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The Wild Ones
From William C. Morris Finalist Nafiza Azad comes a thrilling, feminist fantasy about a group of teenage girls endowed with special powers who must band together to save the life of the boy whose magic saved them all.
Meet the Wild Ones: girls who have been hurt, abandoned, and betrayed all their lives. It all began with Paheli, who was once betrayed by her mother and sold to a man in exchange for a favor. When Paheli escapes, she runs headlong into a boy with stars in his eyes. This boy, as battered as she is, tosses Paheli a box of stars before disappearing.
With the stars, Paheli gains access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like herself and these Wild Ones use their magic to travel the world, helping the hopeless and saving others from the fates they suffered.
Then Paheli and the Wild Ones learn that the boy who gave them the stars, Taraana, is in danger. He’s on the run from powerful forces within the world of magic. But if Taraana is no longer safe and free, neither are the Wild Ones. And that…is a fate the Wild Ones refuse to accept. Ever again.
Meet the Wild Ones: girls who have been hurt, abandoned, and betrayed all their lives. It all began with Paheli, who was once betrayed by her mother and sold to a man in exchange for a favor. When Paheli escapes, she runs headlong into a boy with stars in his eyes. This boy, as battered as she is, tosses Paheli a box of stars before disappearing.
With the stars, Paheli gains access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like herself and these Wild Ones use their magic to travel the world, helping the hopeless and saving others from the fates they suffered.
Then Paheli and the Wild Ones learn that the boy who gave them the stars, Taraana, is in danger. He’s on the run from powerful forces within the world of magic. But if Taraana is no longer safe and free, neither are the Wild Ones. And that…is a fate the Wild Ones refuse to accept. Ever again.
352 pages, Hardcover
First published August 3, 2021
67 people are currently reading
11736 people want to read
About the author
Nafiza Azad
8 books1,281 followersNafiza Azad is a self-identified island girl. She has hurricanes in her blood and dreams of a time she can exist solely on mangoes and pineapple. Born in Lautoka, Fiji, she currently resides in BC, Canada where she reads too many books, watches too many Kdramas and writes stories about girls taking over the world. Her debut YA fantasy, THE CANDLE AND THE FLAME, was released by Scholastic in 2019.
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December 27, 2020Dear Reader,
I wrote this book for many reasons but perhaps the most prominent among them would be that sometimes you have no choice but to confront your vulnerabilities. Sometimes you have to stare at the person in the mirror no matter how much she scares you or hurts you. So I did.
THE WILD ONES comes with a whole slew of content and trigger warnings so please be kind to yourself and pass on it if you need to. The story is, I confess, to an extent, an own voices one.
I've been there. I have tasted the helplessness, the darkness, the frustration, and the anger. The guilt, the self-blame, the hurt. THE WILD ONES is my rallying cry for every girl out there. It wasn't your fault. You are not unworthy. You are precious. This world is yours too.
I may have gotten things wrong but please understand there was no conscious malice intended. The story is true to my experiences and my experience isn't universal.
The novel contains a lot of humour, a lot of sisterhood, some romance, and a whole ton of anger. It also contains hope, because how can we be human without hope?
I hope you enjoy THE WILD ONES and I hope it reaches you and touches you in any way you need it to.
I wrote this book for many reasons but perhaps the most prominent among them would be that sometimes you have no choice but to confront your vulnerabilities. Sometimes you have to stare at the person in the mirror no matter how much she scares you or hurts you. So I did.
THE WILD ONES comes with a whole slew of content and trigger warnings so please be kind to yourself and pass on it if you need to. The story is, I confess, to an extent, an own voices one.
I've been there. I have tasted the helplessness, the darkness, the frustration, and the anger. The guilt, the self-blame, the hurt. THE WILD ONES is my rallying cry for every girl out there. It wasn't your fault. You are not unworthy. You are precious. This world is yours too.
I may have gotten things wrong but please understand there was no conscious malice intended. The story is true to my experiences and my experience isn't universal.
The novel contains a lot of humour, a lot of sisterhood, some romance, and a whole ton of anger. It also contains hope, because how can we be human without hope?
I hope you enjoy THE WILD ONES and I hope it reaches you and touches you in any way you need it to.
maybe
December 17, 2020LOOK AT THIS COVER this is so gorgeous and I am so gay
December 10, 2022
EVERYONE, PLEASE READ THIS BOOK😭❤️🔥
August 2, 2022
➵ this book reminded me how much i love beautiful prose. rtc.
January 17, 2024
I reached out to the author on twitter because I wanted to know who was who on the front and back covers. She was kind enough to respond!
FRONT
Paheli is the pink-haired girl
Valentina is the girl with the braid and yellow flower
Areum is the blue-haired girl
Talei is the girl with red hibiscus
BACK see full cover here
Etsuko is the dark-brown-haired one at the far left
Ghufran is the one with purple hijab
Kamboja is the one with short hair
Sevda is the one with ash/grey -colored hair
And Daraja is the one with the head covering
Thanks, Nafiza!
More of a 3.5/5 stars
Long ago, in Mughal-era India, Paheli was raised in a brothel by her mother. Then one night, her mother sold her to a cruel man. Paheli ran, but then a boy with stars in his eyes threw her a box of stars and she was able to escape to the Between, a realm of magic that no normal humans can access. Centuries later, joined by many other girls from around the world, Paheli lives her life, seeing the sights of the world, helping other girls in need, and just having fun. But then one day, not-human middle worlders petition Paheli and the other Wild Ones to protect a boy from a dangerous man. The boy's name is Taraana, and he's the same boy who saved Paheli and all the other girls. He needs their help, and Paheli won't let another person suffer. But will Paheli allow herself to love again?
This is my first read of any of Azad's books, and while it wasn't perfect, it was still a really fun and cute read. There's things to critique, but I don't share all of the same critiques that other reviewers had. Another thing I want to point out, is that I have a co-worker from Pakistan who was slightly interested in this book because of some of the Muslim sights featured in the book. The first few pages of the book mention this, but my co-worker informed me that "Paheli" in Urdu and Hindi means "riddle" or, in his words, some who is hiding something. This certainly fits our main protagonist to a T. In the book's opening, it mentions that the story Paheli tells of her origin may not be entirely truthful, she may be hiding things from both the readers and the other Wild Ones. I wouldn't call this book one with unreliable narration, like, say, The Walls Around Us, but there is a point to this that is also stated in the book. You see, The Wild Ones alternates between two different narration styles: the first person singular of Paheli and the first plural "We" of the other Wild Ones. The latter is no specific girl and I find that narration unique and inventive for YA fantasy. It reminds me a little of Half Bad by Sally Green that utilized a second person perspective that folded into its first person. This perspective of collectively all the girls' minds asks why the readers need to see to explicit details of the girls' trauma. There are brief, more poetically-written, portions of the book that are from the other girls' first person perspectives. Some of these, such as Talei's, do give details as to what happened to the girls, but others are more vague. The girls', and Azad's, question about why we need the details of a girl's trauma raises interesting points without saying them. Why do we need to explicitly see what a girl has gone through to relate to her? At what point does her trauma, the violence against her mind and body, become a spectacle to the reader/viewer? We do not even see what exactly happens to Paheli, but we certainly know what did even before she confirms it towards the end of the story.
That aside, I do feel that some of the girls' backstories were just way too vague. I don't need the explicit details, but I feel like some of them were just too brief that I did not understand what they were saying.
Obviously, out of all the girls, our eyes are on Paheli the most. This is mostly her story. And I have to say, after all of this...I love her! She's a strong-willed girl, not afraid to speak her mind, especially to the other girls, but she has a habit of fleeing whenever things get too tough, though she never abandons Taraana and her sisters. I saw some reviewers complaining that Paheli acted too immature despite her centuries-old age. Paheli does have a bubbly and vivacious (for the lack of a better word) personality and she does sometimes say things like "Stinky Valentina" and "Oh, that smarts." But here's the thing: Paheli isn't unwise. She knows when and how to be cautious and is careful to watch those around her. She considers her and the other girls' next steps before taking them. She is mature in that sense and is learned. I personally did not mind this more teenage talk from her--it is a YA book people, come on. But I want to point something else out. Paheli, and all the other girls, were robbed of proper childhoods. They've been discarded, abused, and forgotten. They're clearly trying to have as close to a normal teenage-hood (is that a word?) as they can. I've read tons of manga and watched tons of anime were a long-living character or a character who has been through a lot hides their pain under a kind and joyful veneer in order to push the pain away. I think that's what Azad was doing here.
That being said, I think there were times where Paheli shouldn't have said her "teenage stuff," because it was during a serious moment. That aside, I did love seeing Paheli's journey of opening herself up to the possibility of love and learning to not let her past hurt and pain control her feelings.
Paheli is the Wild One we see the most of, followed by Valentina, the second oldest who is a trans girl from France. I will admit that a few of the girls did not leave much of an impression. Etsuko, Sevda, and Kamboja are the ones who I mostly did not remember; I remember Sevda a little more because she eventually leaves the group. I could remember Daraja because of her more maternal side, Ligaya because of her slightly feisty attitude, Ghufran because of her softness, and Widad (not on the cover because of she goes on a mission with Paheli but she stays at the safe house before the climax and kind of fades. I remember Talei and Areum because, well, they're smack dab on the cover with Paheli and Valentina. I do agree with other reviewers here that we don't have enough of the other girls to get a permanent impression of all of them. Perhaps this should have been a duology or trilogy; more on the reasons of that later.
