From the No.1 bestselling author of The Last Protector and The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett during the time of King Charles II.
Over 1 Million Andrew Taylor Novels Sold! A Times Best Paperback of 2022 Two young girls plot a murder by witchcraft. Soon afterwards a government clerk dies painfully in mysterious circumstances. His colleague James Marwood is asked to investigate – but the task brings unexpected dangers.
Meanwhile, architect Cat Hakesby is working for a merchant who lives on Slaughter Street, where the air smells of blood and a captive Barbary lion prowls the stables. Then a prestigious new commission arrives. Cat must design a Poultry House for the woman that the King loves most in all the world.
Unbeknownst to all, at the heart of this lies a royal secret so explosive that it could not only rip apart England but change the entire face of Europe…
Andrew Taylor (b. 1951) is a British author of mysteries. Born in East Anglia, he attended university at Cambridge before getting an MA in library sciences from University College London. His first novel, Caroline Miniscule (1982), a modern-day treasure hunt starring history student William Dougal, began an eight-book series and won Taylor wide critical acclaim. He has written several other thriller series, most notably the eight Lydmouthbooks, which begin with An Air That Kills (1994).
His other novels include The Office of the Dead (2000) and The American Boy (2003), both of which won the Crime Writers’ Association of Britain’s Ellis Peters Historical Dagger award, making Taylor the only author to receive the prize twice. His Roth trilogy, which has been published in omnibus form as Requiem for an Angel (2002), was adapted by the UK’s ITV for its television show Fallen Angel. Taylor’s most recent novel is the historical thriller The Scent of Death (2013).
I am a reader who is not afraid to start a new series in the middle of it or, as is the case this time. with the latest offering by the author. Mr Taylor's book have been around me for some time, even bought two of them, however, they are still on the to-read shelf. Not for long, I am certain of that now. Actually, this book can be read as a standalone as although there are some references to previous books, they do not spoil the fun of reading. The Royal Secret is based on a historic event, negotiations between the kings of England and France. James Markwood and Cat Hakesby, well-acquainted and with yet too independent and too proud to admit their true feelings, get involved in mysterious events and political intrigue. This book offers well-presented historical background with an engaging plot, and although not a masterpiece in the genre, it is an entertaining read for the fans of historical fiction. *A big thank-you to Andrew Taylor, HarperCollins UK, and NetGalley for arc in exchange for my honest review*
Once again Andrew Taylor immerses us into his atmospheric, beautifully crafted and well researched historical fiction set in the 17th century Restoration period in England under the reign of Charles II with all its political intrigue and treachery. It features James Marwood, clerk to Joseph Williamson and Lord Arlington, the Secretary of State, and the now widowed architect Cat Hakesby, running the firm after the death of her cantankerous husband. Cat's traumatic personal history has left her valuing her independence and vows to never marry again, although the unacknowledged feelings that Cat and Marwood have for each other results in a spiky and volatile relationship. Two girls, a maid and stepdaughter, engage in witchcraft with the intent of seeking a death.
Marwood is sent to retrieve confidential papers from the home of the now dead Richard Abbot, but the scene at the home with dead rats, leads to suspicions of poisoning and murder and a visit to the home of a merchant of luxury goods, Mr Fanshawe, the owner of a recently acquired Barbary lion, and where Abbot's widow is now residing. Fanshawe is a client of Cat's, and it is through him that she meets the Dutch Henryk Van Riebeeck, the brother of Abbot's widow, a man she feels drawn to romantically, a man inordinately interested in her commission for a exclusive poultry house planned for the beloved sister of the King. Marwood and Cat find themselves mingling within the same circle of characters but from different angles, and which includes the King, facing grave dangers, secrets, murders, and conspiracy.
