From Hugo Award-Winning Editor Neil Clarke, the Best Science Fiction Stories of the Year Collected in a Single Paperback Volume
Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more—a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of The Best Science Fiction of the Year, a yearly anthology compiled by Hugo and World Fantasy Award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.
The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.
Table of Contents:
“Scar Tissue by Tobias S. Buckell (Future Tense Fiction, May 30, 2020) “Eyes of the Forest by Ray Nayler (The Magazine of Fantasy & Science Fiction, May/June 2020) “Sinew and Steel and What They Told by Carrie Vaughn (Tor.com, February 26, 2020) “An Important Failure by Rebecca Campbell (Clarkesworld Magazine, August 2020) “The Long Iapetan Night by Julie Novakova (Asimov’s Science Fiction, November/December 2020) “AirBody by Sameem Siddiqui (Clarkesworld Magazine, April 2020) “The Bahrain Underground Bazaar by Nadia Afifi (The Magazine of Fantasy & Science Fiction, November/December 2020) “Lone Puppeteer of a Sleeping City by Arula Ratnakar (Clarkesworld Magazine, September 2020) “Your Boyfriend Experience by James Patrick Kelly (Entanglements: Tomorrow’s Lovers, Families, and Friends, edited by Sheila Williams) “Beyond the Tattered Veil of Stars by Mercurio D. Rivera (Asimov’s Science Fiction, March/April 2020) “The 1st Interspecies Solidarity Fair and Parade by Bogi Takács (Rebuilding Tomorrow, edited by Tsana Dolichva) “Oannes, From The Flood by Adrian Tchaikovsky (Avatars, Inc., edited by Ann VanderMeer) “Yellow and the Perception of Reality by Maureen McHugh (Tor.com, July 22, 2020) “Exile’s End by Carolyn Ives Gilman (Tor.com, August 12, 2020) “Invisible People by Nancy Kress (Entanglements: Tomorrow’s Lovers, Families, and Friends, edited by Sheila Williams) “Red_Bati by Dilman Dila (Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora, edited by Zelda Knight and Oghenechovwe Donald Ekpeki) “Textbooks in the Attic by S.B. Divya (Rebuilding Tomorrow, edited by Tsana Dolichva) “Seeding the Mountain by M. L. Clark (Analog Science Fiction & Fact, September/October 2020) “Knock Knock Said the Ship by Rati Mehrotra (The Magazine of Fantasy & Science Fiction, July/August 2020) “Still You Linger, Like Soot in the Air by Matthew Kressel (Lightspeed Magazine, August 2020) “Tunnels by Eleanor Arnason (Asimov’s Science Fiction, May/June 2020) “Test 4 Echo by Peter Watts (Made to Order, edited by Jonathan Strahan) “Uma by Ken Liu (Avatars, Inc., edited by Ann VanderMeer) “Beyond These Stars Other Tribulations of Love by Usman T. Malik (Wired, December 11, 2020) “The Translator, at Low Tide by Vajra Chandrasekera (Clarkesworld Magazine, May 2020) “Fairy Tales for Robots by Sofia Samatar (Made to Order, edited by Jonathan Strahan) “This World is Made for Monsters by M. Rickert (The Magazine of Fantasy & Science Fiction, September/October 2020) “Elsewhere by James S. A. Corey (Avatars, Inc., edited by Ann VanderMeer) “Salvage by Andy Dudak (Interzone, January/February 2020) “The Long Tail by Aliette de Bodard (Wired, November 30, 2020) “Rhizome, by Starlight by Fran Wilde (Rebuilding Tomorrow, edited by Tsana Dolichva) “How Quini the Squid Misplaced His Klobučar by Rich Larson (Tor.com, January 15, 2020)
Neil Clarke is best known as the editor and publisher of the Hugo and World Fantasy Award-winning Clarkesworld Magazine. Launched in October 2006, the online magazine has been a finalist for the Hugo Award for Best Semiprozine four times (winning three times), the World Fantasy Award four times (winning once), and the British Fantasy Award once (winning once). Neil is also a ten-time finalist for the Hugo Award for Best Editor Short Form (winning once in 2022), three-time winner of the Chesley Award for Best Art Director, and a recipient of the Kate Wilhelm Solstice Award. In the fifteen years since Clarkesworld Magazine launched, numerous stories that he has published have been nominated for or won the Hugo, Nebula, World Fantasy, Sturgeon, Locus, BSFA, Shirley Jackson, WSFA Small Press, and Stoker Awards.