Taraana is also a character I felt for. He's the first male character the girls meet who has suffered extensively at the hands of another man. Baarish tortures Taraana for his tears, the stars that give the girls their powers. Taraana is revealed to be the new Keeper of the Between, and whoever controls him controls both the Between and the flow and dispensation of magic. Taraana is such a sweet boy. He clearly does care Paheli and wants to do more for her and to be closer to her, but his journey consists of him trying to understand her and learning to fight for himself. I do think his and Paheli's interactions were cute. While I don't think they're relation was insta-love necessarily, it did move quite fast. Still, I did like how he and Paheli gradually understood each other and their own feelings. It mostly tied back into Paheli allowing herself to fall love, how she didn't believe she was ready to feel love after everything. Taraana's growth into a much stronger and confident boy was nice to see.
In terms of pacing, this book was fairly quick to read. However, I wouldn't have mind if it slowed down in a few places; let the emotional moments and the plot progression breathe a bit more. I will say that the climax and the end of the story are pretty rushed. The ending states that the Wild Ones' story isn't over and although they and Taraana are in much better places, happy endings aren't guaranteed. I felt this would've been more impactful had they not been rushed. No idea if Azad was hoping for a sequel, I personally would welcome it, but I wanted a more concrete ending.
I will say that this book has what one might call a "low" or "light" magic system. It isn't very complicated and it's explained in full without info-dumping. The older a city is, the more magic it produces because of the history that happened with it. Humans can't see magic unless a magical human or middle worlder wills it. Middle worlders are basically fantastical, humanoid-like creatures who can use magic. The Between lets you travel to other parts of the world more quickly and holds all the magic. Fairly standard stuff that isn't complicated. I would've welcomed a more unique take on it all, but it was fine as it is. This isn't really a story about the magic. Again, it's about the girls here.
But the prose is real cherry on top. I actually really liked the prose here. Weaving between florid-like, the aforementioned vivacious and sweet tone, and the brief poetic moments, it's quite beautiful and unique. It made me look up Azad's other books The Candle and the Flame and Road of the Lost and after reading their previews, I'm definitely invested. With the "We" narration, the prose has a unique punch to it that I wish I saw more of in YA fantasy. The book has a lot to say about how women and girls are treated cruelly in the world. Some of those lessons and sayings are interwoven quite well into the narration and fit the themes of Paheli and the other girls' pain. There is a briefer commentary on how girls and women can be betrayed by other girls and women, especially by their mothers that gave an added weight to the commentary. However, sometimes some of the commentary felt just tacked on, like Azad thought, "Oh, I better mention this too." It's not that what she was saying was wrong, far from it. it's just it felt like it broke the flow of the narration and didn't add to what was going on with the main story.
So, all in all, The Wild Ones is something that could've been a polished diamond, but some flaws prevent it from totally reaching there. Still, it is a gem, and it's still a remarkable one to look at. The is a great story about girls of color who try to move past their pain to fight for a broken boy. There is a feeling of sisterhood and female friendship that is felt throughout the story. That was something that remained constant from the first page to the very last one.
It's a shame that there is not more buzz about this book.
FRONT
Paheli is the pink-haired girl
Valentina is the girl with the braid and yellow flower
Areum is the blue-haired girl
Talei is the girl with red hibiscus
BACK see full cover here
Etsuko is the dark-brown-haired one at the far left
Ghufran is the one with purple hijab
Kamboja is the one with short hair
Sevda is the one with ash/grey -colored hair
And Daraja is the one with the head covering
Thanks, Nafiza!
More of a 3.5/5 stars
Long ago, in Mughal-era India, Paheli was raised in a brothel by her mother. Then one night, her mother sold her to a cruel man. Paheli ran, but then a boy with stars in his eyes threw her a box of stars and she was able to escape to the Between, a realm of magic that no normal humans can access. Centuries later, joined by many other girls from around the world, Paheli lives her life, seeing the sights of the world, helping other girls in need, and just having fun. But then one day, not-human middle worlders petition Paheli and the other Wild Ones to protect a boy from a dangerous man. The boy's name is Taraana, and he's the same boy who saved Paheli and all the other girls. He needs their help, and Paheli won't let another person suffer. But will Paheli allow herself to love again?
This is my first read of any of Azad's books, and while it wasn't perfect, it was still a really fun and cute read. There's things to critique, but I don't share all of the same critiques that other reviewers had. Another thing I want to point out, is that I have a co-worker from Pakistan who was slightly interested in this book because of some of the Muslim sights featured in the book. The first few pages of the book mention this, but my co-worker informed me that "Paheli" in Urdu and Hindi means "riddle" or, in his words, some who is hiding something. This certainly fits our main protagonist to a T. In the book's opening, it mentions that the story Paheli tells of her origin may not be entirely truthful, she may be hiding things from both the readers and the other Wild Ones. I wouldn't call this book one with unreliable narration, like, say, The Walls Around Us, but there is a point to this that is also stated in the book. You see, The Wild Ones alternates between two different narration styles: the first person singular of Paheli and the first plural "We" of the other Wild Ones. The latter is no specific girl and I find that narration unique and inventive for YA fantasy. It reminds me a little of Half Bad by Sally Green that utilized a second person perspective that folded into its first person. This perspective of collectively all the girls' minds asks why the readers need to see to explicit details of the girls' trauma. There are brief, more poetically-written, portions of the book that are from the other girls' first person perspectives. Some of these, such as Talei's, do give details as to what happened to the girls, but others are more vague. The girls', and Azad's, question about why we need the details of a girl's trauma raises interesting points without saying them. Why do we need to explicitly see what a girl has gone through to relate to her? At what point does her trauma, the violence against her mind and body, become a spectacle to the reader/viewer? We do not even see what exactly happens to Paheli, but we certainly know what did even before she confirms it towards the end of the story.
That aside, I do feel that some of the girls' backstories were just way too vague. I don't need the explicit details, but I feel like some of them were just too brief that I did not understand what they were saying.
Obviously, out of all the girls, our eyes are on Paheli the most. This is mostly her story. And I have to say, after all of this...I love her! She's a strong-willed girl, not afraid to speak her mind, especially to the other girls, but she has a habit of fleeing whenever things get too tough, though she never abandons Taraana and her sisters. I saw some reviewers complaining that Paheli acted too immature despite her centuries-old age. Paheli does have a bubbly and vivacious (for the lack of a better word) personality and she does sometimes say things like "Stinky Valentina" and "Oh, that smarts." But here's the thing: Paheli isn't unwise. She knows when and how to be cautious and is careful to watch those around her. She considers her and the other girls' next steps before taking them. She is mature in that sense and is learned. I personally did not mind this more teenage talk from her--it is a YA book people, come on. But I want to point something else out. Paheli, and all the other girls, were robbed of proper childhoods. They've been discarded, abused, and forgotten. They're clearly trying to have as close to a normal teenage-hood (is that a word?) as they can. I've read tons of manga and watched tons of anime were a long-living character or a character who has been through a lot hides their pain under a kind and joyful veneer in order to push the pain away. I think that's what Azad was doing here.
That being said, I think there were times where Paheli shouldn't have said her "teenage stuff," because it was during a serious moment. That aside, I did love seeing Paheli's journey of opening herself up to the possibility of love and learning to not let her past hurt and pain control her feelings.
Paheli is the Wild One we see the most of, followed by Valentina, the second oldest who is a trans girl from France. I will admit that a few of the girls did not leave much of an impression. Etsuko, Sevda, and Kamboja are the ones who I mostly did not remember; I remember Sevda a little more because she eventually leaves the group. I could remember Daraja because of her more maternal side, Ligaya because of her slightly feisty attitude, Ghufran because of her softness, and Widad (not on the cover because of she goes on a mission with Paheli but she stays at the safe house before the climax and kind of fades. I remember Talei and Areum because, well, they're smack dab on the cover with Paheli and Valentina. I do agree with other reviewers here that we don't have enough of the other girls to get a permanent impression of all of them. Perhaps this should have been a duology or trilogy; more on the reasons of that later.
Taraana is also a character I felt for. He's the first male character the girls meet who has suffered extensively at the hands of another man. Baarish tortures Taraana for his tears, the stars that give the girls their powers. Taraana is revealed to be the new Keeper of the Between, and whoever controls him controls both the Between and the flow and dispensation of magic. Taraana is such a sweet boy. He clearly does care Paheli and wants to do more for her and to be closer to her, but his journey consists of him trying to understand her and learning to fight for himself. I do think his and Paheli's interactions were cute. While I don't think they're relation was insta-love necessarily, it did move quite fast. Still, I did like how he and Paheli gradually understood each other and their own feelings. It mostly tied back into Paheli allowing herself to fall love, how she didn't believe she was ready to feel love after everything. Taraana's growth into a much stronger and confident boy was nice to see.
In terms of pacing, this book was fairly quick to read. However, I wouldn't have mind if it slowed down in a few places; let the emotional moments and the plot progression breathe a bit more. I will say that the climax and the end of the story are pretty rushed. The ending states that the Wild Ones' story isn't over and although they and Taraana are in much better places, happy endings aren't guaranteed. I felt this would've been more impactful had they not been rushed. No idea if Azad was hoping for a sequel, I personally would welcome it, but I wanted a more concrete ending.
I will say that this book has what one might call a "low" or "light" magic system. It isn't very complicated and it's explained in full without info-dumping. The older a city is, the more magic it produces because of the history that happened with it. Humans can't see magic unless a magical human or middle worlder wills it. Middle worlders are basically fantastical, humanoid-like creatures who can use magic. The Between lets you travel to other parts of the world more quickly and holds all the magic. Fairly standard stuff that isn't complicated. I would've welcomed a more unique take on it all, but it was fine as it is. This isn't really a story about the magic. Again, it's about the girls here.
