Henry Purcell (1659-1695) is the greatest of all English composers and a pivotal figure in European musical history. In this rich and colorful biography, Jonathan Keates deftly traces Purcell's life and artistry against the backdrop of the turbulent political, religious, theatrical, and social movements of his time. Purcell's musical genius both embraced and transcended the variable moods and tensions of Restoration England, and gave the period and the culture an unforgettable voice. With great skill and historical understanding, Keates follows Purcell through his extraordinarily prolific career, from chorister at the Chapel Royal, to composer for the theater and the court, to writer of sacred music, chamber music, and the triumphant Dido and Aeneas, the first British opera. Keates considers Purcell's musical studies with Pelham Humfrey and John Blow as well as his adaptation of Matthew Locke's innovative and colorful style. He provides a superb critical appreciation of Purcell's music in all its forms. Keates also discusses the musical history of the period, including the influence of French and Italian composers, whose music blended with and modified native traditions.
Jonathan Keates, is an English writer, biographer, novelist and Chairman of the Venice in Peril Fund. Keates was educated at Bryanston School and went on to read for his undergraduate degree at Magdalen College, Oxford.
We hardly know anything about Purcell except that he may have had an affinity for drinking, which makes it difficult to stomach reading almost 300 pages about the lad. A great composer, to be sure, but I felt like I learned far more about the author's opinions on Purcell's music than about Purcell himself.