Taylor's rich descriptions evoke the extreme class divisions of the time, both in London, Kent and in France, the stench and the squalor that even the French Royal Court cannot avoid, and the precarious position of women, even women of high status, such as Charles II's sister. Marwood and Cat are subject to the whims and vagaries of their rich and powerful employers and the King himself, they are in no position to own their own futures, and as Cat discovers, it is the rich who so often feel they do not need to pay for her services. In turn, Cat and Marwood are often just as careless when it comes to those who hold a lower status than themselves, although when a devastating tragedy occurs, Marwood and his servants, Sam and Margaret, are galvanised into seeking retribution for their unbearable loss. Highly recommended for those interested in this particular period of history. Many thanks to HarperCollins for an ARC.
London, 1670. Two young girls, Maria and Hannah, plot a murder by witchcraft. Once, “allies of a sort, united in their hatred of Abbott and his tyrannies.” Later, as Abbott is only a memory, one blackmails another.
Cat Hakesby carries on her late husband’s business as an architect and surveyor. She is commissioned to build a new poultry house for the king’s sister, which requires her to travel to France where the king’s sister resides.
James Marwood works at Scotland Yard when Richard Abbott, one of Lord Arlington’s clerks, dies. Marwood is set on an investigation of the circumstances surrounding Abbott’s death, and relates his findings to Lord Arlington, Undersecretary of State.
Meanwhile, Marwood and Cat meet once or twice a month to listen to music or go to a play or go for a walk in finer weather. It is an alliance of mutual assistance rather than affection as she prefers to keep her independence. After the end of last outing, they don’t make plans for the next time, as they usual would. That unsettles Marwood a bit. “She could forgive his unfortunate liking for low comedy, but not the way he had ogled the orange girl in front of her very eyes. (…) His boorish behaviour towards Mr Fanshawe and his guest had been almost equally bad.” Later, he extends his olive branch by writing her a letter with a plan to see a new play. She curtly expresses her refusal without any explanation. And now, it gnaws at him when he sees Cat with someone he is after.
There is one particular person at the heart of this mystery, but there is a lot of deception and some misjudgment, as well as complications. Besides one being dead, another vanishes, and yet another has a powerful friend. It presents some challenges for Marwood.
The characters come from different directions and as story develops they interestingly start coming together, as they happen to be related in some way. The plot is intriguing, culminating with a lot of intrigue and a royal secret unbeknownst to all. Written with marvelous prose sprinkled with humor, the characters come alive with their settings, vividly presented and giving a good sense of time and place. Beautifully crafted story and atmospheric in its depiction.
This fifth installment in the series reads as a stand-alone. With skillful writing, you can easily follow the characters, which drive this story to the culminating end.
Source: ARC was provided by the publisher via NetGalley in exchange for an honest review.
Review originally posted at mysteryandsuspense.com
The story of Cat and James continues in the fifth instalment of the series. James works for Charles Stuart and is hunting a Dutch spy who has an eye on Cat. At the end of the book the historical framework is explained. I'm full of admiration for the interweaving of fact and fiction.
The events of The Royal Secret – book five in Andrew Taylor’s series of mysteries set in seventeenth century London during the reign of Charles II – take place around four years after the Great Fire and our first meeting with James Marwood and Catherine – Cat – Lovett. Theirs is an unusual relationship; they’ve saved each other’s lives and reputations more than once, and both have good reason to be distrustful of others, yet they’ve formed a somewhat uneasy but genuine bond of something stronger than friendship, but which doesn’t always contain any of the warmer feelings friendship might provide. There’s a strong undercurrent of attraction there, too, something neither of them is particularly willing to acknowledge, especially Cat, whose traumatic personal history and unhappy marriage to a much older man, mean she is more determined than ever to never again give up her independence.
Cat has taken over the running of the business left by her late husband – a draftsman and architect – while Marwood continues to do well in his post as secretary to (and sometimes spy/investigator for) Joseph Williamson, Under Secretary of State to Lord Arlington. They’ve started to see each other every couple of weeks – to take walks, to dine, to visit the theatre – and it’s during one of the latter excursions (after Cat gets annoyed when she sees Marwood looking appreciatively at a comely orange-seller) that they chance to meet Mr. Fanshawe, a merchant and a client of Cat’s, and his companion, Henryk Van Riebeek (to whom Marwood takes an instant dislike because he starts flirting with Cat.)