- HOW QUINI THE SQUID MISPLACED HIS KLOBUČAR by Rich Larson “A dark, fast-moving novelette about a high-tech heist in future Spain, planned by a professional thief interested in revenge more than money. The object in question is in the hands of a dangerous crime lord.“ I liked that this was set in Barcelona, it helped me relate to the story, as I‘ve been there several times. I liked the virtual reality aspect of the heist and the transgender part. ★★★★☆
- RHIZOME, BY STARLIGHT by Fran Wilde Our MC lives on her own in an apocalyptic world, on a mountaintop surrounded by water and made of glas (a skyscraper?) where a presumably genetically enhanced and malicious kudzu is encroaching on her greenhouse. She is fighting for her life. Stay or leave? The ending had me wishing for more story, because of who and how the MC turned out to be. ★★★★½
- THE LONG TAIL by Aliette de Bodard “A story about memory and war and transfers of memories between shifts (and statistics!).“ After a war involving nanites, salvaging a wreck and looking for a cure. Short, but able to engage me and to emphasize with the main character. ★★★★☆
- SALVAGE by Andy Dudak Humans have spread across many planets. Their observation of the universe endangered its existence. I know too little of quantum physics to understand the logic behind this concept. Anyway, aliens appeared and turned humans into statues, to prevent them from destroying the universe. Inside of these statues humans still live their simulated lives. Our MC is one of the few humans that have survived this event. She goes around and interacts with these statues to give them a choice—continue the simulation, move to a different, more pleasing simulation or end their existence. This could have been the content of the story, but our MC is stopped by other humans, as what she does is apparently not quite legal and the story goes on another quite different tangent from there. I struggled. It took me unusually long to finish this story and it didn‘t really satisfy me. The MC has a dark secret herself, which is hinted at, but not resolved in a meaningful way. The main issue is probably that I didn‘t really get the point of this story.
- ELSEWHERE by James S.A. Corey A daughter visits her dying father with the help of an avatar. The story tells us why she can’t be by his side in person. I liked this one. Emotional, relatable. ★★★★½
- THIS WORLD IS MADE FOR MONSTERS by M. Rickert Aliens visit a small village, a yearly festival ensues to celebrate the occasion. Low key, looking at the effects on the village. Fairly odd, I am missing a highlight, it didn‘t really engage me. ★★★☆☆
- FAIRY TALES FOR ROBOTS by Sofia Samatar A fairytale collection for a soon to awaken robot, giving purpose, potential and warnings. I didn’t care for the story. At 10.000+ words too long, very unemotional, only telling without showing. ★★☆☆☆
- THE TRANSLATOR, AT LOW TIDE by Vajra Chandrasekera Another climate-change/end-of-civilisation story, presumably set in Colombo, Sri Lanka. Lyrical, sad and a little horrific. The translator nears the end of his life and reflects. 2021 FINALIST: THEODORE A. STURGEON MEMORIAL AWARD. ★★★★☆
- BEYOND THESE STARS OTHER TRIBULATIONS OF LOVE by Usman T. Malik Bari has to look after his mother, but he is also off into space. Interesting idea, although I wonder how this split consciousness would be possible, considering time dilation and distance. How would that work technically, besides probably making you loose a grip on reality fast? Maybe a bit short to do the idea justice. ★★★☆☆
- UMA by Ken Liu “A Utility Maintenance Avatar is vaguely humanoid, but only about three feet tall fully stretched out and no more than fifty pounds in weight.“ Our hero piggy-backs one of those to save some people… This one was fun! ★★★★★
- TEST 4 ECHO by Peter Watts You can tell that Watts is a zoologist and marine-mammal biologist. I really have to get back to reading all his stuff, although it usually does a number on my brain. I have to confess that I only have a vague idea of what happened in this story, but it was good regardless. AI and illegal propagation? ★★★★☆
- TUNNELS by Eleanor Arnason This was a pretty wacky story. I am not even sure how to summarize it. Lydia arrives at a planet with a job to do, ends up in an unusual place and meets even more unusual beings. She is in a pickle and needs to rescue herself and the others… I loved the alien and the world was definitely interesting. Hoot hoot hoot! ★★★★½
“The city is full of cracks,” Yan said. “They heal, but then they break open again. People fall through.”