But the prose is real cherry on top. I actually really liked the prose here. Weaving between florid-like, the aforementioned vivacious and sweet tone, and the brief poetic moments, it's quite beautiful and unique. It made me look up Azad's other books The Candle and the Flame and Road of the Lost and after reading their previews, I'm definitely invested. With the "We" narration, the prose has a unique punch to it that I wish I saw more of in YA fantasy. The book has a lot to say about how women and girls are treated cruelly in the world. Some of those lessons and sayings are interwoven quite well into the narration and fit the themes of Paheli and the other girls' pain. There is a briefer commentary on how girls and women can be betrayed by other girls and women, especially by their mothers that gave an added weight to the commentary. However, sometimes some of the commentary felt just tacked on, like Azad thought, "Oh, I better mention this too." It's not that what she was saying was wrong, far from it. it's just it felt like it broke the flow of the narration and didn't add to what was going on with the main story.
So, all in all, The Wild Ones is something that could've been a polished diamond, but some flaws prevent it from totally reaching there. Still, it is a gem, and it's still a remarkable one to look at. The is a great story about girls of color who try to move past their pain to fight for a broken boy. There is a feeling of sisterhood and female friendship that is felt throughout the story. That was something that remained constant from the first page to the very last one.
It's a shame that there is not more buzz about this book.
April 20, 2021
Thanks to the publisher for providing an eARC of The Wild Ones in exchange for an honest review.
I wanted to love this book with my whole being and while I did still love the core plot, themes, and a lot of the narration (particularly the Memories sections), I am either far too dumb for this book or the narration is really really disorienting. The Wild Ones uses a lot of really flowery, poetic narration frequently juxtaposed by (often childish) fourth wall breaks and humour that I can see working to create really unique character voices but to me, constantly shifting between the two was really disorienting. I also had a lot of trouble figuring out who's head we were in since the book shifts from Paheli to someone clearly outside of her (I'm assuming another one of the girls) in a way that I think is intentionally supposed to be vague to signify how connected all of The Wild Ones are, but it just really didn't work for me.
Sections here are absolutely stunning, but I was so consistently perplexed that I don't think I'd be able to reread it over and over again like I wish I could with books this poetic. I want to stress that I really did like it which is why I gave it a fairly good rating, but because of the parts I liked, the parts I didn't bothered me all the more.
I wanted to love this book with my whole being and while I did still love the core plot, themes, and a lot of the narration (particularly the Memories sections), I am either far too dumb for this book or the narration is really really disorienting. The Wild Ones uses a lot of really flowery, poetic narration frequently juxtaposed by (often childish) fourth wall breaks and humour that I can see working to create really unique character voices but to me, constantly shifting between the two was really disorienting. I also had a lot of trouble figuring out who's head we were in since the book shifts from Paheli to someone clearly outside of her (I'm assuming another one of the girls) in a way that I think is intentionally supposed to be vague to signify how connected all of The Wild Ones are, but it just really didn't work for me.
Sections here are absolutely stunning, but I was so consistently perplexed that I don't think I'd be able to reread it over and over again like I wish I could with books this poetic. I want to stress that I really did like it which is why I gave it a fairly good rating, but because of the parts I liked, the parts I didn't bothered me all the more.
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May 21, 2023So What’s It About?
Meet the Wild Ones: girls who have been hurt, abandoned, and betrayed all their lives. It all began with Paheli, who was once betrayed by her mother and sold to a man in exchange for a favor. When Paheli escapes, she runs headlong into a boy with stars in his eyes. This boy, as battered as she is, tosses Paheli a box of stars before disappearing.
With the stars, Paheli gains access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like herself and these Wild Ones use their magic to travel the world, helping the hopeless and saving others from the fates they suffered.
Then Paheli and the Wild Ones learn that the boy who gave them the stars, Taraana, is in danger. He’s on the run from powerful forces within the world of magic. But if Taraana is no longer safe and free, neither are the Wild Ones. And that…is a fate the Wild Ones refuse to accept. Ever again.
What I Thought
While this book’s premise is very unique and a lot of things about it are imaginative and vibrant, there are a lot of things about it that just didn’t work for me. To a certain extent, I think part of the problem might very well be that I am just not the target demographic. The fact that The Wild Ones is YA is very apparent, especially in how it goes about delivering its feminist messages. I found its attempts to be shallow, especially when it came to the short segments of the book that were devoted solely to such messages: ladies, did you ever notice that our body parts are slurs? That when men argue with us, they insult our sex lives? Have you heard the phrase “rape is a four letter word” before? And the snippet about kintsugi is very similar to a popular post floating around on Tumblr. So I might just say that the exploration of themes is just a little too simplistic for an adult reader. On the other hand, though, I’ve read other YA books on similar difficult topics that engage with them in ways that I found to be deep, nuanced and challenging.
While I adore the idea of a Magical Girl Squad, a found family of girl survivors of color, I also think that the premise could have been executed much more strongly. A central problem is that there are a LOT of Wild Ones and most of them don’t get any characterization at all. The only two girls who truly get any amount of characterization and play a meaningful role in the story are Valentina and Paheli. There are also little poem snapshots of each Wild One’s past life in their Book of Memories. As a whole, these poems did not strike me as very successful either. I hope that my meaning comes across when I describe them as being either too Rupi Kaur-y for my tastes or too impenetrably flowery for me to actually be sure what the intended message is.
The plot is very repetitive as well. The Wild Ones travel to a new city, exchange diamonds for money, get food and then track down a person who infodumps at them about the Between. My final big critique is that a great deal of the story’s focus is on the developing romance between Paheli and Taraana, which I was initially on board with but ended up feeling far too instalove-y for me. I also feel like the focus on romance takes away a lot of time that could have been focused on fleshing out the Wild Ones and their relationships.
That being said, I’m still walking away from this book feeling quite charmed. I’ve seen complaints about the writing style, but I found it to be pretty fun and quirky overall, at least when it wasn’t trying to be poetic in an overwrought way. There are lots of fourth wall breaks and banter between the teenage characters that feel sort of silly and immature, but for me, at least, the overall effect was endearing.
While the globe-trotting made for a repetitive plot, I really enjoyed hearing about each city and its culture and history. And the food descriptions were amazing!! Azad definitely shines when it comes to lush, vibrant details and descriptions like these. Finally, while I do think that the themes and characterization could have been a lot stronger, I still fundamentally love the idea of magic that helps girls find a safe place to stay while they heal and gives them limitless resources that they can use to explore and help others. There’s a one-off mention of them using their diamonds to fund shelters and counseling programs for girls all over the world and I love this - I just wish that such elements had more focus and were explored in-depth throughout.
Meet the Wild Ones: girls who have been hurt, abandoned, and betrayed all their lives. It all began with Paheli, who was once betrayed by her mother and sold to a man in exchange for a favor. When Paheli escapes, she runs headlong into a boy with stars in his eyes. This boy, as battered as she is, tosses Paheli a box of stars before disappearing.
With the stars, Paheli gains access to the Between, a place of pure magic and mystery. Now, Paheli collects girls like herself and these Wild Ones use their magic to travel the world, helping the hopeless and saving others from the fates they suffered.
Then Paheli and the Wild Ones learn that the boy who gave them the stars, Taraana, is in danger. He’s on the run from powerful forces within the world of magic. But if Taraana is no longer safe and free, neither are the Wild Ones. And that…is a fate the Wild Ones refuse to accept. Ever again.
What I Thought
While this book’s premise is very unique and a lot of things about it are imaginative and vibrant, there are a lot of things about it that just didn’t work for me. To a certain extent, I think part of the problem might very well be that I am just not the target demographic. The fact that The Wild Ones is YA is very apparent, especially in how it goes about delivering its feminist messages. I found its attempts to be shallow, especially when it came to the short segments of the book that were devoted solely to such messages: ladies, did you ever notice that our body parts are slurs? That when men argue with us, they insult our sex lives? Have you heard the phrase “rape is a four letter word” before? And the snippet about kintsugi is very similar to a popular post floating around on Tumblr. So I might just say that the exploration of themes is just a little too simplistic for an adult reader. On the other hand, though, I’ve read other YA books on similar difficult topics that engage with them in ways that I found to be deep, nuanced and challenging.
While I adore the idea of a Magical Girl Squad, a found family of girl survivors of color, I also think that the premise could have been executed much more strongly. A central problem is that there are a LOT of Wild Ones and most of them don’t get any characterization at all. The only two girls who truly get any amount of characterization and play a meaningful role in the story are Valentina and Paheli. There are also little poem snapshots of each Wild One’s past life in their Book of Memories. As a whole, these poems did not strike me as very successful either. I hope that my meaning comes across when I describe them as being either too Rupi Kaur-y for my tastes or too impenetrably flowery for me to actually be sure what the intended message is.
The plot is very repetitive as well. The Wild Ones travel to a new city, exchange diamonds for money, get food and then track down a person who infodumps at them about the Between. My final big critique is that a great deal of the story’s focus is on the developing romance between Paheli and Taraana, which I was initially on board with but ended up feeling far too instalove-y for me. I also feel like the focus on romance takes away a lot of time that could have been focused on fleshing out the Wild Ones and their relationships.
That being said, I’m still walking away from this book feeling quite charmed. I’ve seen complaints about the writing style, but I found it to be pretty fun and quirky overall, at least when it wasn’t trying to be poetic in an overwrought way. There are lots of fourth wall breaks and banter between the teenage characters that feel sort of silly and immature, but for me, at least, the overall effect was endearing.
