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Contrary Bear
After she sees how upset her father has become, a little girl who blames her bad behavior on her stuffed bear tells her father that the bear will try to act better
- GenresPicture BooksFiction
32 pages, Hardcover
First published May 16, 1996
1 person is currently reading
12 people want to read
About the author
Phyllis Root
107 books71 followers"Picture books are performances," says Phyllis Root, quoting some sage advice she once received. "They're performances that involve a child--something both of you do. And once I started thinking of them that way, I started getting much looser about making up words and playing around with rhythm."
Phyllis Root picked up an early affinity for colloquial language while growing up in Indiana and southern Illinois, "where people actually say things like, 'I got a hitch in my git-along'!" She decided to be a writer in the fifth grade, but it wasn't until she was thirty years old that she took a writing course with an influential teacher who gave her "the tools" she says she needed. "That's when I figured out that you could learn to be a writer," she says. What followed was a series of rollicking stories that take on a new life when read aloud, among them ONE DUCK STUCK, a one-of-a-kind counting book; KISS THE COW!, an affectionate salute to stubbornness; WHAT BABY WANTS, a tale of increasingly ridiculous efforts to quiet an infant that one reviewer compared to an episode of I LOVE LUCY, and LOOKING FOR A MOOSE, a buoyant tale with a final surprise discovery.
The author does "endless rewriting" before a book is finished, but often starts out by writing her stories in her head, a trick she learned as a time-pressed mother when her two daughters were very young. For example, RATTLETRAP CAR--a joyful celebration of perseverance--began with her playing around with sounds ("clinkety clankety, bing bang pop!") and calling up bits of old camp songs.
A master of rhythmic read-alouds, Phyllis Root exhibits a range many writers would envy. Her counting book TEN SLEEPY SHEEP is as serene and lulling as ONE DUCK STUCK is rambunctious. "Counting sheep isn't always easy," she notes. "Once, while we were farm-sitting, my daughter and I had to chase down two runaway lambs in the growing darkness, then count twenty-seven frisky lambs to make sure they were all safe for the night. Luckily, they were." OLIVER FINDS HIS WAY is a quiet, classic picture book about a defining moment in the life of a small child--getting lost and having the pluck to find the way home. On the other extreme, Phyllis Root takes on no less than the whole universe in BIG MOMMA MAKES THE WORLD, a powerful, original, down-home creation myth that received rave reviews and won the prestigious BOSTON GLOBE-HORN BOOK Award. Most recently, Phyllis Root penned LUCIA AND THE LIGHT, a timeless adventure about one brave girl's quest that was inspired by Nordic lore.
When she's not writing, Phyllis Root teaches at Vermont College's MFA in Writing for Children program. She lives with her two daughters and two cats in a 100-year-old house in Minneapolis, Minnesota, and loves to read (mostly mysteries with female protagonists) or spend time outdoors gardening, camping, sailing, or traveling. "One of the things I've learned about myself," she confides, "is that when I get really stuck and can't seem to get writing, it's because I've forgotten to take time out to play."
Phyllis Root picked up an early affinity for colloquial language while growing up in Indiana and southern Illinois, "where people actually say things like, 'I got a hitch in my git-along'!" She decided to be a writer in the fifth grade, but it wasn't until she was thirty years old that she took a writing course with an influential teacher who gave her "the tools" she says she needed. "That's when I figured out that you could learn to be a writer," she says. What followed was a series of rollicking stories that take on a new life when read aloud, among them ONE DUCK STUCK, a one-of-a-kind counting book; KISS THE COW!, an affectionate salute to stubbornness; WHAT BABY WANTS, a tale of increasingly ridiculous efforts to quiet an infant that one reviewer compared to an episode of I LOVE LUCY, and LOOKING FOR A MOOSE, a buoyant tale with a final surprise discovery.
The author does "endless rewriting" before a book is finished, but often starts out by writing her stories in her head, a trick she learned as a time-pressed mother when her two daughters were very young. For example, RATTLETRAP CAR--a joyful celebration of perseverance--began with her playing around with sounds ("clinkety clankety, bing bang pop!") and calling up bits of old camp songs.
A master of rhythmic read-alouds, Phyllis Root exhibits a range many writers would envy. Her counting book TEN SLEEPY SHEEP is as serene and lulling as ONE DUCK STUCK is rambunctious. "Counting sheep isn't always easy," she notes. "Once, while we were farm-sitting, my daughter and I had to chase down two runaway lambs in the growing darkness, then count twenty-seven frisky lambs to make sure they were all safe for the night. Luckily, they were." OLIVER FINDS HIS WAY is a quiet, classic picture book about a defining moment in the life of a small child--getting lost and having the pluck to find the way home. On the other extreme, Phyllis Root takes on no less than the whole universe in BIG MOMMA MAKES THE WORLD, a powerful, original, down-home creation myth that received rave reviews and won the prestigious BOSTON GLOBE-HORN BOOK Award. Most recently, Phyllis Root penned LUCIA AND THE LIGHT, a timeless adventure about one brave girl's quest that was inspired by Nordic lore.
When she's not writing, Phyllis Root teaches at Vermont College's MFA in Writing for Children program. She lives with her two daughters and two cats in a 100-year-old house in Minneapolis, Minnesota, and loves to read (mostly mysteries with female protagonists) or spend time outdoors gardening, camping, sailing, or traveling. "One of the things I've learned about myself," she confides, "is that when I get really stuck and can't seem to get writing, it's because I've forgotten to take time out to play."
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Displaying 1 - 5 of 5 reviews
January 8, 2014
Charming story - one of my favorites to read to the kids when they were small. Layout of the text could be improved.
February 28, 2022
I felt pretty sorry for the bear for getting blamed for all the nasty stuff the girl did. Nice to see a dad-centered story. But this book, being from 1996, shows how parenting has changed in the last few decades. There was none of the "let's sit down and talk about your behavior" stuff we are faced with today.
December 6, 2011
A little girl behaves badly and blames it on her stuffed bear. Her father doesn't take it lightly when she behaves poorly. Both she and the bear are punished.
I usually like Phyllis Root's work, but this one is really lacking her usual character. Plus, children are not going to understand that it's the young girl behaving poorly and not the bear.
I usually like Phyllis Root's work, but this one is really lacking her usual character. Plus, children are not going to understand that it's the young girl behaving poorly and not the bear.
January 23, 2016
Okay story and illustrations. I can relate - sometimes it seems all my children have contrary bears...
September 27, 2019
mira likes this one because she likes bears. it's good for toddlers who are often contrary against their parents. illustrations are not so hot.
Displaying 1 - 5 of 5 reviews