Marwood encounters Fanshawe again few days later, when he is instructed to retrieve some confidential files that were removed from Lord Arlington’s office by one of his clerks, Richard Abbott. Abbott has died suddenly and had not returned the files beforehand, and when a visit to Abbot’s lodgings proves fruitless – all Marwood and his servant find there are dead rats – he learns that Abbott’s wife – who was formerly married to Fanshawe’s son – and stepdaughter have gone to live with Fanshawe at his home in Slaughter Street. Marwood pays Fanshawe a visit in order to retrieve the files, and when looking them over later that day, uncovers some discrepancies which only intensity his suspicions as to the nature of Abbott’s death. He discovers that Abbott had run up huge gambling debts at the Blue Bush – and while there to see what he can find out, Marwood catches sight of a familiar face – Van Riebeek – although he’s going by a different name. This fact, in addition to the dutchman’s familial connection to Abbott (Abbott’s wife is Van Riebeek’s sister) convinces Marwood that he is involved in some way – and also that there is more going on than meets the eye; that what he found in the files, Abbott’s murder and Van Riebeek’s hiding under an assumed name are all related somehow, and that whatever links them is far more serious than he’d at first thought.
Meanwhile, Cat has been commissioned by Lord Arlington to design a poultry house for the king’s sister Minette (who is married to the Duc d’Orléans, brother of Louis XIV), and is asked to travel to France with the plans and to have a scale model built to take with her as well. Once arrived in France however, she can’t help wondering if there is some other reason for her presence there – and whether the interest Van Riebeek had shown in her before her departure, had been genuine.
As is the case with the other books in the series, the mystery in this one incorporates actual historical events and takes place (mostly) in a London still being rebuilt after the Great Fire. Mr. Taylor skilfully weaves together fact and fiction wherin uncertain political alliances, treachery and intrigue all come into play as Cat inadvertently becomes caught up in the very mystery Marwood is investigating. Although I wasn’t sure what that mystery was going to be to start with – with mentions of poison, witchcraft, a caged lion and disgruntled servants, there’s a lot going on! – I was nonetheless caught up in the world of Restoration London the author evokes so well.
Cat and Marwood are complex, flawed, three-dimensional individuals and their relationship – which veers from dislike to affection and back again – is frustrating and well written. I appreciate Cat’s determination to make her way in an unusual (for a woman) profession in a man’s world, and how much Marwood has grown – is continuing to grow – as a character. He’s perhaps more cynical than he was, and he’s learned how to play the game with those who are more powerful than he is, but at heart, he’s a good, decent man while very much a man of his time.
Excellent research, clever plotting and fascinating historical detail combine to make The Royal Secret another excellent instalment in the Marwood and Lovett series. I really hope there’s more to come
As this series and its characters mature, so does my enjoyment level increase. One of the factors I really enjoy is that Taylor is trying to do something a bit different with Cat and Marwood in their uncomfortable balance in their friendship. In this book both characters become involved in a spy case, but from opposite sides so to speak. I really thoroughly enjoyed this book. It gives me real pleasure to watch particularly Marwood, rise in status not only in his office but with the King- and to have the chance to see how far he’s come since the first book. It feels like cheering on an old friend. Many thanks to Netgalley for an arc of this book.
No 5 in the series builds upon the meeting at Dover in 1670 between Charles II and Louis XIV of France. The countries were forming an alliance against the Dutch Republic, the English because they wanted to control the seas and particularly the lucrative trade routes and the French due to their territorial ambitions. Charles’ beloved sister, Minette, then Duchess of Orleans, acted as a go-between.
Cat and Marwood are still dancing around one another, although they seem to be reaching an ‘accommodation’ by the end. On the whole, the storyline didn’t move as quickly as in previous books in this series. When it did, it was interesting rather than thrilling. I have No. 6 in the series, The Shadows of London, on my bookshelf to read. It’s the last in the series which is probably a good thing as I think the author has possibly wrung all he can from this period in history.