While the globe-trotting made for a repetitive plot, I really enjoyed hearing about each city and its culture and history. And the food descriptions were amazing!! Azad definitely shines when it comes to lush, vibrant details and descriptions like these. Finally, while I do think that the themes and characterization could have been a lot stronger, I still fundamentally love the idea of magic that helps girls find a safe place to stay while they heal and gives them limitless resources that they can use to explore and help others. There’s a one-off mention of them using their diamonds to fund shelters and counseling programs for girls all over the world and I love this - I just wish that such elements had more focus and were explored in-depth throughout.
January 21, 2022
4/5 stars, this was beautifully written and really impactful, not to mention that gorgeous cover
One of the biggest things that I will remember about this book was how wonderfully written it was, it felt as if Rupi Kaur had written a full-length book and put a magic spin on it for fun. I love her writing as a poet and to find a book that felt like her writing was wonderful! This isn't just a magic story though, this is an echo of the voices of so many women of color being silenced for decades. This tells so many of the stories of ordinary women with different ethnic backgrounds, who experienced horrible things that they did not deserve.
I am not really sure what I expected going into this book, I was hooked by the cover and knew it was a story about women of color so I decided to read it. Before reading it I had never heard of it or read the synopsis, and this book was really satisfying. Despite the number of trigger warnings and the hard story that it weaves for the reader, it was wonderful and full of life. The plot was honestly slow going but in a really nice way, it let you feel like you were a part of 'The Wild Ones' and connect to their pain and happiness in a really interesting way. I wish it had just been a little faster, but I don't mind too much as I still really liked it.
The setting is beautiful but also complicated, the girls travel between the real world and the "Between" a place that only they can go. Because of the stars in their palms they are able to go here, and be safe, as long as the keeper of the between wills it (who they do not know). The Between has doors to all corners of the world and is basically a magic pathway. I wish we had spent a little more time here but honestly seeing them travel all around the world was magical too. I love exploring so much of the world in my books, and reading from extremely diverse places, so that was really lovely.
While Paheli is the main character and the one who started The Wild Ones it doesn't feel like this story has a particular main character. It switched between Paheli's individual point of view which still involved the girls and a collective perspective from all the girls in the Wild Ones. It was really unique as I haven't read books with this sort of perspective in a long time. All of the women were so wonderful and I really love them, however, I do feel like because of the nature of the story I wasn't really able to connect with any of them individually. They all brought something unique to the story though and had different pasts that were discussed a bit.
Overall, I am really happy I chose to pick this up. It was sad but heartwarming and the style of writing was unlike anything I have read in quite a while. This should definitely be tried for those who are fans of Rupi Kaur and enjoy their stories wonderfully magically and diverse.
[TW: child trafficking, rape (implied and mentioned), suicide (on-page), forced pregnancy, genital mutilation (mentioned), murder of a child, torture, drowning]
One of the biggest things that I will remember about this book was how wonderfully written it was, it felt as if Rupi Kaur had written a full-length book and put a magic spin on it for fun. I love her writing as a poet and to find a book that felt like her writing was wonderful! This isn't just a magic story though, this is an echo of the voices of so many women of color being silenced for decades. This tells so many of the stories of ordinary women with different ethnic backgrounds, who experienced horrible things that they did not deserve.
I am not really sure what I expected going into this book, I was hooked by the cover and knew it was a story about women of color so I decided to read it. Before reading it I had never heard of it or read the synopsis, and this book was really satisfying. Despite the number of trigger warnings and the hard story that it weaves for the reader, it was wonderful and full of life. The plot was honestly slow going but in a really nice way, it let you feel like you were a part of 'The Wild Ones' and connect to their pain and happiness in a really interesting way. I wish it had just been a little faster, but I don't mind too much as I still really liked it.
The setting is beautiful but also complicated, the girls travel between the real world and the "Between" a place that only they can go. Because of the stars in their palms they are able to go here, and be safe, as long as the keeper of the between wills it (who they do not know). The Between has doors to all corners of the world and is basically a magic pathway. I wish we had spent a little more time here but honestly seeing them travel all around the world was magical too. I love exploring so much of the world in my books, and reading from extremely diverse places, so that was really lovely.
While Paheli is the main character and the one who started The Wild Ones it doesn't feel like this story has a particular main character. It switched between Paheli's individual point of view which still involved the girls and a collective perspective from all the girls in the Wild Ones. It was really unique as I haven't read books with this sort of perspective in a long time. All of the women were so wonderful and I really love them, however, I do feel like because of the nature of the story I wasn't really able to connect with any of them individually. They all brought something unique to the story though and had different pasts that were discussed a bit.
Overall, I am really happy I chose to pick this up. It was sad but heartwarming and the style of writing was unlike anything I have read in quite a while. This should definitely be tried for those who are fans of Rupi Kaur and enjoy their stories wonderfully magically and diverse.
[TW: child trafficking, rape (implied and mentioned), suicide (on-page), forced pregnancy, genital mutilation (mentioned), murder of a child, torture, drowning]
March 25, 2021
I don’t like writing negative reviews. I tend not to; I mark a book as DNF or read and then just…keep silent about it. Maybe I put a sentence or two about it in my monthly wrap-up posts, but that’s all.
But I really, really hate this book.
And I hate that I hate it. I’ve been looking forward to this book breathlessly, ever since the publishing deal was announced. It’s magical queer girls of colour!!! With stars and magic diamonds and sparkly clothes! It’s everything I could ask for! When I was approved for an arc, I ran into the study to tell my husband the good news, I was so excited and ecstatic.
Today, I can’t decide whether I want to cry or scream.
There’s nothing wrong with the premise/concept, the plot, or the characters. I didn’t finish the book, but the issues I saw dealt with were not mishandled. It’s nothing like that.
It’s just that the writing is abominably bad.
This is confusing for a number of reasons, not least of which is that this is not Azad’s debut, and that book, The Candle and the Flame, had perfectly pleasant prose. I didn’t enjoy the book, but not because it was bad; it and I just weren’t a good fit.
Whereas The Wild Ones is just…so bad.
The first 50 pages are telling, telling, telling. Nothing is shown to the reader; it’s a never-ending lecture about the Wild Ones and the Between and non-humans and all the rest of it. One loooong info-dump. The writing is blunt and choppy; there are attempts at pretty description, but it’s cringingly clunky, with sentences like this
An editor should have cut the last six words of that sentence and it would have been fine. Look
Done. Much better!
The book is written in first-person; unfortunately, aside from brief excerpts from ‘the book of memories’ which are titled with a character’s name, half the time it’s not at all clear whose head we’re in. Sometimes it’s Paheli, but then in the next chapter someone else seems to be talking – because they’re referring to Paheli in third-person now – but there’s nothing to tell you who the narration has switched to. Whoever they are, they speak like very young, bratty children
A few lines later,
‘Stinky Valentina’? What are you, five??? This from a character who has supposedly lived for over 70 years?
Read the rest at Every Book a Doorway!
But I really, really hate this book.
And I hate that I hate it. I’ve been looking forward to this book breathlessly, ever since the publishing deal was announced. It’s magical queer girls of colour!!! With stars and magic diamonds and sparkly clothes! It’s everything I could ask for! When I was approved for an arc, I ran into the study to tell my husband the good news, I was so excited and ecstatic.
Today, I can’t decide whether I want to cry or scream.
There’s nothing wrong with the premise/concept, the plot, or the characters. I didn’t finish the book, but the issues I saw dealt with were not mishandled. It’s nothing like that.
It’s just that the writing is abominably bad.
This is confusing for a number of reasons, not least of which is that this is not Azad’s debut, and that book, The Candle and the Flame, had perfectly pleasant prose. I didn’t enjoy the book, but not because it was bad; it and I just weren’t a good fit.
Whereas The Wild Ones is just…so bad.
The first 50 pages are telling, telling, telling. Nothing is shown to the reader; it’s a never-ending lecture about the Wild Ones and the Between and non-humans and all the rest of it. One loooong info-dump. The writing is blunt and choppy; there are attempts at pretty description, but it’s cringingly clunky, with sentences like this
sweet, milky treats that taste a little like heaven if the place was a flavor.
An editor should have cut the last six words of that sentence and it would have been fine. Look
sweet, milky treats that taste a little like heaven.
Done. Much better!
The book is written in first-person; unfortunately, aside from brief excerpts from ‘the book of memories’ which are titled with a character’s name, half the time it’s not at all clear whose head we’re in. Sometimes it’s Paheli, but then in the next chapter someone else seems to be talking – because they’re referring to Paheli in third-person now – but there’s nothing to tell you who the narration has switched to. Whoever they are, they speak like very young, bratty children
I glare at Valentina and pretend I have all the answers. I am really good at pretending, in case you’re wondering.
A few lines later,
“We’ll find out more about this person later. All right?” stinky Valentina says, trying to make up for putting her foot in everyone’s mouth earlier.
‘Stinky Valentina’? What are you, five??? This from a character who has supposedly lived for over 70 years?
Read the rest at Every Book a Doorway!
August 7, 2021
How do I write a review for a book that captured the pain, betrayal, and anger I feel on an everyday basis? How do I come up with words to express how much this book means to me? I love this book so much it hurts.
The writing style is breathtaking. I am in awe at Nafiza’s talent. I truly believe there is no one out there in the world who could have written this story as well as she did. The words, the imagery, the emotion…I could feel the anger and the pain through the page. It made me feel alive. It gave me hope. It put words to all the thoughts that have whirled around in my head for years. I love the mix of Paheli’s POV and the other Wild Ones. It didn’t bother me that we couldn’t tell who’s perspective the chapter was from. It fit with the story. These girls, their stories are so similar, yet so different. They are each their own individual, yet they’ve bonded because of the trauma and betrayal they’ve experienced. And I think having the book written like this was very unique, but also perfect for the story Nafiza was trying to tell.
