I am shocked at how much I adored this little story.
Describing this as a Cinderella retelling seems a stretch since, until the end, the Cinderella similarities are few -- nasty stepsisters and a grand event and a few cryptic references to midnight being about the extent of them. No, this little page-turner was wholly unique to me; it is decidedly a romance, but it has a healthy dash of adventure and intrigue mixed in, and I like the seamlessness of the steampunk world -- it doesn't feel as though the author is trying too hard to make it cool or different. I very much enjoyed the entire thing, and was drawn in from the first chapter, genuinely wondering what would happen next. You certainly don't see warring factions of humans and supernatural beings in Cinderella..
Emme is one of my new favorite heroines, and I might be a little bit in love with Oliver; as far as book beaus go, he's a keeper. Dependably upright, charming, just a little bit infuriating, slightly mysterious, willing to die multiple times for our spunky and impossible-to-tame heroine, and handsome to boot: what else do you need, really?
Emme doesn't feel contrived, which I appreciate. Too often lately it feels like I'm reading a publisher's wishlist when I meet a new a heroine -- "She needs to be independent, beautiful without trying, ferocious yet also appealing, unique yet approachable by her cast of less-than-exciting sidekicks, etc., etc. She probably swears a good deal and can hold her own with the boys. She's open-minded, and while she'll have a love interest, she doesn't *need* him.."
Emme is the best of all those things without being trite; she does feel deeply, and it's both curse and weapon. She's independent but loves her family dearly; she cares passionately for her cause but won't exploit or discount individuals just to get her way. She has insecurities but doesn't let them absolutely hobble her like I've seen happen in other books, and she speaks her mind without being vulgar, whiny, insipid, or demanding. In short, she is entirely human, entirely female, and entirely sympathetic and believable.
The cast of supporting characters in this story is wide, and I lost track of most of them -- I believe this is because most of them have their own stories in the series (which I did not realize existed until I came on here to review this particular installment... *quietly checks out the rest of the books from eLibrary*); there are a few of note, namely a vampiric stand-in for a fairy godmother, a lovely young lady named Madeline whose story is, I believe, not yet over, and an intimidating, over-bearing, but wholly good-intentioned mother.
The plot moves swiftly; the vocabulary is not taxing, but some of the exchanges between Oliver and Emme may be seen as flowery. I enjoyed them; I love it when people are a little overly formal and say too many things in the span of one breath, when they could've just spoken plainly and briefly. Others may find it off-putting. I think it jives with the whole Victorian-era steampunk thing, though.
The arc of the romance in this story was predictable, but sweetly done, and honestly, pretty delightful. Sometimes "clean" teen books can be so treacly as to be nauseating, or so deliberately prudish as to be unreadable. This is neither. As a librarian who needs to consider middle school students who read well above their "level," but don't need to be anywhere near Throne of Glass just yet, I will wholeheartedly recommend this to that subset of reader, and anybody else who seems remotely interested in fairytale retellings or steampunk.
Thank you, NetGalley, for providing the eGalley for this review -- it's one I'm glad to have read for my own sake, as well as for the benefit of my students!