From the conclusion:
"Arab design was used to create awareness about social and human causes and to rally international sympathy for human rights. Through the decades, Arab designers produced work that was at par with the various global movements of design thinking in different parts of the world. In their attempts to solve different visual problems, Arab creators were always stuck between East and West. The West provided the technology, but the East was their identity, thus the reflection of their past and their future. Wile their Western counterparts could simply experiment in their own culture, Arab designers were always juggling worlds, designing on machines that worked from left to right for a language that was read from right to left.
Culture is a construct; some of it is acquired and some of it is part of the personal experience. Foreign influences came and taught designers new things, but their experience and their work was always a reflection of their culture.
We hope that future generations will keep looking for answers, and we hope that with this first step we are shifting the discourse on global design. There are many more stories to be discovered and archives to be dug through. Arab design needs to learn more about itself, and this book should open more doors for further scholarship on Arab visual culture."
I found this an inspiring read, and really loved many of the design examples provided. I also loved the fact that some of the designers mentioned are people I call friends. Such a pleasure to see them lauded here! Bravo!