I thoroughly enjoyed this deep dive into the life of one of my favorite artists. It covers the trauma of her early life when her influential father died young, her struggles to get recognized for her talents, her various lovers and patrons, and how life affected her art. Chicago is generous with her praise and gratitude for all those her helped her along the way. I recommend this book for anyone who wants an insight into the emotional journey of an artist. In addition she provides an alternative business model for producing, displaying, and living off art.
At first I thought there was too much "woe is me" complaining about how her work was embraced by the populace, but denigrated by the art critic world--which significantly affected her career as a professional artist (i.e. made it difficult to make a living at it). But as her career developed and she produced such profound projects as "The Dinner Party", "The Birth Project" and "The Holocaust Project" which continued to be rejected by the critics, I can only conclude that it was because of her sex. The art world has always rejected women artists (the theme of the Dinner Party) and required any female up and comer to do it all alone without the support provided to their male peers. Luckily when you live as long as Chicago and produce such a prodigious amount of significant art, you might break through the barriers. She is finally getting the recognition she deserves.
If you live in the New York City area, I highly recommend you visit the Dinner Party which is permanently installed in the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum. Chicago's work is also available at number of museums and venues across the US. Check with your local museum or go online to see what she has done. Or read this book! As might be expected, there are lots of images of her projects.