Paheli’s POV was fun. That’s the best way I can describe it. And I think the reason I liked it so much was because her inner narrative fits so much with my own. It fits with her as a character too. We see how the trauma Paheli has gone through hasn’t disappeared completely. Trauma never completely does. You learn to move on, soften it a bit, squish it into a small ball and surround it with happier memories. But it never disappears completely. And we see that so well in her relationships with Taraana, Eulalie, and the other girls. Ngl I almost cried when , she just has trouble expressing her emotions because she’s constantly on alert for betrayal. When she is separated from the others, her first thought is “what if they realize they don’t need me/what if they don’t love me.” And even with Taraana…the relationship is kind of instalove, but also not. You guys know how picky I am when it comes to romance, but this was done so well. It didn’t feel rushed, and Paheli’s hesitancy and fears made complete sense with her past. I really appreciated how much time we got to spend with Paheli and Taraana as they get to know each other. I loved how they actually communicated (even if it took some pushing from Taraana lol), because that’s the one thing I find lacking in a lot of books with romance. The romance definitely didn’t overtake the plot and even when it was the centre of a scene, it didn’t make me cringe or feel awkward. I really liked the two of them together.
My favourite part of this book, besides for everything else I’ve mentioned, was seeing so many different cities and experiencing the culture and food. I read this book while on vacation in Italy, and I could actually imagine Paheli and her girls wandering the streets of Rome, wearing flowy dresses in the sweltering heat, and eating gelato. For a lot of us, I think this book can be a perfect escape from our current world and allow us to travel to other cities and countries in our minds, since it’s still not easy to travel right now.
Another thing I’ll mention…I love me a “weak, scared” male love interest. How rare is it to see this in books? The men are always brave and strong, nothing ever terrifies them or if it does they don’t show it. The women are always described as more emotional and scared and weak. But in this book we have a lovely switch in gender portrayal. The Wild Ones are strong, they are undefeatable. The very cry that is expected from a woman cowering in fear can be used in defence. And maybe it is the trauma and hard lives that have made them this way, but isn’t that the way of male characters too? Aren’t they also brave and rash and angry because of their past? So why can’t women be shaped by their past also? This book ajakskdkd is just so empowering. If you’re a woman or identify as a woman, this book will make you feel seen, it will give you hope and strength to get you through whatever you’re going through. It will make you angry, but in a good way.
The last lines of this book sum up everything so well.
”Embrace this anger. Let if fuel your everydays. Defy everyone who tells you that you can’t. Be wild.”
Also sharing this one because I love it so much:
”Some days we are so sad, we want to drown the world. Some days we are so angry, we want to set it on fire.”
Overall, 5/5 stars. I need to buy this book immediately.
The writing style is breathtaking. I am in awe at Nafiza’s talent. I truly believe there is no one out there in the world who could have written this story as well as she did. The words, the imagery, the emotion…I could feel the anger and the pain through the page. It made me feel alive. It gave me hope. It put words to all the thoughts that have whirled around in my head for years. I love the mix of Paheli’s POV and the other Wild Ones. It didn’t bother me that we couldn’t tell who’s perspective the chapter was from. It fit with the story. These girls, their stories are so similar, yet so different. They are each their own individual, yet they’ve bonded because of the trauma and betrayal they’ve experienced. And I think having the book written like this was very unique, but also perfect for the story Nafiza was trying to tell.
Paheli’s POV was fun. That’s the best way I can describe it. And I think the reason I liked it so much was because her inner narrative fits so much with my own. It fits with her as a character too. We see how the trauma Paheli has gone through hasn’t disappeared completely. Trauma never completely does. You learn to move on, soften it a bit, squish it into a small ball and surround it with happier memories. But it never disappears completely. And we see that so well in her relationships with Taraana, Eulalie, and the other girls. Ngl I almost cried when , she just has trouble expressing her emotions because she’s constantly on alert for betrayal. When she is separated from the others, her first thought is “what if they realize they don’t need me/what if they don’t love me.” And even with Taraana…the relationship is kind of instalove, but also not. You guys know how picky I am when it comes to romance, but this was done so well. It didn’t feel rushed, and Paheli’s hesitancy and fears made complete sense with her past. I really appreciated how much time we got to spend with Paheli and Taraana as they get to know each other. I loved how they actually communicated (even if it took some pushing from Taraana lol), because that’s the one thing I find lacking in a lot of books with romance. The romance definitely didn’t overtake the plot and even when it was the centre of a scene, it didn’t make me cringe or feel awkward. I really liked the two of them together.
My favourite part of this book, besides for everything else I’ve mentioned, was seeing so many different cities and experiencing the culture and food. I read this book while on vacation in Italy, and I could actually imagine Paheli and her girls wandering the streets of Rome, wearing flowy dresses in the sweltering heat, and eating gelato. For a lot of us, I think this book can be a perfect escape from our current world and allow us to travel to other cities and countries in our minds, since it’s still not easy to travel right now.
Another thing I’ll mention…I love me a “weak, scared” male love interest. How rare is it to see this in books? The men are always brave and strong, nothing ever terrifies them or if it does they don’t show it. The women are always described as more emotional and scared and weak. But in this book we have a lovely switch in gender portrayal. The Wild Ones are strong, they are undefeatable. The very cry that is expected from a woman cowering in fear can be used in defence. And maybe it is the trauma and hard lives that have made them this way, but isn’t that the way of male characters too? Aren’t they also brave and rash and angry because of their past? So why can’t women be shaped by their past also? This book ajakskdkd is just so empowering. If you’re a woman or identify as a woman, this book will make you feel seen, it will give you hope and strength to get you through whatever you’re going through. It will make you angry, but in a good way.
The last lines of this book sum up everything so well.
”Embrace this anger. Let if fuel your everydays. Defy everyone who tells you that you can’t. Be wild.”
Also sharing this one because I love it so much:
”Some days we are so sad, we want to drown the world. Some days we are so angry, we want to set it on fire.”
Overall, 5/5 stars. I need to buy this book immediately.
August 6, 2021
Blog Review (Tour): https://trishadoeseverythingbutstudy2...
Thank you to the author, publisher, Turn the Page Tours and Netgalley for providing me a copy of this book!
I really enjoyed reading this book, even though there were a few things I wasn’t completely onboard with.
Let’s start with things I loved. I absolutely loved the writing; it was a really good mix of whimsy and lemon ;) I really enjoyed making notes for this one, though I was always trying to tell myself, cut down the quotes, we’e not trying to commit copyright infringement....even the quotes in this post, though they seem quite a lot, are less than half of my original notes (which you can see in my status updates, I’ll link them with the quotes). I loved the relatability of the writing, and it really sucked me into the plot, even though by itself the plot isn’t much (we’ll get to that in a moment).
My biggest source for irritation in this was definitely the way I couldn’t make images of all of the characters in my head. Around halfway through, I realised I only really know what Paheli looks like, I have no idea what the other characters look like. Then I went down the spiral of looking for side thoughts that might relate to features, and found the complete cover jacket on twitter and tried to correlate each character to their image in the cover, and mostly failed. I’m still going to search for others, but just for anyone interested, I’ve included my notes for this endeavour at the end of this post! (later I ended up contacting the tour organiser, and they were very nice and shared Nafiza's recent tweet with me (linked below))
Another thing I didn’t completely enjoy was the way this ended. Without going into too many spoilers, I felt that the ending was a) pretty out of character for Taraana, and b) slightly hypocritical? Like yeah, I see the appeal of it, but I do wish there was a way to fix stuff without becoming the bad guys yourself. But, since the book focuses on not pulling any punches, I can live with the Wild Ones being more morally grey than typical characters.
I really loved the found family trope in this, it was, I think, the highlight of this book. I wish there were more POVs than Paheli’s and the slightly confusing general-consciousness-of-the-Wild-Ones POV. I also wish that there had either been lesser characters, or more time spent on every character, because of the 10-11 main characters in this, I can only remember say 5 as characters. The rest I just remember as ideas or names, they have no substance to them. Of the ones I do, Ligaya, Valentina, Areum, and Ghufran were my favourites.
I do wish there was lesser time spent on the romance; I went into this book not expecting a romance, and so when there was a side (or main, depending on where you look at it from) romance, I wasn’t really happy with it. Especially when because there was already so much going on, especially with the number of characters, we couldn’t really focus on the romance as much as it deserved to be focused on, resulting in a slightly instalove romance and no particular basis for it (in my opinion).
I did come to like it by the end, but definitely not as much as I should have. I wish the romance had either been cut out, or some of the Wild Ones. I would have been really happy with just the platonic relationships of the main cast.
The world building was amazing, I have never felt as much of a craving to travel and go to new places as I have in this pandemic, and so when this book took me to so many different corners of the world, including my own (or whereabouts) in Lucknow, it really fulfilled that craving! And the way the magical was superimposed upon the real world made it even better! I usually gravitate more towards alternate worlds for fantasy than I do towards magical realism, but this is one of the good magical realism ones out there.
On the whole, an amazing read in terms of escapism, but maybe not that much from a story and character point of view. I would recommend it to anyone that enjoys magical realism, found family, a whole lot of fluff, diverse cast and settings, focus on struggles of women around the world, amazing writing, and would not mind plot and romance that doesn’t completely make sense but is enjoyable all the same.
