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576 pages, Hardcover
First published October 13, 2013
Emulating the model of Sanjar’s tomb, lesser Seljuk rulers erected a number of great domed tombs in the west of Iran, all of them based on the same engineering concepts that were so monumentally applied at Sanjar’s tomb in Merv. From these the concept spread to the Caucasus, then to Anatolia and eventually to the Mediterranean. In 1367 the city fathers of Florence selected a plan for completing their cathedral that included a double dome of the type pioneered by the Seljuks. Completed by Filippo Brunelleschi in 1436, the dome marked a turning away from the Gothic style of architecture and hence a decisive step leading to the Renaissance. In the early nineteenth century the French-born architect Auguste de Montferrand, planning the Cathedral of St. Isaacs in St. Petersburg, Russia, drew inspiration from Brunelleschi’s dome but changed the construction material from brick to cast iron. In 1866 the American architect Thomas U. Walter completed the new dome of the United States’ Capitol in Washington, DC, which he based on Montferrand’s dome in Russia. Thus it can be said that three of the most renowned buildings in the West are all lineal descendants of Sanjar’s tomb in Central Asia.A lot of the great works of the Central Asian Golden Age are still untranslated - Starr notes that only seven books by the great al-Biruni have been published, out of over fifty. (Perhaps it is remiss of today's scholars not to be working on this, instead of yet another monograph on Locke?)
five times longer than the lifetime of Periclean Athens; a century longer than the entire history of the intellectual center of Alexandria; only slightly shorter than the entire life span of the Roman Republic; longer than the Ming or Qing dynasties in China and the same length as the Han; about the same length as the history of Japan from the founding of the Tokugawa dynasty to the present; and of England from the age of Shakespeare to our own dayMaybe that was enough.