.A real treat for historical fiction fans. The plot is juicy and detailed, the characters very real and authentic and the attention to detail with regards to the history and scene setting is second to none. I never feel I can do these books justice with a review so this is a short one filled with admiration and a thank you to the author for such a wonderful reading experience.
Absolutely brilliant! I can't rave about this one enough as this fabulous series gets even better. A great story- compelling, tragic and thoroughly intriguing and, of course, steeped in the atmosphere of this secretive, diseased, decaying court of Charles II. Quite possibly the best of the series, which is saying something. Review to follow shortly on For Winter Nights.
3.5 stars for me I waited and watched and eventually the price came down to 3.99 vs 15.99. So, sometimes waiting and watching pays off. I can't even predict whether there will be yet another Marwood and Lovett after reading this one. I think the series lost its attraction for me, sorry to say. The villain in this book is over the top and has a fittingly overly dramatic end. So...with the slapstick treatment of certain events involving Marwood and Cat it was more difficult to embrace the reality of the secret treaty of Dover from 22 May 1670. Appreciated the Historical Notes but didn't really enjoy this book after waiting so long to read it. I did receive a bit of education on the Dutch situation of the time.
A new novel from British author Andrew Taylor is always reason to rejoice. He has not only written some of the best mysteries and thrillers of the past few decades, but his output has also included one of the finest historical mystery series with recurring titles in the James Marwood and Cat Hakesby series. THE ROYAL SECRET is the latest release in that stellar series, and it does not fail to deliver on the high standards set by its’ predecessors.
Marwood is an investigator of sorts and Hakesby a female architect, which is a rarity in London in the year 1670. This novel sees the two of them operating separate from each other in a complex plot that will inevitably find them once again on the same mission before the story is at an end. However, THE ROYAL SECRET begins with two young girls who are up to some seriously bad shenanigans. Twelve-year-old Maria and a young housemaid named Hannah have one big thing in common --- they both abhor Mr. Abbott, Maria’s stepfather and Hannah’s boss. Rather than just misbehaving, they up the ante to full-scale witchery in a plot to rid each of them of the problem that is Mr. Abbott.
Maria was innocent enough before she met Hannah who is a truly twisted young woman. She leads Maria down an evil path, and they pick the ideal opportunity to use a cursed doll, placed within Abbott’s mattress, to drain his life away from him. What we do not know currently is that Abbott was a colleague of James Marwood and now Marwood is eager to investigate his friend’s untimely death. What Marwood does not realize is that there is a Dutch connection to all this business. Anna, Abbott’s widow, is of Dutch heritage and following the death of her husband goes running to the home of her former father-in-law, a wealthy and eccentric Dutchman named Mr. Fanshawe. Fanshawe’s reputation precedes him and Marwood is aware of the influence he has --- as well as the wealthy extravagances he enjoys like living with a lion named Caliban. At one point in the novel, Marwood and Hakesby find themselves working for the same person, a man named Arlington. He supports Marwood’s case looking into the Dutch contingency that includes a very shady character named Van Riebeeck who proposes marriage at one point to a horrified Cat Hakesby.
It just so happens that Marwood blames Van Riebeeck for the murder of one of his loyal servants, Stephen, and he will now stop at nothing to expose him and Fanshawe who he believes is protecting him from the law. When a body is discovered in the lion stable it is evident that some nefarious things are happening. The problem is that these are mere distractions to the larger plot of THE ROYAL SECRET. Cat Hakesby is commissioned by King Charles II himself to travel to France on what appears to be an architectural job. It is in France where her paths will once again cross with Marwood who is there chasing Van Riebeeck.