So, these were my guesses for who's who on the cover, or at least my notes, I ended up getting 5 of 11 (if counting all, even those not on the cover) and 5 of 9 if counting those on cover. I was still not that sure about Daraja and Etsuko, but the other three I was sure of. The ones with a ✔️ and a ❌ are those in which I was partially right.
Image from Nafiza Azad's twitter here
Paheli-largest, pink hair ✔️
Areum: Blue hair- Seoul ✔️
Kamboja (1st from right)-Jakarta, short hair? ❌ ✔️
Ligaya- cebu phillipines first from left?second from right?(not on cover) ❌
Daraja -benin city (west africa) turban? rightmost? third from right? ✔️
Widad- lahore third from left? (not on cover) ❌
Talei -suva fiji dark skin probably ❌ ✔️
Sevda -marmaris turkey ❌
Ghufran -veil baghdad second from left ✔️
Etsuko -kyoto leftmost? ✔️
Valentina -from paris trans? lesbian? silver hair? dark skin rightmost? ❌ ✔️
Thank you to the author, publisher, Turn the Page Tours and Netgalley for providing me a copy of this book!
I really enjoyed reading this book, even though there were a few things I wasn’t completely onboard with.
Let’s start with things I loved. I absolutely loved the writing; it was a really good mix of whimsy and lemon ;) I really enjoyed making notes for this one, though I was always trying to tell myself, cut down the quotes, we’e not trying to commit copyright infringement....even the quotes in this post, though they seem quite a lot, are less than half of my original notes (which you can see in my status updates, I’ll link them with the quotes). I loved the relatability of the writing, and it really sucked me into the plot, even though by itself the plot isn’t much (we’ll get to that in a moment).
My biggest source for irritation in this was definitely the way I couldn’t make images of all of the characters in my head. Around halfway through, I realised I only really know what Paheli looks like, I have no idea what the other characters look like. Then I went down the spiral of looking for side thoughts that might relate to features, and found the complete cover jacket on twitter and tried to correlate each character to their image in the cover, and mostly failed. I’m still going to search for others, but just for anyone interested, I’ve included my notes for this endeavour at the end of this post! (later I ended up contacting the tour organiser, and they were very nice and shared Nafiza's recent tweet with me (linked below))
Another thing I didn’t completely enjoy was the way this ended. Without going into too many spoilers, I felt that the ending was a) pretty out of character for Taraana, and b) slightly hypocritical? Like yeah, I see the appeal of it, but I do wish there was a way to fix stuff without becoming the bad guys yourself. But, since the book focuses on not pulling any punches, I can live with the Wild Ones being more morally grey than typical characters.
I really loved the found family trope in this, it was, I think, the highlight of this book. I wish there were more POVs than Paheli’s and the slightly confusing general-consciousness-of-the-Wild-Ones POV. I also wish that there had either been lesser characters, or more time spent on every character, because of the 10-11 main characters in this, I can only remember say 5 as characters. The rest I just remember as ideas or names, they have no substance to them. Of the ones I do, Ligaya, Valentina, Areum, and Ghufran were my favourites.
I do wish there was lesser time spent on the romance; I went into this book not expecting a romance, and so when there was a side (or main, depending on where you look at it from) romance, I wasn’t really happy with it. Especially when because there was already so much going on, especially with the number of characters, we couldn’t really focus on the romance as much as it deserved to be focused on, resulting in a slightly instalove romance and no particular basis for it (in my opinion).
I did come to like it by the end, but definitely not as much as I should have. I wish the romance had either been cut out, or some of the Wild Ones. I would have been really happy with just the platonic relationships of the main cast.
The world building was amazing, I have never felt as much of a craving to travel and go to new places as I have in this pandemic, and so when this book took me to so many different corners of the world, including my own (or whereabouts) in Lucknow, it really fulfilled that craving! And the way the magical was superimposed upon the real world made it even better! I usually gravitate more towards alternate worlds for fantasy than I do towards magical realism, but this is one of the good magical realism ones out there.
On the whole, an amazing read in terms of escapism, but maybe not that much from a story and character point of view. I would recommend it to anyone that enjoys magical realism, found family, a whole lot of fluff, diverse cast and settings, focus on struggles of women around the world, amazing writing, and would not mind plot and romance that doesn’t completely make sense but is enjoyable all the same.
So, these were my guesses for who's who on the cover, or at least my notes, I ended up getting 5 of 11 (if counting all, even those not on the cover) and 5 of 9 if counting those on cover. I was still not that sure about Daraja and Etsuko, but the other three I was sure of. The ones with a ✔️ and a ❌ are those in which I was partially right.
Image from Nafiza Azad's twitter here
Paheli-largest, pink hair ✔️
Areum: Blue hair- Seoul ✔️
Kamboja (1st from right)-Jakarta, short hair? ❌ ✔️
Ligaya- cebu phillipines first from left?
Daraja -benin city (west africa) turban? rightmost? third from right? ✔️
Widad- lahore third from left? (not on cover) ❌
Talei -suva fiji dark skin probably ❌ ✔️
Sevda -marmaris turkey ❌
Ghufran -veil baghdad second from left ✔️
Etsuko -kyoto leftmost? ✔️
Valentina -from paris trans? lesbian?
September 7, 2021
New favorite book.
I don’t even have the words to describe just how deeply I adored this gorgeous, magical, healing story!
I don’t even have the words to describe just how deeply I adored this gorgeous, magical, healing story!
Want to read
December 17, 20201) First of all... drooling over this cover.
2) Second of all... drooling over this blurb. You can never have too many queer witches is what I say.
3) This is SO giving me When We Were Magic, by Sarah Gailey, vibes! And thats the best compliment ever haha... I LOVED that book!
CANNOT WAITTTTTTTTT
2) Second of all... drooling over this blurb. You can never have too many queer witches is what I say.
3) This is SO giving me When We Were Magic, by Sarah Gailey, vibes! And thats the best compliment ever haha... I LOVED that book!
CANNOT WAITTTTTTTTT
Want to read
December 20, 2020THIS COVER omg it's so beautiful
October 18, 2021
This was incredible. The Wild Ones is not a lighthearted book like the cover might lead you to believe. It's full of fierce girls who have escaped dangerous and sometimes life threatening situations. It's about girls who have bound themselves together in a sisterhood that is their shield and their home. This tells the story of what girls can do given the agency and power they're constantly denied.
I love this book with my whole heart. This is one of only a handful of books I know that is set in the modern world but not set in the USA. Instead we journey through India, Korea, Japan Morocco, and many other countries in Asia and the Middle East. This book had a captivating sense of adventure and danger. I was constantly on the edge of my seat and couldn't wait to find out more.
Though "The Wild Ones" are a group of several girls we really only get to know Paheli and Valetina. Don't get me wrong, I loved these two! But I really would've loved to learn more about the other girls too. And then there's Taraana. My sweet cinnamon roll boy. I loved him so much I want to protect him always.
Also I get big demiromantic vibes from Paheli. I'm pretty sure at one point she mentions that she's rarely or never felt romantic attraction and I am just ALL here for aro rep. This is my headcanon and I will go down with it.
Rep: Indian female MC (aro-spec coded), French BIPOC trans female sapphic side character, Korean female side character, Indonesian female side character, Filipina female side character, West African female side character (wears a head scarf), Pakistani female side character, Fijian female side character, Turkish female side character, Muslim Iraqi female side character, Japanese female side character. Unsure who is queer but at least half are not attracted to men.
CWs: Abandonment, blood, confinement, death, emotional abuse, grief, homophobia, injury/injury detail, infidelity, kidnapping, lesbophobia, misogyny, murder, physical abuse, sexism, torture, trafficking, prostitution, violence. Moderate: child abuse, child death, pregnancy, mention of attempted abortion, rape, sexual assault, sexual violence, suicide by running into traffic, bullying.
I love this book with my whole heart. This is one of only a handful of books I know that is set in the modern world but not set in the USA. Instead we journey through India, Korea, Japan Morocco, and many other countries in Asia and the Middle East. This book had a captivating sense of adventure and danger. I was constantly on the edge of my seat and couldn't wait to find out more.
Though "The Wild Ones" are a group of several girls we really only get to know Paheli and Valetina. Don't get me wrong, I loved these two! But I really would've loved to learn more about the other girls too. And then there's Taraana. My sweet cinnamon roll boy. I loved him so much I want to protect him always.
Also I get big demiromantic vibes from Paheli. I'm pretty sure at one point she mentions that she's rarely or never felt romantic attraction and I am just ALL here for aro rep. This is my headcanon and I will go down with it.
Rep: Indian female MC (aro-spec coded), French BIPOC trans female sapphic side character, Korean female side character, Indonesian female side character, Filipina female side character, West African female side character (wears a head scarf), Pakistani female side character, Fijian female side character, Turkish female side character, Muslim Iraqi female side character, Japanese female side character. Unsure who is queer but at least half are not attracted to men.
CWs: Abandonment, blood, confinement, death, emotional abuse, grief, homophobia, injury/injury detail, infidelity, kidnapping, lesbophobia, misogyny, murder, physical abuse, sexism, torture, trafficking, prostitution, violence. Moderate: child abuse, child death, pregnancy, mention of attempted abortion, rape, sexual assault, sexual violence, suicide by running into traffic, bullying.
July 4, 2021
This book was so beautiful. Alternating between stream-of-consciousness and a plot-based narrative, The Wild Ones is the story of girls of color refusing to conform to the fate the world demands of them, and instead choosing to be their own people.
What I loved the most about this book is this: Communities of color tend to be more collectivist rather than individualist, and the Wild Ones - girls who are rescued by magic from atrocities like rape, human trafficking, child marriage, prostitution, and the like - reject the notion that their worth is inherently tied to what they can offer to their families in terms of money and other material wealth. And yet, they remain true to the idea of a community anyway by standing together and for each other - but in the way that standing together is meant to be. Healthy, happy, whole, and willing to listen.
