“Today, atoll nations such as Kiribati and the Marshall Islands are those most vulnerable to sea-level rise. Among the most eloquent voices in debates around climate change are Islander leaders and activists such as Kathy Jetil-Kijiner, a performance poet:
tell them about the water—
how we have seen it rising flooding
across our cemeteries
gushing over the sea walls and
crashing against our homes
Tell them what it’s like to see the entire
ocean__level__with the land”
“What was of decisive importance was that Cook and those who sailed with him visited an unprecedented range of islands across the north and south Pacific. And the seamen, artists, and scientists who accompanied him included individuals with interests and imaginations that were wide-ranging, indeed remarkable—even by the standards of the Enlightenment.”
This was engaging and thought-provoking and new information in many ways, and I spent a lot of time looking at my Ocean Atlas and thinking of this part of the planet. Several years ago, I had a patient from the Chuuk State of Micronesia, and I had studied it then, in awe and ignorance of this part of the world, and this built on that experience. I am so in love with the ocean, this was definitely a beauty read with all the atolls, and waves and lagoons, and I am just talking about how the words reverberate in my mind and I am there, floating, feeling the air and the wind and the water.
The islands that seafaring boats “called at,” another image I love confirming I must have been a seafarer in a past life. Deepwater. Voyaging itself deserves some pause, why not travelling or traveller or journeyer, wanderer, adventurer? Archipelago. Sea passage. Trade winds. The Marquesas: “Sailing a reach before a following sea/She was making for the trades on the outside/And the downhill run to Papeete Bay /Off the wind on this heading lie the Marquesas/We got eighty feet of the waterline, nicely making way…”
“Oceania was not only a distinctive civilization, but an inhabited realm that speaks the plurality and diversity of human culture.” Tahiti, Bora Bora, Fiji, Papua New Guinea, the Samoas, well known. New islands to me, as if I was discovering them again: Vanuatu, Tokelau, Kiribati, Tuvalu. That Easter Island is Rapa Nui.
Just east of Bali, which formed the far southeastern tip of Asia at its greatest extent, and west of Lombok in the archipelago of the Lesser Sunda Islands, running north to south between Borneo and the Philippines, is Wallace’s Line. This line, discovered by British zoologist and traveler Alfred Russel Wallace (1823–1913), acknowledged that the fauna of Southeast Asia was basically different from that of New Guinea and Australia, reflecting an ancient history of separation between the great regions.
The question of what motivated voyages that were exceptionally arduous and risky is very hard to answer without retrospectively attributing our contemporary sense of human interest and identity to people in the past. Yet, more cautiously, it can be suggested that social values loomed large. Austronesian cultures seem to have privileged the “founders” of particular communities. Those seeking renown might thus understand a successful voyage of colonization, and the foundation of a community, as the ultimate human achievement. Yet it is still hard to understand quite why this culture drove such an extraordinary succession of colonizing ventures at the time that it did. We may also wonder why these took the form of extended sea passages, rather than short-distance, local moves into the abundance of new territory offered across extensive landmasses. New Caledonia’s Grande Terre is bigger than the state of Connecticut and more than three-quarters the size of Wales. The archipelago is made up of more than eighty islands—now forming the modern nation of Vanuatu—many of which offered room enough, one might have thought, for new founders and communities.
Recent discoveries from the Leang Bulu’ Sipong cave site in southern Sulawesi have revealed what appears to be the earliest narrative scene in cave art from any part of the world. In particular, a fifteen-foot panel constitutes a scene in which human-animal hybrids—with human bodies but indeterminate, animal heads—are engaged in hunting pigs and a bovid, such as a wild ox of some kind. No specific belief, nor a spiritual practice such as shamanism, can be identified from this scene other than speculatively. However, it has generally been assumed that similar representations from later periods were not just images of hunting, but were part of some magical or ritual effort to enhance the success of hunters, who may have danced or chanted in the presence of the painting.
Were people driven, rather, by a spirit of adventure? As Matthew Spriggs, a distinguished archaeologist of Southeast Asia and the Pacific, has reflected, “These kinds of ultimate-cause questions always disturb me, as the glib answers that people often give always reveal more about the self-image or concerns of our age than they do about any past reality.” Hence, wanderlust, for example, suggests absurdly that people in the Pleistocene needed to get away from the ancient equivalent of office drudgery.