One of the aspects of Chris Sorensen's The Messy Man series I most strongly recall is my own cynicism over how much potential there could actually be in a trilogy of ghost books that seemed to have almost fully resolved its own central ideas by the close of its own introduction in The Nightmare Room.
Thankfully, the second book, The Hungry Ones dashed any such doubts I had almost immediately. Sorensen upended whatever preconceived expectations I'd had by smartly flipping the script and pulling a Law & Order on readers by rotating out his central cast of characters with fresh eyes and ears, and in brand-new settings no less. He established himself as an author with a much grander vision, one that was more than worth following along with, and almost when it seemed like Book Two was going to be a standalone adventure connected to the series at large by concepts and themes, Sorensen then started to weave in those various dangling threads left over from Book One.
Book Three, The Messy Man, is a natural outgrowth to those various storytelling seeds. It, again, feels like its own story, while also being very much a part of what came before (meaning, if you haven't read the previous two installments in this trilogy, you better get yourself straight before attempting to read this series capper). While The Messy Man focuses heavily again on Peter, if you recall the ending of the second book, it's a very different Peter than the man we met way back in The Nightmare Room. Sorensen also gives us a really meaty story for Ellen Marx, the paranormal investigator from the previous two books, but - yet again -, the author is not content to follow conventional logic or expectations.
The Messy Man is predominantly set in 2003, which means the Ellen Marx we're following here is an 11-year-old kid, stuck with her rotten mom in the wake of her father's death. Quite a far cry from the Ellen we've grown accustomed to! Then again, so is Peter, who finds himself struggling to recall his former life with wife Hannah and the trauma led that led him to be where he's currently at.
Over the course of this series, Sorensen's played with some high-concept ideas you don't typically find in haunted house stories, and even then, he approached those ideas at an oblique angle. While there are demons and poltergeists up the wazoo, Sorensen's been keenly focused on the storytelling potential of the astral plane, temporality, and second chances. And while these concepts don't come across as scientifically heady or as hardcore as they would be in a Blake Crouch book, they're recognizable elements nonetheless, and their ground-level approach is handled with smooth finesse.
The Messy Man series became must-read releases straight off the bat with the release of The Nightmare Room, and book two washed away whatever measure of skepticism I had about the direction this series would take. Book Three left me with a welcome dose of hope and optimism, which in 2020 is no small gift at all. It also further solidified Sorensen as a gifted author and creative powerhouse well worth following. But I kinda already suspected as much anyway...