Now, Andrew Taylor has the reader set up for a brilliant case of misdirection as it is uncovered that there is a pact between England and France which may change the face of Europe, as well as the balance of power, significantly. It is the revelation and fallout of this secret that will make readers rethink everything they have read up to this point and possibly switch allegiances as to who the real villains are. THE ROYAL SECRET is chock full of plot twists, red herrings, and a terrific bunch of characters who are worthy of the Main Characters listing at the top of the story to aid in keeping everyone straight. Another classic historical mystery in what I hope is the continuing saga that is the Marwood/Hakesby series.
We return to late 1600s London, Charles II is on the throne and our detective hero Marwood is called in to investigate missing papers after a clerk to Lord Arlington dies in mysterious circumstances.
Following the death of Cat's husband in the last book, Marwood and Cat have developed something more than a friendship but less than a romance, until Cat's latest commission brings her into conflict with Marwood.
If you like C.J. Sansom then I think you'll like this series. Marwood is a man of his time, which can make for uncomfortable reading for the 21st century reader, the uneasy balance that people had to maintain in order to retain their jobs seems so alien to this reader, to be employed at the whim of a capricious nobleman seems so harsh and yet I suppose many live in similar circumstances today.
These books are not for the faint-hearted, I'm not sure if they all share the in-depth interest in the toilets and sewers of this book and the last, but it feels authentic in all its brutality and squalor. I also found some scenes, especially those involving Marwood's slave Stephen, very difficult to read from a 21st century perspective.
As we roam from the court of Charles II to Paris and the Kent coast there are plots and intrigues in abundance.
I have to say that I have some questions about certain things that characters say towards the end. maybe I didn't truly understand their meaning but otherwise the plot hung together well and I could clearly see the trail of death and motives from start to finish.
I was invited to read a free copy of this book by the publisher via NetGalley in return for an honest review.
This is the latest in Andrew Taylor’s ‘Ashes of London’ series which is set in the years immediately following the Great Fire. As ever, the books are strong on atmosphere and place and follow the adventures of James Marwood who is clerk to Joseph Williamson and Lord Arlington, the Secretary of State, and the recently widowed architect Cat Hakesby. Marwood and Cat’s relationship is as spiky as ever but, as ever, it is their friendship that is key to much in this book, and series. Marwood seems to lead a precarious life – distrusted by his substantive employer Joseph Williamson but frequently called upon to assist Lord Arlington and by association the King. Marwood is however, resourceful and on this occasion is called on to investigate the death of one Richard Abbot. Of course, Abbot was murdered and Marwood suspects poisoning. Abbot’s widow is the sister of Dutchman Henryk Van Riebeeck who Marwood dislikes personally for his interest in Cat, but soon finds out he leads a somewhat complex and duplicitous life. Cat meanwhile has a seemingly high-profile commission and is sent to the French Court in Paris to present her design ideas. Both Marwood and Cat are drawn into an intrigue of spies, murder, plotting and suspicion as the French and English Kings prepare to sign a treaty that may have dire implications for the Dutch. I’m not sure my description does this excellent book credit, but it’s as equally enjoyable as the others in this first-class series. The author is very good at evoking the life, smells, squalor, and general atmosphere of the 17th century and in Cat and Marwood he has two excellent characters. Both are often subject to the whims of their class betters but through resourcefulness and determination are able to overcome great challenges. A thoroughly enjoyable read.
The Royal Secret is the fifth book in the James Marwood and Cat Lovett historical crime series. Although you could read this as a standalone, it is worth starting at the beginning of the series and seeing how the characters develop and watch the rebuilding of London after the Great Fire. The series as a whole is packed with historical detail and political intrigue and The Royal Secret delivers this in bucketfuls.
James Marwood continues to work at Scotland Yard for Joseph Williamson the Undersecretary of State to Lord Arlington, however when one of Arlington's men dies Marwood is called upon by Arlington to investigate his suspicious death. Cat manages to secure a commission to the Duchess of Orleans (King Charles II's sister), she finds herself unknowingly drawn into the plot which Marwood is involved with.
A must read for fans of historical fiction and crime. Thanks to Netgalley for offering me the chance to read and review The Royal Secret.