- STILL YOU LINGER, LIKE SOOT IN THE AIR by Matthew Kressel Gil is a priest of Muu, a alien intelligence, who has „abilities that seem to defy known physical laws of nature.” In other words, Muu is a god. Gil awaits a new pupil, because his last pupil was taken (died?) during worship. Gil struggles to come to terms with loss and his entrapment by Muu. ★★★☆☆
- KNOCK, KNOCK SAID THE SHIP by Rati Mehrotra Deenu works on a trading ship with a slightly disturbed AI. She is a survivor of a destroyed colony and indebted to the ship’s captain. When the ship is attacked, she has to decide where her loyalties lie and also come to terms with the fact that not everything is black and white.
Nothing deep, pretty entertaining, well written. The relationship between Deenu and the AI is funny. ★★★★★
- SEEDING THE MOUNTAIN by M. L. Clark “In another century, the great Gabo would have summed up the miracle in a sentence running pages long, interwoven with tales of floating virgins, moldering fallen angels, and dictators who died and maybe rose again.“
I am definitely not a fan of sentences running pages long, stuffed full of superfluous adverbs and adjectives. Hard pass. ★☆☆☆☆
- INVISIBLE PEOPLE by Nancy Kress Parents find out that their adopted daughter has been genetically altered as an embryo. Besides the ethical questions this throws up, it‘s a well-written thriller. Great character development for a short story, I was with them every step of the way. ★★★★★
- TEXTBOOKS IN THE ATTIC by S. B. Divya Climate change has flooded towns, antibiotics are rare for those less privileged. A mother searches for a way to save her son. ★★★★★ More on tor.com: https://www.tor.com/author/s-b-divya/
- EXILE’S END by Carolyn Ives Gilman “Exile’s End is a complex, sometimes uncomfortable examination of artifact repatriation and cultural appropriation. An artifact of indescribable and irreplaceable beauty created by an “extinct” culture has been the basis of another culture’s origin stories. The race who created the artifact has survived on a distant world and has sent a representative to reclaim it, throwing everything into question.“ I understand the conflict and tend to agree that artifacts belong to their origin countries. But I also can also relate to Rues argument. The writing of the story itself was well done, I liked the characters, the plot held dramatic tension and I was emotionally engaged. I will look at other works by the author. ★★★★☆
- YELLOW AND THE PERCEPTION OF REALITY by Maureen F. McHugh “Yellow and the Perception of Reality” by Maureen McHugh is a science fiction story about a woman who delves into the mystery of why and how her twin sister, a physicist, has been brain damaged in a lab accident in which two of her colleagues died.“
Do we perceive reality as it is or is reality created by our own perception? When I took philosophy in school, this was a concept that I struggled with. Nice take on it. I enjoyed the writing as well and will have a look at what else the author has written. Looking good: Mission Child and China Mountain Zhang. Bonus points for Claude, the octopus. ★★★★★
- OANNES, FROM THE FLOOD by Adrian Tchaikovsky Archaeology with the help of avatars and a touch of Tomb Raider, after climate change and floods have ravaged our world. ★★★★★
- THE 1ST INTERSPECIES SOLIDARITY FAIR AND PARADE by Bogi Takács After the aggressive aliens destroyed much of Earth, the scavenging aliens followed and then the good guys, survivors of those first nasty destroyers. They want to help and need a place to stay, but need people to learn to communicate with them first. Though job, when all humans are busy surviving and rebuilding. How about a pride fair? ★★★★★
BEYOND THE TATTERED VEIL OF STARS by Mercurio D. Rivera A scientist has created a simulation of Earth where mammals did not end up as the dominant species. She uses the sentient amphibians of that Earth to solve planetary problems. The amphibians are not happy with the suffering their gods impose on them. Do they have rights or are their lives irrelevant? And other fascinating questions. Loved it. ★★★★★
- YOUR BOYFRIEND EXPERIENCE by James Patrick Kelly Dak’s boyfriend Jin asks him to go on a date with a playbot that Jin designed. I wouldn‘t call this romance, although Dak‘s relationship with Jin plays a major part in the story. It‘s more about Dak‘s self-discovery with the help of an AI. He ends up in a difficult position. The ending had a very ominous and creepy vibe for me. I could imagine this turning into a horror scenario, but that‘s just my imagination running wild, I think. Good plotting and pacing, well developed characters for a short story. Well done. ★★★★★
- LONE PUPPETEER OF A SLEEPING CITY by Arula Ratnakar Probably not bad, but I couldn‘t work up any interest for the story. ★★☆☆☆
- THE BAHRAIN UNDERGROUND BAZAAR by Nadia Afifi Another one where the MC connects to another conscience, but here it‘s not a piggy-back experience of a living mind. It‘s an immersion into the recording of another person‘s death. A trip of self-discovery. ★★★☆☆
- THE LONG IAPETAN NIGHT by Julie Nováková Iapetus is one of Saturn's moons, named after a Titan in Greek mythology seen as the progenitor of mankind. And that‘s where we wake up from cold sleep. Earth has gone through two cataclysms and humanity tries to establish footholds on other planets and moons in the solar system. An earlier mission has failed and our team tries to find out what happened. Horror on a dark ice planet.