I can't recommend this book enough. If you have a young WOC in your life, get this book for her. If you are a young WOC, pick this book up. If you're a WOC but no longer exactly a spring chicken, pick up this book, read it, rejoice in the fact that you're not alone.
What I loved the most about this book is this: Communities of color tend to be more collectivist rather than individualist, and the Wild Ones - girls who are rescued by magic from atrocities like rape, human trafficking, child marriage, prostitution, and the like - reject the notion that their worth is inherently tied to what they can offer to their families in terms of money and other material wealth. And yet, they remain true to the idea of a community anyway by standing together and for each other - but in the way that standing together is meant to be. Healthy, happy, whole, and willing to listen.
I can't recommend this book enough. If you have a young WOC in your life, get this book for her. If you are a young WOC, pick this book up. If you're a WOC but no longer exactly a spring chicken, pick up this book, read it, rejoice in the fact that you're not alone.
November 23, 2021
5/5
THIS BOOK!!!!!!! THIS BOOK!!!! Fantastic, heartbreaking, phenomenal!
This is the first fantasy book that I've read that deals with real world issues in such a prominent way. Please read trigger warnings before reading this, I didn't but I surprisingly didn't get triggered. This book is about women and girls that have been raped, sexually assaulted, physically and emotionally abused, and sold into slavery. It's about them finding a safe place with The Wild Ones and saving other girls and killing men that hurt women. It's fantastic!
I adore the premise of this, of girls fighting to save girls. I loved the diversity, we have mostly women of colour, girls wearing hijabs, a sapphic women. It's just stunning the way all these girls come together and support each other through really traumatic circumstances.
I didn't really care that much about the romance but it was very sweet. I love that The Wild Ones willingly adopted a young man, that felt like a moment of healing. The magic of the boy was really interesting and his connection to the portal worlds was interesting too.
I just love it all okay, it's amazing!
THIS BOOK!!!!!!! THIS BOOK!!!! Fantastic, heartbreaking, phenomenal!
This is the first fantasy book that I've read that deals with real world issues in such a prominent way. Please read trigger warnings before reading this, I didn't but I surprisingly didn't get triggered. This book is about women and girls that have been raped, sexually assaulted, physically and emotionally abused, and sold into slavery. It's about them finding a safe place with The Wild Ones and saving other girls and killing men that hurt women. It's fantastic!
I adore the premise of this, of girls fighting to save girls. I loved the diversity, we have mostly women of colour, girls wearing hijabs, a sapphic women. It's just stunning the way all these girls come together and support each other through really traumatic circumstances.
I didn't really care that much about the romance but it was very sweet. I love that The Wild Ones willingly adopted a young man, that felt like a moment of healing. The magic of the boy was really interesting and his connection to the portal worlds was interesting too.
I just love it all okay, it's amazing!
Want to read
December 18, 2020the COVER OMG I'M READY
Want to read
February 26, 2021A feminist fantasy with a stunning cover that releases two days before I turn 30?? Happy birthday to me! 😍
January 6, 2024
“Even when the break is in the heart, the body bears evidence of it. You know what we're talking about. Of course you do. Being a girl, a woman, means being fluent in the languages of pain and power. Knowing what hurts and how much and if you have the ability to endure it.”
This beautiful book has been sitting on my TBR for so long. All I knew about it beforehand was that it had a stunning cover and appeared to feature women of color. Say less!
But also, should I say more? I'm kind of glad I had no idea what to expect, so I'll avoid summarizing too much in this review. Know that it feels fragmented but connected at once. There is the real place and what is between. There is a main perspective and another that remains unnamed. The writing is lyrical and emotional and I savored every second of it. I want more of this in books!
This beautiful book has been sitting on my TBR for so long. All I knew about it beforehand was that it had a stunning cover and appeared to feature women of color. Say less!
But also, should I say more? I'm kind of glad I had no idea what to expect, so I'll avoid summarizing too much in this review. Know that it feels fragmented but connected at once. There is the real place and what is between. There is a main perspective and another that remains unnamed. The writing is lyrical and emotional and I savored every second of it. I want more of this in books!
August 3, 2021
Check the full review over at The Litt Librarian! https://thelittlibrarian.wixsite.com/...
I tried to hold off on posting my review, but tours are demanding these days aren't they?
Anywho,
The Wild Ones by Nafiza Azad is … different. I'm still trying to process all that I've read. It wasn't a hard read, but it wasn't easy either. We're introduced to 11 POVs throughout the fantasy. That's right! There are 11 POVs, all telling the same record. But at least it's a continuation with barely any interruption with side thoughts and missions. It took me a while, but how we're acquainted with each girl was essentially a page break of a journal entry hinting towards why they became a Wild One before diving back into the story.
With the premise of a "Wild One," I would at least thought we would have seen more tragic stories or at least the group trying to save other girls who were at their wit's end. Instead, we go on an Anthony Bourdain world food tour with them while trying to protect the boy who inadvertently gave them this newfound power to be a Wild One. It's not what I expected from the synopsis.
Once we got to the heart of the story, it made me realize how much fluff I had to trudge through to get here. It's basically a girl and a boy who aren't good with expressing emotions due to trauma, slowly falling for each other as they try to save their world and themselves from doom.
The story's execution didn't sit well with me, and there were way too many POVs and narrative switching. I understand the feminism message Azad placed all over the book about protecting women and their rights, but it was all too much. If we could take out all the flowery notes, the poetry, and the coterie of women, we might have had a decent story.
I tried to hold off on posting my review, but tours are demanding these days aren't they?
Anywho,
The Wild Ones by Nafiza Azad is … different. I'm still trying to process all that I've read. It wasn't a hard read, but it wasn't easy either. We're introduced to 11 POVs throughout the fantasy. That's right! There are 11 POVs, all telling the same record. But at least it's a continuation with barely any interruption with side thoughts and missions. It took me a while, but how we're acquainted with each girl was essentially a page break of a journal entry hinting towards why they became a Wild One before diving back into the story.
With the premise of a "Wild One," I would at least thought we would have seen more tragic stories or at least the group trying to save other girls who were at their wit's end. Instead, we go on an Anthony Bourdain world food tour with them while trying to protect the boy who inadvertently gave them this newfound power to be a Wild One. It's not what I expected from the synopsis.
Once we got to the heart of the story, it made me realize how much fluff I had to trudge through to get here. It's basically a girl and a boy who aren't good with expressing emotions due to trauma, slowly falling for each other as they try to save their world and themselves from doom.
The story's execution didn't sit well with me, and there were way too many POVs and narrative switching. I understand the feminism message Azad placed all over the book about protecting women and their rights, but it was all too much. If we could take out all the flowery notes, the poetry, and the coterie of women, we might have had a decent story.
Read
September 24, 2021i have mixed feelings about this one. the premise is beautiful, but i found the execution a bit lacking. the story could have been more fleshed out, especially in the last few chapters. i expected more from the main villain but his entire character just fell flat for me. eventually, i found the conclusion anticlimactic and unsatisfying because of this. there's also the case of the main romance. it had potential, but i hoped for more meaningful interactions and development.
however, i did find the writing beautiful. i think it translated beautifully on audio, giving it more impact and dimension. this book has its flaws, but ultimately, i loved how it brought a powerful message of empowerment and healing that im sure will resonate with a lot of readers. i, for one, felt a little less alone when i read this book. i hope you feel the same way when you read this too.
however, i did find the writing beautiful. i think it translated beautifully on audio, giving it more impact and dimension. this book has its flaws, but ultimately, i loved how it brought a powerful message of empowerment and healing that im sure will resonate with a lot of readers. i, for one, felt a little less alone when i read this book. i hope you feel the same way when you read this too.
Read
June 22, 2023DNF @ 50 pages.
The writing is beautiful, but I can already tell I wouldn't like this. There's 11 MCs and just as many POVs, but it's first person plural narration, and from what I read and what other reviews say, you never really get to know most characters. It's more of a vibes book, and I am not a fan of that tbh.
The writing is beautiful, but I can already tell I wouldn't like this. There's 11 MCs and just as many POVs, but it's first person plural narration, and from what I read and what other reviews say, you never really get to know most characters. It's more of a vibes book, and I am not a fan of that tbh.
October 26, 2023
3.75 ⭐
great story and great writing!! I just couldnt connect with the characters very much but I don't think it was the books fault.
it does tackle really important subjects (make sure to check triggers!)
I'm intrigued to check out more of Nafiza Azad's books!
great story and great writing!! I just couldnt connect with the characters very much but I don't think it was the books fault.
it does tackle really important subjects (make sure to check triggers!)
I'm intrigued to check out more of Nafiza Azad's books!
Want to read
May 10, 2021THE COVER !!!!! i need it
August 6, 2021
TRIGGER/CONTENT WARNING(S): Sexual and physical violence, depicted discussions of depression and suicide
The Wild Ones focuses on the hardships that girls and women face in life, the strength they can find in others, and the importance of building a caring family in which they can feel supported. Azad goes into greater detail about how humans build relationships and the horrors and beauty that may be found inside them.
This novel puts the challenges that girls and women experience around the world in our culture front and center. It highlights how we can come together as a community to address the challenges that all women face. We get to observe how the survivors deal with the traumas they’ve had throughout their lives.
Paheli is an Indian figure who was sold by her mother in exchange for a favour in the book. After she fled, broken and injured, she ran upon Taraana, who gave her a box of magical stars before disappearing. Paheli collected other betrayed and abused females, and together with the magical stars, they helped those who had lost hope and saved them from pain.
