A brilliant start to the Bendis Legion. But, ah, not everyone thinks so? And maybe I can explain?
In a roundabout way? In 1998 there were two massively popular professional wrestling promotions: WWE and WCW. WWE’s top star was Stone Cold Steve Austin, WCW’s was Goldberg. If you had suggested to a WCW fan in, say, 1995 that Austin would be the top star anywhere, you would’ve been laughed out of the arena. If you were to ask a WWE fan in, say, 2003 that Goldberg was more than his squash matches, you would’ve been laughed out…You get the idea.
Perspective is everything. In 1995 Austin looked, in every way possible, very different, although technically it’s really only because WCW was itself only prepared to view him in a very limited way. He was a well-respected technical wrestler who had no real opportunity to be something other than a guy called “Stunning Steve” who 1998 WWE fans would indeed be stunned to see sporting long flowing locks of hair.
In 2003, WWE Goldberg was trying to live up to the image WWE fans had of 1998 Goldberg. And in 1998, WWE fans only knew what they heard about Goldberg, the typical squash matches on Nitro. It was, and it continues to be assumed, that the typical squash matches on Nitro were literally all there was to know about Goldberg.
So 2003 WWE fans were disappointed in Goldberg and 1995 WCW fans had no idea there was any real future for Austin.
Austin’s reputation changed dramatically by 1998. Goldberg’s has struggled to recover ever since.
The Bendis Legion is like that.
Brian Michael Bendis made his name as a Marvel writer. He was the Marvel Geoff Johns. (Except that brief period where Johns and Bendis were both writing at Marvel, at which point they were Johns and Bendis both writing at Marvel.)
Early Marvel Bendis was known for revolutionizing Marvel with big “decompressed” (especially in the pages of Ultimate Spider-Man; surprisingly his Avengers was the template for the New 52, basically) storytelling that made things feel important again, in classic and groundbreaking ways.
Later Bendis was absolutely taken for granted. Between resentment for Early Marvel Bendis and Late Marvel Bendis, when Bendis finally made his way to DC, he was basically 2003 WWE Goldberg.
In the immortal words of Rodney Dangerfield, he got no respect.
Which was never really a fault of the material! Circling back to the actual material I’m talking about now, Legion of Super-Heroes: Millennium is in fact brilliant! Starting with the namesake prelude itself, a tour of DC future history that emphasizes the long course of a thousand years leading from one age of heroes to another, hinging on a great new interpretation of a classic character (Hickman got a lot of praise doing something very similar with the X-Men, by the way!), it’s a textbook example of Bendis’s ability to revitalize, look deeper at a concept than is typically done.
Having just just read a previous reboot/revival, I can even refute the notion that his Legion “doesn’t feel authentic,” one of those silly arguments fans like to trot out that seem so definitive but usually used as mere dismissal. It’s exactly like that other one. But better. This is not an insult to those previous creators. It’s just, very few creators put as much thought and energy into a concept as Bendis.
And hardly anyone writes interplay like Bendis. It’s practically his whole calling card! And this is the Legion! The team of a thousand members! It’s literally a dream project made reality, another thing no one saw coming because they all assumed they knew Bendis’s Marvel record.
Yeah, about as well as 2003 WWE fans knew 1998 WCW Goldberg.
Anyway. Presumably, if you have no particular defensive stance, you will read this and come to similar conclusions.