I like the plot idea, but struggled with the writing. It felt disjointed and confused me. There are two teams exploring and an account of the previous, failed mission from an unreliable narrator — I had a hard time keeping them straight. Not happy with this one. ★★¾☆☆
- AN IMPORTANT FAILURE by Rebecca Campbell Superficially about the building of a violin and what type of wood makes it „open up“ and sing. Climate change, loss of physical things and loss of possibilities in our lives. Ends on a slightly hopeful note. Bittersweet. The writing was a bit of a struggle for me, as it was very dense, detailed and „stream of consciousness“... ★★★¾☆
- SINEW AND STEEL AND WHAT THEY TOLD by Carrie Vaughn Graff faked his medical records and something really awkward is going to come out. He has a lot of explaining to do and hopefully some forgiving listeners. This was a little tense, but I was smiling at the end… ★★★★¾
- EYES OF THE FOREST by Ray Nayler An alien forrest, scouts / wayfinders in a dangerous situation. A young wayfinder in training. No predators, but scavengers that feast on dead things… things that are not illuminated… what a cool concept! And I am really salty about not getting told her given name! ★★★★½
- SCAR TISSUE by Tobias S. Buckell — 2nd person singular, awkward! Human MC fosters a robot. Is the mind just bolted into its carriage or the sum of a whole? And what does it mean to be raised instead of being programmed and to learn from experience? Sweet story, I got pretty emotional. ★★★★★
I liked "Eyes of the Forest" by Ray Nayler, "Beyond the Tattered Veil of Stars" by Mercurio D. Rivera, "Exile's End" by Carolyn Ives Gilman, "Invisible People" by Nancy Kress, and "Elsewhere" by James S. A. Corey
Favourites: Seeding the Mountain by M. L. Clark Textbooks in the Attic by S.B. Divya Oannes, From The Flood by Adrian Tchaikovsky The Long Iapetan Night by Julie Novakova Eyes of the Forest by Ray Nayler
I thought the qualities of these short-stories was high overall. Although non was outstanding IMO, there are several I really liked and only one that bored me. I like that stories from authors of different nationalites were selected, and that the topics were varied. I'll probably read the following books in this series.
The two stories I liked the most (Uma by Ken Liu and Elsewhere by James S. A. Corey) aren't the most ambitious regarding new ideas but were the most moving. Coincidentally they both explore the idea of remote controlling robots to be able to access places the charcters can't go to, but they still are very different from each other.
I also liked a lot The long Iapetan Night by Julie Nováková, who created a very stressful atmosphere about a space expedition on one of Saturn's mood, when things begin to go wrong for mysterious reasons.
Good book, but now on indefinite hiatus: I had a library ebook checked out, which abruptly vanished. Apparently the library dropped the book from their ebook holdings. Very annoying. Only copy available, sigh.
This collection is really bad. Have you seen the joke showing "the manga", "the anime" and "the Netflix adaptation"? Well, this collection is a Netflix adaptation of the best SF of the Year. The collection title should be "The wokest (not) Science Fiction stories of the year".
There are two stories that are worth reading ("Scar Tissue" and "The Long Iapetan Night"), the rest should never have reached print. A good story, specially a short one, should quickly catch the readers attention, and it should have a point, like kids stories with a clear moral. Several of these stories hint at something more, but they read as incomplete, there is no point but to present a grander picture that, honestly, is not that interesting either.
