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208 pages, Hardcover
Published June 1, 2021
“It is always better to be slightly underdressed.”
— Coco Chanel
The first half of the twentieth century was a time that saw a dramatic shift in the role of the sexes. Chanel’s gamine silhouette and shortened hemlines, now synonymous with the brand, allowed women to discard their corsets and embrace modernism. Chanel was a woman who designed for other women, delivering garments that mirrored their changing role in society.
It was dubbed the ‘Ford’ dress, after the era’s democratic black Model T automobile. Just like the car, the Little Black Dress was simple and accessible for women of every class. The simple, unstructured design in unlined crêpe de chine, accented by four diagonal stripes, was decidedly unfussy and became, according to Vogue, ‘a sort of a uniform for all women of taste’.
What separated Coco Chanel from other designers was her originality and her sheer will to never steer away from the vision that she so strongly believed in.