Cat's and James story continues and, as faith would have it, events, people, instances keep bringing them together and closer.
In this book we have new murder, a new mystery, different political interests, but we are continuing to enjoy our characters' story.
I absolutely love the way Andrew Taylor writes. He is a master of crafting a great mystery story with lots of action and plenty of historical references. His descriptions are not long and boring. He goes in enough detail to put the reader in those time and he creates the right atmosphere, sometimes constructing an image that is engaging the reader's senses (some scenes are very visual and in some you could smell the scents).
I am so looking forward to the next book in this series!
A new novel from British author Andrew Taylor always makes me happy. Not only has he written some of the best mysteries and thrillers of the past few decades, his output has included the James Marwood and Cat Hakesby novels, which comprise one of my favorite historical mystery series. THE ROYAL SECRET is the latest entry, and it does not fail to deliver on the high standards set by its predecessors.
Marwood is an investigator of sorts, and Cat is a female architect, which is a rarity in London in the year 1670. They are operating separately from each other in a complex plot that inevitably will find them once again on the same mission before the story comes to a satisfying end. However, THE ROYAL SECRET begins with two girls who are up to some seriously bad shenanigans.
Twelve-year-old Maria and her young housemaid, Hannah, have one big thing in common --- they both abhor Mr. Abbott, Maria’s stepfather and Hannah’s boss. Rather than just misbehave, they up the ante to full-scale witchery in a plot to rid them of their problem. Maria was innocent enough before she met Hannah, who is a truly twisted young woman. She leads Maria down an evil path, and they pick the ideal opportunity to use a cursed doll, placed in Abbott’s mattress, to drain his life away. Abbott was a colleague of James Marwood, who is eager to investigate his friend’s untimely death.
What Marwood does not realize is that there is a Dutch connection to all this business. Anna, Abbott’s widow, is of Dutch heritage and runs to the home of her former father-in-law, a wealthy and eccentric Dutchman. Mr. Fanshawe’s reputation precedes him, and Marwood is aware of the influence he has --- as well as the wealthy extravagances he enjoys, like living with a lion. At one point in the novel, Marwood and Cat find themselves working for the same individual. Lord Arlington supports Marwood’s case looking into the Dutch contingency, which includes Henryk Van Riebeeck, a shady character who proposes marriage at one point to a horrified Cat.
It just so happens that Marwood blames Van Riebeeck for the murder of one of his loyal servants, and he will stop at nothing to expose him and Fanshawe, who he believes is protecting him from the law. When a body is discovered in the lion stable, it is evident that some nefarious activity is going on, but these are mere distractions to the book’s larger plot. Cat is commissioned by King Charles II himself to travel to France on what appears to be an architectural job, and once again her paths will cross with Marwood, who is there chasing Van Riebeeck.
THE ROYAL SECRET is full of plot twists, red herrings, and a terrific group of characters who are worthy of the “Main Characters” listing at the top of the story to help keep everyone straight. It is another classic historical mystery, and I hope Taylor is hard at work on the next entry in this outstanding series.
The latest episode in the Marwood and Lovett series does not disappoint. Taylor, like the best writers of historical fiction, conjures an England during the reign of Charles II, which thoroughly convinces. It is a dangerous place where the privileges of class and position dominate and the talents of those lower in society are exploited and despised. Both James Marwood and Catherine Hakesby, formerly Lovett, fall foul of their social betters, in their different situations and professions. Neither are Marwood and Lovett guiltless of the same insensitivity towards their own class inferiors.
For a time, it is unclear what the mystery is here. We are introduced to a number of characters, all to some extent behaving suspiciously. There are hints of witchcraft, murder by poisoning, Anglo-Dutch relationships, Anglo-French relationships, a pet lion. The author builds up his plot with great care – it is not until the final chapters that the secret of the title is revealed. And is it even true?
