Caroline Cox takes fashion lovers on an exquisite journey through the most stylish footwear of the twentieth century. Vintage Shoes illuminates the crucial designers, key technical breakthroughs, and varied cultural influences that have shaped shoe fashion for the last hundred years—from André Perugia’s designs for society women in the 1920s to the Christian Louboutin red-soled shoes favored by celebrities today, and including designs by Salvatore Ferragamo, Charles Jourdan, Roger Vivier, Beth Levine, Vivienne Westwood, Manolo Blahnik, and others. Lavish fashion photography, specially commissioned photographs of rare period footwear, and a unique shopping guide—with tips on sourcing and caring for articles of vintage fashion—help make Vintage Shoes an unforgettable tour through a dazzling corner of haute couture history.
Caroline Cox, professor of cultural history at the University of the Arts London, is a leading fashion authority whose work explores the relationship between fashion, beauty, and culture. A lecturer and broadcaster, she is also a cultural trends advisor at Vidal Sassoon.
Fashion history is very interesting to learn about because the influences of societal standards of beauty say a lot about the values of the time. This book does a really great job of breaking down the different designers that were popular during the different decades and what influenced them to create the shoes that they did.
Plus, who doesn't want to sit down for a little while and look at pictures of shoes. Most of them are even beautiful.
It's one of those books, I think you find by accident but it's such a good read. Especially if you're a shoe lover, like myself. It's got a lot of little quirky facts that you might not've known if you hadn't read this. There's definitely a bit to learn in this book and there are some genuinely beautiful pictures in this book.
Erittäin hyvin koottu systemaattinen esittely 1900-luvun eri vuosikymmenten kenkämuotiin. Esitellyt tyylit ja suunnittelijat tosiaan esitellään eikä vain mainita, ja kirjan tyyli on enimmäkseen kuvaava ja pääosin stereotyyppistä arvostelua karttava. Kuvia on runsaasti, ja jokaiseen kuvaan liittyy hyvä kuvateksti. Suurin miinus ja hämmästelyn aihe kirjassa on suomenkielisen laitoksen väärin kirjoitettu nimi. Häpeä, Otava!