More than focusing on good stories, the collection seems to focus on having a "diverse" cast, or authors. This is the first collection where I'm told the pronouns of the authors, and honestly, I want to read a story, I don't care much about the writer, unless I know him and like hm and look for his work. The editor doesn't even bothers to describe the stories!
And there are Sci Fi stories. You know the "You'll never see it in Galaxy" ad?, well, most of the stories I would never see in Galaxy. Few stories challenge the reader to think, or to ponder what if. Few wonder how technology changes society, or how a society would look like if this or that. In fact, several stories can just be set in the present, and they would work just as well.
The worst part, the characters are anything but diverse: most of them are females or homosexuals, and that is all the depth they have. Seriously: your taste and sex are not personality traits! It can be relevant to the story, think of Osca Wilde's life, but if not, who cares? Or why putting so much focus on it? Or why put a female characther that reads just like a guy? And why would a story have a character with strong character?, no, let's make them lame, and I'm not talking about the gait.
Let's look at the stories:
Scar Tissue by Tobias S. Buckell: 5*. Raising a robot child has economical benefits, but it's hard. And attachments are to be expected. Eyes of the Forest by Ray Nayler: 2*. The story just revolves around a very strange setting, and the whole point is the setting, but it's not really explored and it's strange for the sake of it. And yes, the main character are female. Sinew and Steel and What They Told by Carrie Vaughn: 1*. Having emotionally weak people is exactly what I expect a space squad fighting space pirated, right? NO! And yes, we need to add that the main character is hoosexual becuase that's the thing we do here. An Important Failure by Rebecca Campbell : 1.*. Someone wants to make a violin, and I wouldn't care less. The Long Iapetan Night by Julie Novakova: 5*. A horror story in one of the moons of Jupiter. I enjoyed and it reads like one of the Martian Chronicles' stories. The main character is female, and i loved it. AirBody by Sameem Siddiqui 1*. Do care about how the life of a Muslim will be in the future? Not me, and five pages into the story couldn't make me interested. The Bahrain Underground Bazaar by Nadia Afifi: 3*. Do you know the stories were the child rebels againts the parents and at the end he realizes how right they were? This is the same, but the other way around. Lone Puppeteer of a Sleeping City by Arula Ratnakar: 1*. A few pages in and the author throws a moral monologue. This is perfect for Netflix, but not for me. Your Boyfriend Experience by James Patrick Kelly 1*. How dating sex robots will be designed for homosexuals? I don't know, don't care. Beyond the Tattered Veil of Stars by Mercurio D. Rivera 2*. A rather obvious story about "is reality just a simmulation?". The 1st Interspecies Solidarity Fair and Parade by Bogi Takács 1*. The world was destroyed in a war with aliens, twice. How do you help communities start working again together? Obviously, with a (gay) Pride Parade. I'm not lying to you, this is the best idea the author came up with. Oannes, From The Flood by Adrian Tchaikovsky 1*. Archeologist trying to salvage evidency to proof that good "refugees" helped to build the great Mesopotamian empire. Yellow and the Perception of Reality by Maureen McHugh 1*. The very racist author of this story spends his time focusing on everyone race, literally, all characters's race is pointed out, instead of building an idea about reality. I really think there was no idea to begin with. Exile’s End by Carolyn Ives Gilman 1*. We already covered good refugees, now let's talk about repatriation and reparation, because that's the most relevant thing that a civilization capable of travel through the stars can worry about. Also, don't forget the moral speech. Also, a work of art has a sould, but we don't say anything more about this, because is totally not a central piece in the story. Invisible People by Nancy Kress 2*. One extra star for being able to make a "genetically modified children without the knowledge of the parents" boring. Red_Bati by Dilman Dila 2*. A robot goes rogue and takes control of a ship, showing how bad security can be in a cargo company. Textbooks in the Attic by S.B. Divya 1*. A strong female character makes peniciline in his attic to save his child, while also stoppiing his not so bright husband from killing people, or getting killed. Seeding the Mountain by M. L. Clark 1*. A couple of Colombian being oppresed by big corps trying to solve social issues. Strong female character, and blah blah. Knock Knock Said the Ship by Rati Mehrotra 2*. Let's call someone saved from the dying Moon a refugee, because I want to write a story of a refugee saving the