Is it just me or is everything going to space these days? Black Panther went to space, the Inhumans went to space (where Marvel did the smart thing and left them there, never to beat up the X-Men again), MCU Thor went to space…
Actually, was it just Marvel characters who kept going to space?
Wait- no- Super Mario went to space too. Thank goodness. I almost lost all my “not-a-fanboy” cred.
Now Power Rangers finally gets a turn in Power Rangers: Volume 1. The rangers are flying through the stars for the first time.
Unless you count Power Rangers: Lost Galaxy… or Space Sentai Kyuranger… or Power Rangers in Space…
Actually, the rangers going to space isn’t that big a deal, is it?
No, the big hook of this book isn’t so much the location as the ongoing adventures of the original red, black and yellow rangers, Jason, Zack and Trini. This sees the three venturing to the furthest stars to seek out an alien threat known as the Empyreals- with none other than Lord Drakkon in tow, no less.
In Ryan Parrot's other Power Rangers book, Mighty Morphin', Parrot spends a good amount of time juggling the six main rangers as well as the hefty supporting cast so that no character gets left behind. He does the same here, technically, but... Well, I thought having fewer characters to juggle would mean that we get really in-depth character development, but Parrot doesn't seem to do a better job of developing characters here than he does with bigger cast. And because of this, I'm trying to figure out where the rest of the page space went to.
Action? No, the book actually contains less action than Mighty Morphin did...
Lore? Maybe, but I don't feel like I understand the Power Rangers universe any better by the end of the book.
Plot? I mean, I still don't have a really good idea about the direction this book's moving in.
This makes it sound like I'm down on Power Rangers, but really, I'm not. I'm just confused how Parrot can take a book that should, by rights, allow him so much creative freedom and end up doing that's at the exact same level as the less creatively-free book. The characters are well-developed to be sure and there's this interesting thing with Jason wondering if he's really cut out to lead (made more interesting by the fact that anyone he speaks to on the matter just basically says "Yeah, you're kinda terrible at this), but the book doesn't entirely live up to it's premise.
Actually, now I know what they're spending all the extra page space on: GENRE SWITCHING!!! In the space of four issues, this book goes from adventure, to space horror, to a kind of "behind enemy lines" war story and I wasn't entirely sure when one genre ended and another began. It makes the prospect of reading the next volume all the more tempting, because I have absolutely no idea where this book is going to go next. That's not something I can say for Mighty Morphin, which makes the plot for the next book abundantly clear.
And maybe that's the whole reason this book exists- to give Ryan Parrot a chance to experiment with these characters outside of the rigid, monster-of-the-week formula that has dominated the TV versions of these characters for so long. If that is the case, I support it full-heartedly.
Art in this book keeps just about perfect stride with the changes in genres. Francesco Mortarino's particular designs are universal enough to fit well in just about any setting and the colours stand out well enough regardless of whether the rangers are on earth, or outrunning space vampires (did I mention there were space vampires? Because there are. There are space vampires), and the action is equal parts bombastic and easy to follow.
And that's Power Rangers Volume 1, really. Good enough to enjoy- good enough to REALLY enjoy, in fact, but it doesn't quite measure up to the Mighty Morphin book.