Výtvarná škola Bauhaus sa zrodila v krátkom medzivojnovom období a pôsobila iba štrnásť rokov. Za ten čas sa jej však podarilo úplne premeniť tvár moderny. Priniesla odvážne umelecké vízie a novátorské prepojenie klasického umenia, remesiel a techniky, naprieč najrôznejšími druhmi umenia, ako je maľba, sochárstvo, dizajn, architektúra, film, fotografia, textil, keramika, divadlo a umelecké inštalácie.
Zakladateľ školy Walter Gropius pozval na spoluprácu najvychytenejších umelcov svojej doby. Súčasťou učiteľského kolektívu sa tak stali Josef a Anni Albers, Vasilij Kandinskij, Paul Klee, Oskar Schlemmer, Gunta Stölzl, Marianne Brandt a Ludwig Mies van der Rohe. Škola postupne úspešne pôsobila v troch rôznych mestách: vo Weimare, v Dessau a Berlíne.
Rozmanité štýly a prístupy charakterizoval idealizmus a snaha o „totálne“ umelecké dielo, ktoré by prepojilo najrôznejšie techniky a médiá do jedného celku. Sloboda kreatívneho vyjadrenia a smelé idey sa tu spojili, aby viedli k funkčným a krásnym výtvorom. Kniha predstavuje priekopnícku činnosť tejto školy v rámci modernistického hnutia, ako aj na poli vzdelávania.
it seems I generally find Taschen books disappointing, and this one was no exception; I don’t have a good sense of Bauhaus after reading; I can’t understand why it remains worth knowing about; is the influence simply downstream of the thing itself? is it simply because of the people beyond the thing itself? having read the book, I don’t have a good sense of why Bauhaus matters
Interesting to compare with the other bauhaus book recently read (both gifts). The text is more serious and initially better but the translation seems to collapse as it goes on and it becomes a bit of a drag to read.
Good foundational book about the Bauhaus and its cast of characters, and how the school and the people involved changed throughout its brief but momentous history.
First of all, the edition of 2021 has a lot of typos! I was underwhelmed by this book because I expected from a book about a school of design to talk more about the actual design, but it turned out to be almost entirely the description of the management of the school, the classes’ organization and different internal conflicts among the staff throughout the years of its existence. Of course, I still have learnt something about Bauhaus from this book, but the focus of it is definitely not what I would want it to be on: the design itself is only touched briefly. Overall, I would probably not recommend this book, unless you want to learn about the historical environment surrounding the school, rather than about the school of design itself.
A good summary. Enough photos with enough text. Not overly detailed but not vague either. Towards the end the grammar fell apart in a few places. I learned a lot and now have a list of names to look up.
Nádherné spracovanie edície Taschen predchádza text, ktorý je pri najlepšej vôli statický. Inými slovami, dočítal som knihu, ktorá robila všetko preto, aby sa tak nestalo.