day. Also, female refugee, female captain and bad guys are male. Still You Linger, Like Soot in the Air by Matthew Kressel 1*. A story trying to say something about higher conciousness and so on, but it's just random rambling. Tunnels by Eleanor Arnason 1*. Big corp tries to kill woman who put them into trouble. Also, she works for a important movie company and does detective works, because it's so obvious to do both things. Test 4 Echo by Peter Watts 1*. With less techincal jargon, that adds nothing, we could get a decent story, but the writing style is just too awful. I haven't read anything else by Watts, and after this I'm not sure I want to. Also, let's make the main character homosexual becuase we need those Netflix points. Uma by Ken Liu Another strong female character that behaves just like a ramdom male teenager vidogamer saves the day. Also, big corps bad. Beyond These Stars Other Tribulations of Love by Usman T. Malik 1*. Entanglement doesn't transmit information, read a book. The Translator, at Low Tide by Vajra Chandrasekera 1.* An Indian guy gets robbed by some children. Fairy Tales for Robots by Sofia Samatar 1*. The main character spends 80% of the time complaining, 10% complaining some more, 10% just summarizing old stories, but nothing more. The title is really misleading. This World is Made for Monsters by M. Rickert 1*. An original first contact idea, but in the 50s. Elsewhere by James S. A. Corey 1*. Not as bad as 1 star, but totally unoriginal: someone paralized uses VR to move robots and live around people. Salvage by Andy Dudak 1*. Someone upload the memory of "frozen" people into a "quantum supercomputer" (let's say "wow" and "ahh" now) for whatever unclear reason. A lawyer shows up to stop the fun. The Long Tail by Aliette de Bodard Rhizome, by Starlight by Fran Wilde How Quini the Squid Misplaced His Klobučar by Rich Larson
The last three stories were random noise, after a few pages stopped reading them.
[3.5 stars] This review will come in fits and starts, as I review specific stories that stuck out to me. I begrudgingly picked up this collection when Jonathan Strahan didn’t release one in his best of series for last year. I’ve tried Neil Clarke’s anthologies before and felt like his editorial hand just didn’t jive with my reading habits. Has this book proved me wrong? Yes… and no. I was very polarized with this book. I have never read an anthology or collection where I’ve skipped so many stories. But the ones I liked were some of the best short fiction I’ve read all year. I don’t really know how to interpret that, but either way, here are some of my favorites:
Favorite Story: Beyond the Tattered Veil of Stars by Mercurio D. Rivers - An ingenious community of non-humanoids address crisis after crisis in this time-jumping tale. The catch? Well they are actually all part of a simulation that is used to help humans learn how to address these crises, a fact lost on the participants. The best SF for me has an interesting conceit, and leans in. I’m trying to come up with a more nuanced phrase than “perspective-shifting” but am struggling. Think the best episodes of Rick and Morty or the best novels of Philip K. Dick. This story is the one in the collection that best scratches that itch. The gods are indeed watching…
Runner-Up: Exile’s End by Carolyn Ives Gilman - A museum curator finds herself caught up in an intense debate when a member of an ancient community previously thought extinct shows up and asks for a priceless painting to be repatriated to his planet, in light of the colonization that had originally deprived them of it. The catch? Their community destroys all such artifacts as part of a long-standing ritual. SFF has a lot to add in terms of social commentary, because of its ability to set up thought experiments. You’d think that considering the most extreme scenarios in a given situation would dampen nuanced thought, but when done correctly, it allows for a great exploration without the same stakes as a real world scenario. This story is a great example of that approach. There’s a very real cost to the repatriation of the artifact. It would be the equivalent of sending the Mona Lisa or Whistler’s Mother off to be destroyed. Very thoughtful engagement with the subject of cultural reappropriation, the legacy of colonization, and the ethics of all therein.
Other Recommended Stories: Sinew and Steel and What They Told by Carrie Vaughn - After an accident on the job, a scout runner is sad to find that he has not, indeed, died as he expected. As the crew rushes to save him, they find him more robotic than expected, a part of himself that he has kept carefully hidden, immediately leading to suspicion and intrigue. This felt like a very personal story, and was a welcome respite from the first few opening stories that just didn’t hit for me. I particularly enjoyed the love interest as it helped complicate the narrative in a good way.