I love how the author presents the testy relationship of Marwood and Cat; in this novel, one step forward, two steps back. I love how the reader is left with a feeling of ambiguity regarding the role and motivation of the mysterious Dutch spy, Henryk Van Riebeeck. I respect how the author does not step back from the shock of the unexpected death of a sympathetic character. Superbly crafted and imaginative at all times.
Andrew Taylor is one of my favourite authors and I particularly love his Marwood and Lovett series. This is the fifth book and I think it is my favourite so far. It can also be read as a standalone; there is a helpful index of characters at the front and historical notes at the back.
The story opens in 1670 with two young girls playing at witchcraft. Soon afterwards, the step-father of one dies in mysterious and agonising circumstances. A government clerk known for gambling and drinking, unpopular with his family and in debt to a local villain, it is only surprising no one has killed him before now. James Marwood, tasked with retrieving some sensitive government files from the man's house, suspects his death is not quite as it appears. Marwood begins an investigation, only to find himself - and the lives of those around him - in real danger.
Meanwhile, Cat Lovett's architecture business is going from strength to strength and she's been handed a commission to design a poultry house for the woman the King loves most in the world - but is she being used as a royal pawn?
The Royal Secret is set during one of my favourite time periods and I love all the historical details, particularly the glimpses into royal life, which is not quite as glamorous as one would hope! There is lots of spy-like intrigue as Marwood tries to track down the utterly ruthless killer. Cat receives an all-expenses paid trip to France (which doesn't go quite the way she is hoping) and there is even an appearance by a real lion. My only quibble with the story is that Cat allows herself to become distracted by a pretty face. I had thought she was smarter than that!
The Last Protector would suit anyone who loves a cracking good historical mystery and authors such as Laura Shepherd-Robinson and Antonia Hodgson. I can't wait to read the next one in the series!
Thank you to Andrew Taylor and HarperCollins for my copy of this book, which I requested from NetGalley and reviewed voluntarily.
Cate Hakesby, tęsianti savo mirusio vyro architektūrinę veiklą, gauna prestižinį užsakymą. Tuo tarpu Jamesas Marwoodas tiria netikėtai mirusio vyriausybės tarnautojo mirties aplinkybes. Žinoma, jų keliai susitiks, žinoma, paaiškės, kad vienaip ar kitaip paslaptys, supančios herojus, susipins į vieną kamuolį, kurį teks išnarplioti, apjungus jėgas. Jau penktasis serijos romanas. Tiesą sakant, gerokai labiau vykęs, nei ankstesnieji. Deja, tai lazda su dviem galais. Protagonistų porelė gerokai mažiau erzina. Ir didesnę laiko dalį netgi visai protingai elgiasi. Ne visada, ne 100% (nenorėkit neįmanomo!), bet vis. Tačiau nukenčia detektyvinė linija. Intriga tikrai labai silpna ir beveik viskas skaitytojui aišku kone nuo pradžių. Gauname tokį labiau nuotykinį, nei detektyvinį pasakojimą. Na, ir gerai išlaikomas istorinis fonas – Andrew Tayloras su tuo visada susitvarko gerai. Tai visai tokie keturi iš penkių.
Love this series but each book seems to get longer and less suspenseful and the plots weaker, no surprises in this one sadly. Engaging characters and atmosphere make up for this a bit.
( A 2.5 ). Taylor continues to bring the 17th century to life through his vivid detail and historical research, successfully bringing together factual and fictional characters. The last 2 books in this series have failed to grab me though and, as I began to suspect in ‘The last Protector’, the formula that worked so well now feels it has lost its edge and become rather tired.
The plot here seemed unusually slow. The dynamic between Cat and Marwood is always as interesting in this series as the thriller. I thought book 4 suffered because Cat was sidelined to a supporting role. Here she is back centre stage but seems to act out of character with the feisty lady of the earlier novels. Her umbrage with Marwood for much of the novel is completely unsubstantiated. Sadly, I no longer have sufficient interest in continuing with their story.