The writing was an important component of the plot, with its melodic tone highlighting how much each Wild One had to go through before Paheli discovered them. The writing elicited both sniffles and smiles as it infused the plot with emotions.
For the first 20-25 percent of the book, the plot moved at a snail’s pace, which irked me. However, things increased up up after that, and things were rather exciting! The scenes were exciting and action-packed, but the magical descriptions were lacking. The middle-worlds are destroyed by the Wild Ones’ screams, yet those moments were limply depicted, and I believe they could have been done better.
An issue I had with The Wild Ones was that the chapters are recounted from two perspectives; one is Paheli’s, and the other is an unnamed Wild One, which perplexed me much. Only Paheli and Valentina seemed to have true personalities, and I had trouble differentiating characters and their voices.
I didn’t really get why there had to be SO MANY of Wild Ones, I feel like it would have worked with 4-7 of them which would have given them at least adequate page time instead of mentions here and there. It would have also allowed for character development and differentiation.
Although the idea appears to be intriguing, the premise did not live up to its full potential. The cover is gorgeous, and I adored the concept of a magical girl team that might represent many readers who feel underrepresented in the YA genre.
Recommended if you’re looking for a powerful feminist fantasy.
Check out my review and more on my blog: https://herbookishobsession.wordpress...
The Wild Ones focuses on the hardships that girls and women face in life, the strength they can find in others, and the importance of building a caring family in which they can feel supported. Azad goes into greater detail about how humans build relationships and the horrors and beauty that may be found inside them.
This novel puts the challenges that girls and women experience around the world in our culture front and center. It highlights how we can come together as a community to address the challenges that all women face. We get to observe how the survivors deal with the traumas they’ve had throughout their lives.
Paheli is an Indian figure who was sold by her mother in exchange for a favour in the book. After she fled, broken and injured, she ran upon Taraana, who gave her a box of magical stars before disappearing. Paheli collected other betrayed and abused females, and together with the magical stars, they helped those who had lost hope and saved them from pain.
The writing was an important component of the plot, with its melodic tone highlighting how much each Wild One had to go through before Paheli discovered them. The writing elicited both sniffles and smiles as it infused the plot with emotions.
For the first 20-25 percent of the book, the plot moved at a snail’s pace, which irked me. However, things increased up up after that, and things were rather exciting! The scenes were exciting and action-packed, but the magical descriptions were lacking. The middle-worlds are destroyed by the Wild Ones’ screams, yet those moments were limply depicted, and I believe they could have been done better.
An issue I had with The Wild Ones was that the chapters are recounted from two perspectives; one is Paheli’s, and the other is an unnamed Wild One, which perplexed me much. Only Paheli and Valentina seemed to have true personalities, and I had trouble differentiating characters and their voices.
I didn’t really get why there had to be SO MANY of Wild Ones, I feel like it would have worked with 4-7 of them which would have given them at least adequate page time instead of mentions here and there. It would have also allowed for character development and differentiation.
Although the idea appears to be intriguing, the premise did not live up to its full potential. The cover is gorgeous, and I adored the concept of a magical girl team that might represent many readers who feel underrepresented in the YA genre.
Recommended if you’re looking for a powerful feminist fantasy.
Check out my review and more on my blog: https://herbookishobsession.wordpress...
March 31, 2022
4.5/5 stars
I picked up this book having never heard of it and quite honestly I didn’t read the synopsis, I saw the cover filled with colors and diversity and I knew I had to read it.
What I liked about this book was the authors ability to tell a story that was both balanced between fantasy and real life events.
Although the cover is beautiful and the book is no doubt fantasy, what I took away from it is that this book was written as away to highlight how girls of color have been silenced and mistreated by others for years. While this book is full of trauma and potentially triggering content, I thought the author did a great job balancing this trauma with joy, and happiness. In the end the book highlighted how strong, amazing, and beautiful women are.
I would like to note that it doesn’t appear that the traumas were placed in this book to dump on the readers or to pull on heartstrings. It felt as though it was meticulously placed as way to echo much of reality in an authentic way. I sometimes struggle with trauma being placed in stories as a thrill factor, twists, or to elicit favorable emotional reactions and this book did not do that.
There were a few things that I didn’t particularly like about the story. The first half of the book was slow and felt like an information dump at times. I had a hard time keeping up. On top of that, there is about 10-11 different characters. This is something that I struggle with that in books as I can’t keep up with what information I need to remember. However in this story, it was largely done because the “wild ones” are meant to be one entity, which I liked. It give me freshwater/bunny vibes.
Overall I enjoyed this book, but it’s definitely going to require a reread. I think if I had time to really flesh out and process some of the details I might be able to rate a little higher.
CW/TW: misogyny, sexual violence, kidnapping, sexual assault, rape, suicide, trafficking, death of parent
I picked up this book having never heard of it and quite honestly I didn’t read the synopsis, I saw the cover filled with colors and diversity and I knew I had to read it.
What I liked about this book was the authors ability to tell a story that was both balanced between fantasy and real life events.
Although the cover is beautiful and the book is no doubt fantasy, what I took away from it is that this book was written as away to highlight how girls of color have been silenced and mistreated by others for years. While this book is full of trauma and potentially triggering content, I thought the author did a great job balancing this trauma with joy, and happiness. In the end the book highlighted how strong, amazing, and beautiful women are.
I would like to note that it doesn’t appear that the traumas were placed in this book to dump on the readers or to pull on heartstrings. It felt as though it was meticulously placed as way to echo much of reality in an authentic way. I sometimes struggle with trauma being placed in stories as a thrill factor, twists, or to elicit favorable emotional reactions and this book did not do that.
There were a few things that I didn’t particularly like about the story. The first half of the book was slow and felt like an information dump at times. I had a hard time keeping up. On top of that, there is about 10-11 different characters. This is something that I struggle with that in books as I can’t keep up with what information I need to remember. However in this story, it was largely done because the “wild ones” are meant to be one entity, which I liked. It give me freshwater/bunny vibes.
Overall I enjoyed this book, but it’s definitely going to require a reread. I think if I had time to really flesh out and process some of the details I might be able to rate a little higher.
CW/TW: misogyny, sexual violence, kidnapping, sexual assault, rape, suicide, trafficking, death of parent
May 1, 2022
[TWs: Child trafficking, Rape- implied, Suicide, Forced pregnancy, Genital mutilation- mentioned, Murder of a child, Torture- mentioned, Drowning]
I haven't written a review in a while so I may be a bit rusty but I NEED to review this book because it was hauntingly beautiful and full of social commentary I haven't seen discussed in YA literature.
The Wild Ones follows a group of teenage girls who have suffered immense trauma but were brought together by their leader, Paheli, and endowed with special powers. The Wild Ones occupy the Between, a hallway of pure magic and mystery. They have to band together to save the life of the boy who saved them all in this thrilling feminist fantasy.
One of my favorite aspects of this book is the point of view. It switches between a first-person from Paheli and a first-person collective POV from all the Wild Ones. It is a very unique formatting choice that enhanced the bond between the Wild Ones, conveying how close their sisterhood is. I loved seeing a group of strong women supporting each other, especially in the young adult genre. The writing style of this book was whimsical- lush and light but containing moving social commentary. Another of my favorite parts is the Book Of Memories. Throughout the novel, there are pages from the Book Of Memories, in which all the Wild Ones have written, that reveal little bits about girls in the group. Many of them are beautiful and moving poems or musings of a Wild One. I looked forward to reading them every time- the hints of information furthered my connection with each girl. Overall, I love this book. It discusses so many impactful concepts that are so important for young female readers.
I haven't written a review in a while so I may be a bit rusty but I NEED to review this book because it was hauntingly beautiful and full of social commentary I haven't seen discussed in YA literature.
The Wild Ones follows a group of teenage girls who have suffered immense trauma but were brought together by their leader, Paheli, and endowed with special powers. The Wild Ones occupy the Between, a hallway of pure magic and mystery. They have to band together to save the life of the boy who saved them all in this thrilling feminist fantasy.
One of my favorite aspects of this book is the point of view. It switches between a first-person from Paheli and a first-person collective POV from all the Wild Ones. It is a very unique formatting choice that enhanced the bond between the Wild Ones, conveying how close their sisterhood is. I loved seeing a group of strong women supporting each other, especially in the young adult genre. The writing style of this book was whimsical- lush and light but containing moving social commentary. Another of my favorite parts is the Book Of Memories. Throughout the novel, there are pages from the Book Of Memories, in which all the Wild Ones have written, that reveal little bits about girls in the group. Many of them are beautiful and moving poems or musings of a Wild One. I looked forward to reading them every time- the hints of information furthered my connection with each girl. Overall, I love this book. It discusses so many impactful concepts that are so important for young female readers.
May 27, 2021
Empowering, daring, caring. This book is a little triggering and quite touching. To give you a taste, the ending is powerful and don't worry this isn't a spoiler.
"Aren't you angry, sister? At being treated the we are? At having to pick up the pieces of what remains after the world is through with us? At being silenced and abused? At being denied our dignity, our bodies, our voices, and our right to justice? Aren't you angry?
Embrace this anger. Let it fuel your every days. Defy everyone who tells you that you can't.
Be wild."
"Aren't you angry, sister? At being treated the we are? At having to pick up the pieces of what remains after the world is through with us? At being silenced and abused? At being denied our dignity, our bodies, our voices, and our right to justice? Aren't you angry?
Embrace this anger. Let it fuel your every days. Defy everyone who tells you that you can't.
Be wild."
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