Oannes, From the Flood by Adrian Tchaikovsky - Set in a future where climate change has led to massive flooding across American cities, this story follows a “researcher” (or tomb raider, depending on your perspective, who uses a robotic avatar to retrieve priceless Sumerian artifacts from the soon to be flooded ruins of a mansion. During his journey, he stumbles across a real family unaware of the harm coming their way. This is a piece of climate fiction, one of several in the book that caught my eye (strange, considering that I can’t stand almost every climate fiction novel I stumble across). I found the narrator to be just my shade of jaded, and the stakes are reasonably high by the end. I also used to teach ancient history, so what’s not to love about the Sumerian mythological references?
Invisible People by Nancy Kress - A couple gets dragged into a mystery invoking their adopted daughter, specifically concerning whether she is the result of an experimental human breeding program that dabbles in genetic modification. The family drama is what holds this one together, even though there’s just enough intrigue to keep things mysterious. I might be attracted to this one because I’m partial to adoption myself. Despite a plot that could fall into boilerplate conspiracy-ish territory, the nature of the modification is surprising and not initially intuitive, which I count as good in this instance.
Red_Bati by Dilman Dila - Red_Bati follows a robotic dog that has been programmed to desire human companionship, and has a working(-ish) simulation of his previous owner loaded onto his hard drive. The problem? His owner is dead and he has been repurposed for manual labor and has become damaged. Knowing that he’s facing a wipe that will deprive him of his personality, he seeks to protect his identity. A great exploration of the complications of making robots too human-like. There’s definitely stories that explore the theme in more depth, but none that do so as sweetly. There’s a fair bit of comedy tucked in this one as well, considering that a dog is eventually performing a one-man heist. Definition of a good boy.
Textbooks in the Attic by SB Divya - In a future ravaged by climate change, where much of the lower world remains submerged, infection runs rampant. And due to medicine shortages and the unequal distribution of medicine, even mild infections remain potentially deadly. We follow a biologist (or something similar - my memory may not serve me well on this one) who must find a way to save her son who has come down with an infection, even when the wealthier community up the hill refuses to share their stores of antibiotics. Another piece of climate fiction! An engaging story through-and-through. Also does a good job examining the potential dynamics of the wealthy versus everyone else in a similar situation.
Tunnels by Eleanor Arnason - A PR agent ends up getting infected with a mysterious virus and finds herself trapped in the tunnels underneath the city. The catch is that she’s not the only one, and there seems to be more afoot than originally meets the eye. This is just a plain fun (and plenty weird) story. The real star, of course, is Three Hoots.
Uma by Ken Liu - A maintenance worker must deal with the legal complexities that arose after she uses her robotic avatar to rescue a family while she’s on the job. Liu is one of those authors for whom a little goes a long way for me. I almost always love his stories in an anthology like this, but tire quickly when reading a collection. This is no exception. Strong writing matched with an all too-realistic conceit.
This World is Made for Monsters by M. Rickert - Aliens make contact with a small town. What begins as a friendly encounter soon turns into something more sinister - but who’s to blame? I love the retro feel of the story, balanced by the darker elements, which help cut through the veneer of nostalgia. This is obviously not a Shirley Jackson story, but something about it makes me think of her.
Elsewhere by James SA Corey - A daughter uses a robotic avatar to visit her father in hospice. Over the course of the story, she reflects upon their history and reveals why she cannot visit him in person. This was my first time to read a Corey story, and it seems they are worthy of all the praise that they have received. This is a very human story. The sci-fi elements are almost immaterial, in the best way possible.
The Best Science Fiction of the Year: Volume Six by Neil Clarke | Nov 23, 2021|Night Shade Neil Clark's Best Science Fiction of the Year makes its sixth outing this month, but not having gotten hold of a copy yet, I can only point you to the table of contents Neil posted on his site (Best Science Fiction of the Year: Volume 6 Contents and Cover Reveal). We've already covered the annual collections from Jonathan Strahan and John Joseph Adams but readers of Clarke's World know that Neil's picks will show his knowledge of the breadth of the genre available as well as his eye for what makes a story compelling. Recommended.
I took another journey through the eclectic Sci Fi selections of Neil Clark after a dark and underwhelming Volume 4 experience. I am glad I did as this Volume 6 anthology is genre of a less dystopian pessimistic nature. I recommend this for anyone interested in a wide variety of science fiction writing that while uneven it is very much worth the time. I am impressed enough to take the time for another of his edited volumes in his extensive series. I leave it to the reader to determine individual preferences rather than reflect on mine as this hardly matters given the diversity of plots. This is the fun in reading anthologies and finding your own preferences to contemplate. Great science fiction doesn’t end with the story, but catapults the mind to continue a journey enriching the imagination. I definitely prefer those writers who have a more optimistic or at least more contemplative plot line. I believe this far less common in contemporary Sci fi, but the most dystopian story often results in schadenfreude.
