How I fondly remember the days when the Justice League of America and the Justice Society of America lived on parallel Earths, and met each summer in the pages of the Justice League's magazine! These stories were always a highlight of the year for me. This volume collects three set of adventures, beginning with the crossover during the DC Explosion of 1978, and continuing with 1979's and 1980's tales.
First up is a two-parter from Justice League of America (1st series) #s 159 and 160, in which the JLA and JSA meet at a restaurant (Club 22) to have a nice sit down meal. The cast is rather large, at first, but then, of course, they are attacked. Coming from out of the past are five fighters, Jonah Hex, the Black Pirate, Miss Liberty, the Viking Prince, and Enemy Ace. Amazingly, they put the kibosh on all but eight of the JLA/JSA assembled. We soon learn why these heroes from yesterday appear, and it leads to a race through time to stop the destruction of time and all that exists!
The second story takes place completely in the satellite headquarters of the JLA. This is the famous story in which the original Golden Age Mister Terrific is murdered, and we have a classic locked-room mystery to figure out who the murderer is. Even as a kid, I thought this was a bit contrived, but it's a fun story with some good characterization between Batman of Earth-1 and the Huntress, discussing the death of Earth-2's Caped Crusader.
The third adventure is in three parts and adds the New Gods to the mix. At this point, Kirby's run on his Fourth World creations was long in the past, and although there was a brief revival prior to the DC Explosion/DC Implosion, I was still rather new to them at this time, and Darkseid just wasn't the big bad villain he is today. This is a couple years before Paul Levitz would make use of him in the classic Great Darkness Saga over in Legion of Super-Heroes. As usual, there's a handful of JLAers and an equal number of JSAers, now joined by Mr Miracle, Big Barda, Orion, and Metron, as they face not only the hellish minions of Apololips, but also the Injustice Society of Earth-2.
The JLA/JSA/New Gods arc is perhaps most well-known for the debut of popular penciller George Perez as the artist starting with the second issue of the story. Long time JLA artist Dick Dillin had died after completing the first issue, at the young age of 51. Dillin had been the JLA artist for 12 years, and his style is forever imprinted on my mind as THE JLA artist. He had also been the artist for over a decade on Blackhawk, first at Quality Comics and then at DC after the latter bought the property. His style was not flashy or as intricate as Perez's, but he was a true workman who represented the old values of comic artists, the guys who worked steadily but with little fame. I was very sad to read of his passing that summer, and still remember the shock to this day, 35 years later.
Gerry Conway wrote all of these, and they're pretty good considering he's not my favorite writer. He had a certain melodramatic flair popular in those days, and some of his dialog is corny, but Conway delivered the goods for the most part here. It's amazing that 37, 36, and 35 years later, I can still remember some of the script to these comics. I think I read them so much back before we had the internet and cable tv to keep our minds occupied.
This volume is OOP, and typically goes for over a hundred bucks on Amazon and Ebay, presumably because of Perez's debut. I picked up the digital copy on Comixology during a sale for only $5.99, so a good bargain. These stories are worth reading, in my view, because even though they are not perfect by today's standards, there is so much of DC's history here that most current readers don't know. It's sad, I think, particularly when I read reviews of current books that reflect some of this storied history, but the reviewer isn't aware and labels such references as stupid, or WTF?. Today's writers and artists stand on the shoulders of these early giants of the industry, and we should all read their work, in the context of when they were produced, and be thankful for the days when comics were produced out of love for the medium, and not for pecuniary purposes (other than paying the light bill, the rent, and buying food).