Hay diferentes tipos de novela histó la saga familiar, el relato gótico o romántico, la narrativa nostálgica, la historia de aventuras, la novela de investigación histórica propiamente dicha... Sin embargo, sea cual fuere el estilo que se pretenda adoptar, lo fundamental es que la obra esté bien construida y resulte creíble, que refleje el período histórico en el que sucede con fuerza y rigor, y que su trama obligue al lector a pasar las páginas cada vez con más curiosidad. En este libro, Rhona Martin nos sumerge en el proceso de la escritura, a la vez fatigoso y fascinante, y nos hace tomar conciencia de la necesidad de una investigación exhaustiva con el fin de que tanto el ambiente como los personajes resulten verosímiles. Igualmente, enseña a utilizar el lenguaje con solvencia para elaborar diálogos convincentes y ofrece espléndidos consejos sobre todos los aspectos relacionados con la estructura y el desarrollo de la obra.
For being a nonfiction book on the topic of "How to Write Fiction" I strangely enjoyed reading this book. It is a small volume (Only 91 pages if you don't count the index) full of tons of information from every level of writing; the time it takes, how long it should be, where to start, how much research to do, how to break up chapters, et cetera, et cetera, all to getting published and starting your second novel.
At some point I will have to add this book to my collection.
Rhona Martin delivers a succinct yet thorough treatise on how to approach writing in general and historical fiction in particular in Writing Historical Fiction. This book brought me many nuggets of gold to tuck away in my treasure box of writing advice; and I plan to purchase a copy for my own shelf soon. The advice to follow the passion and heart for my story became the biggest takeaway for me.
I would highly recommend this book to any writer, regardless of their genre. Martin guides students of the written craft through doing appropriate research; understanding the time period and relaying that properly through characters' motives, language and challenges; developing a proper structure for a story that will grab readers at page one and rush them along swiftly on a ride worth recommendation to all their friends; committing to the importance (and fun!) of the revision stage; and understanding and moving on from submission, rejection and/or publication.
This candid look at the creative process leaves nothing out and no questions unanswered in less than 100 pages!
...choosing and researching a subject ...setting the scene and recreating the period ...writing dialogue without anachronism ...balancing accuracy with entertainment
Winner of the Georgette Heyer Historical Novel Prize
I must say this is another of my reference books. The type of book to open and turn to any chapter for an hour of pleasure and study.
This book offers helpful tips and insights into writing historical fiction. Many of the author’s suggestions can also be applied to other genres. The only reason I didn’t rate it higher is because the author also gives tips on how to write scenes that I, as a conscientious Christian, would never write (intimate sex scenes, gore, etc). Fortunately that was no more than a few paragraphs and easy to skim over. The rest of the book had sound advice, and I look forward to putting it to use.
Short useful read if you want to get into the mindset of writing historical fiction. It helped affirm that my basic idea and approach are sound; and it has tips for various types of historical fiction and mistakes to avoid in each one, as well as a collection of tips from various historical fiction writers to round out the book.
Although this less-than-a-hundred-page book is more than thirty years old and was obviously intended for a British audience, it contains helpful suggestions for writers of all sorts, even historians like me who usually wince at historical fiction.
This was a fun little book. Though short, it worked better for me to spread it out over several days; reading just a chapter at a time. The book is horribly dated and thoroughly British; I had to smile as I have no dustbin in my American house or petrol in my automobile. But of course such things are easily overlooked. The advice on writing is excellent, and that, of course, is the important thing.
Está bastante logrado para introducirte en la novela histórica. He cogido consejos interesantes con la confianza de que quien escribió este manual sabe de lo que habla porque demuestra que escribe bien, sin florituras. Me ha gustado. Lo recomendaría.