"The God of Love’s Letter" and "The Tale of the Rose": A Bilingual Edition. With Jean Gerson, “A Poem on Man and Woman,” Translated from the Latin by ... in Early Modern Europe: The Toronto Series)

The Other Voice in Early Modern Europe: The Toronto Series #79

by Christine de Pizan, Jocelyn Wogan-Browne (Foreword), Thelma S. Fenster (Editor)

Christine de Pizan was born in Italy and moved to the French court of Charles V when she was four years old. She led a life of learning, stimulated by her reading and by her drive to engage with the cultural and political issues of her day. As a young widow she sought to support her family through writing, and she broke new ground by pursuing a life as an author and self-publisher, producing an astonishingly large and varied body of work. Her books, owned and read by some of the most important figures of her day, addressed politics, philosophy, government, ethics, the conduct of war, autobiography and biography, and religious subjects.

The God of Love’s Letter (1399), Christine de Pizan’s first defense of women, is arguably her most succinct statement about gender. It also rebukes the thirteenth-century Romance of the Rose and anticipates Christine’s City of Ladies . The Tale of the Rose (1402) responds to the growth in chivalric orders for the defense of women by arguing that women, not men, should choose members of the “Order of the Rose.” Both poems are freshly edited here from their earliest manuscripts and each is newly translated into English.
 

209 pages, Paperback

Published June 30, 2021

About the author

Christine de Pizan (also seen as de Pisan) (1363–c.1434) was a writer and analyst of the medieval era who strongly challenged misogyny and stereotypes that were prevalent in the male-dominated realm of the arts. De Pizan completed forty-one pieces during her thirty-year career (1399–1429). She earned her accolade as Europe’s first professional woman writer (Redfern 74). Her success stems from a wide range of innovative writing and rhetorical techniques that critically challenged renowned male writers such as Jean de Meun who, to Pizan’s dismay, incorporated misogynist beliefs within their literary works.

In recent decades, de Pizan's work has been returned to prominence by the efforts of scholars such as Charity Cannon Willard and Earl Jeffrey Richards. Certain scholars have argued that she should be seen as an early feminist who efficiently used language to convey that women could play an important role within society, although this characterisation has been challenged by other critics who claim either that it is an anachronistic use of the word, or that her beliefs were not progressive enough to merit such a designation

Reviews

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bruh Dante did it better in vita nova... give up christine ... corny 'Whoever would utter a single cry/And then add on August’s end,/And if he said it with an –yne' im getting secondhand embarrassment