Most of these 31 stories were okay. 3-star average. The ones that stood out as above average were:
+ "Beyond the Tattered Veil of Stars" by Mercurio D. Rivera (****+) + "Invisible People" by Nancy Kress (****+) + "Eyes of the Forest" by Ray Nayler (****) + "Lone Puppeteer of a Sleeping City" by Arula Ratnakar (****) + "Oannes, From the Flood" by Adrian Tchaikovsky (****) + "The Translator, at Low Tide" by Vajra Chandrasekera (****) + "An Important Failure" by Rebecca Campbell (***+) + "Knock Knock Said the Ship" by Rati Mehrotra (***+) + "Tunnels" by Eleanor Arnason (***+) + "This World is Made for Monsters" by M. Rickert (***+) + "The Bahrain Underground Bazaar" by Nadia Afifi (***+)
Many “best of” anthologies feature both science fiction and fantasy. Neil Clarke, editor of Clarkesworld online magazine, focuses exclusively on science fiction. This means he can publish more pure SF in a volume than the others – 32 stories. He also writes excellent summaries of the year's activity in SF publishing. There is also a 'Recommended' list of stories that didn't make his final cut for publication, for those who want to cover the field even more broadly.
A overall disappointing collection but with a handful of gems. Dont feel bad dropping a story mid-read. I wish I had done more of that, honestly.
Rich Larson and Peter Watts' entries are incredible and nearly make the purchase worthwhile. Matthew Kressel and Ray Nayler also had great stories. But with 31 entries total this books could have been greatly improved by removing some of the weakest. Not all climate change sci-fi is bad, but the nearly all the worst entries had that in common.
One of my favourite anthologies each year - personal picks include M. Rickert's This World is Made for Monsters, Rich Larson's How Quini the Squid Misplaced his Klobucar and Sofia Samater's Fairy Tales For Robots.
Peter Watts story was the only one worth reading in over 600 pages of science fiction. Not my type of story at all. Very literary and sometimes a little close to fantasy for my tastes in most stories.
Great collection of short stories! My particular favorites were: Eyes of the Forest - Ray Nayler The Bahrain Underground Bazaar - Nadia Afifi Yellow and the Perception of Reality - Maureen McHugh Excile's End - Carolyn Ives Gilman
98-2022. I like diving into these collections from time to time. There were many stories that made the long read worthwhile. A nice variety of story themes and types kept things going.
Neil Clarke's annual collection continues to be one of the finest anthologies of the year's best. I thoroughly enjoyed every one of the stories he collected for this year, many of them by authors who were previously unknown to me. I have pre-ordered his volume 7. Many of these stories are sweet. Some are post-apocalyptic. Some concern rebellious robots. Some involve remote control of robots by distant humans "wearing" the distantly functioning drone. Read them yourself and enjoy them as I did.
'Beyond the Tattered Veil of Stars' by Mercurio D. Rivera - 5 stars. 'How Quini the Squid Misplaced His Klobucar' by Rich Larson - 5 stars. 'The Long Iapetan Night' by Julie Novakova - 4 stars. 'The Translator, at Low Tide' by Vajra Chandrasekera - 4 stars. ‘Eyes of the Forest’ by Ray Nayler - 4 stars. ‘Oannes, From The Flood’ by Adrian Tchaikovsky - 4 stars. ‘Invisible People’ by Nancy Kress - 4 stars. ‘Test 4 Echo’ by Peter Watts - 4 stars. ‘Elsewhere’ by James S. A. Corey - 4 stars. 'An Important Failure' by Rebeccca Campbell - 3 stars. 'Red_Bati' by Dilman Dila - 3 stars. ‘Your Boyfriend Experience’ by James Patrick Kelly - 3 stars. 'AirBody' by Sameem Siddiqui - 2 stars. 'Yellow and the Perception of Reality' by Maureen McHugh - 2 stars. 'Tunnels' by Eleanor Arnason - 2 stars. 'The Long Tail' by Aliette de Bodard - 2 stars. ‘Uma’ by Ken Liu - 2 stars. 'Fairy Tales for Robots' by Sofia Samatar - 1 star.