Two other things also put me off : 1) I appreciate how dirty and smelly Stuart London would have been but the number of times bodily waste, human and otherwise, is mentioned seems ridiculous. Was the author responding to a challenge to have the most references to excrement and vomit in any one book? 2) Taylor seems to think that his readers are so stupid that he needs to summarise the entire conspiracy plot in one of the final chapters. How patronising!
Having read five books by Andrew Taylor and having spent a very pleasant evening chatting with him, I would say I am a fan. However, I did find this disappointing. I was first taken by surprise when it suddenly shifted to a first person narrative in the middle of a chapter and this continued throughout the book. I don't remember that from a previous Marwood that I read. There are 2 points of view in the third person and then one in the first. It's not confusing, but it does break the flow and the narrative drive. One of the third person narratives seems barely necessary. Equally, some of the plot devices seem trivial. It is also a little repetitious in a way that suggests a lack of good editing. However, the event in 1670 of the treaty between England and France is interesting. And Andrew Taylor's research is very strong, a great sense of time and manners. Even so, I doubt I will return to this series, 2 volumes seems enough, but I will probably return to some of the earlier works.
A good story in the Marwood series. James is putting himself about at Whitehall and has strong links with Lord Arlington and is set upon the trail of a Dutch spy. Meanwhile, Cat Hakesby(Lovett), still hard at work as an architect but believes that Marwood is having an affair with a raunchy actress and has snubbed him. Cat becomes increasingly infatuated with a Dutchman Van Riebeeck. Cat goes to France on an errand for King Charles as the intrigue builds.
The Dutchman is a shadowy character and we learn little about him until he ends up dead. Cat needs a good kick as she never seems to have learned from the past and becomes drawn into the subterfuge. The story goes along at a good pace but the whole event, which could have had serious repercussions never quite comes across as so serious. The cover blurb suggests much more than is delivered. A little disappointing.
Another engaging read from Andrew Taylor following James Marwood as he attempts to investigate the death of an erstwhile colleague in mysterious circumstances; and Cat Lovell as she dips her toe into her new life as an independent widow (though not without suitors), and takes up the mantle in continuing her late husband’s architect business. Travelling across Charles II post fire London, into Kent and as far afield as France, the story is convincing in historical detail and well researched. It is scattered with real events, locations and characters, and follows a real timeline whilst providing the reader with an action and intrigue packed narrative.
I opened my first Marwood book three years ago and now await each new instalment eagerly so I was delighted to receive an ARC from the publisher via NetGalley. I wasn’t disappointed, and read well into the night to finish this in one sitting! If you haven’t yet tried Andrew Taylor books, then I strongly recommend this series to you
I got this book for my birthday as a first edition hardback. It is certainly a beautiful book!
In terms of the actual story it was an interesting book in that nothing much seemed to happen at the time, but once I had finished reading it, it seemed like a fair amount had happened overall.
It took me a long time to read and other books kept coming up meaning that I had to stop reading it. It wasn't a gripping tale so I didn't mind putting it on pause. I also think some of the problem was that I am not overly familiar with that period of history, so I found it hard to keep up with who was who and what was happening despite there being a helpful character list at the beginning.
The Royal Secret is book five in the Marwood and Lovett series. In this book, Marwood is tasked with retrieving some confidential documents whilst investigating the suspicious death of a colleague, which leads him deeper into political intrigue. Set in Restoration England in the court of King James II, the story is rich in period detail and suspense. I love this series, and hoping that there may be more to come. Thank you Netgalley and Publisher for the ARC.
This is the fifth book I've read of Andrew Taylor and like always it was an amazing book. The way he puts the storyline into words is simply brilliant. He is able to tie in the events that happened in real life with the fictional characters of the book. I recommend to anyone to start reading the first book as soon as possible (the ashes of london). The reader must however also take into consideration that this book takes place in a different time, meaning that there are other "norms".
Utterly in awe of Taylor’s meticulous research married with an exemplary talent for yarn spinning. Each one of his novels is dripping in historical detail, so rich you can taste it. Also the plot cracks on with such energy that one is never bogged down in the weeds of detail. I cannot wait until the next one.