mystery
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Displaying 1 of 1 review
February 8, 2021
Read the 2019 version.
This book has two moments. If you are a starter on copyright you will find a great source of information, and you will find a very comprehensive insight on all major copyright issues.
If you are a copyright scholar or practicer, the book is a must read. Among many other things, the authors go into the most intrincate parts of copyright with a surprising clarity, international treaties and litigation are reviewed and explained in a way no other publication of this kind does.
Very very recommended.
This book has two moments. If you are a starter on copyright you will find a great source of information, and you will find a very comprehensive insight on all major copyright issues.
If you are a copyright scholar or practicer, the book is a must read. Among many other things, the authors go into the most intrincate parts of copyright with a surprising clarity, international treaties and litigation are reviewed and explained in a way no other publication of this kind does.
Very very recommended.
Displaying 1 of 1 review