"Superman's not brave. He's strong. He's handsome. He's even decent. But, he's not brave. No. He's indestructible. And you can't be brave if you're indestructible." --Chris Crutcher from "A Brief Moment in the Life of Angus Bethune" a short story within his book ATHLETIC SHORTS.
I love TRUMAN.
I mean really. As a secondary ELA teacher who gets to see picture books that might make their way into the room, I came slowly. . .like a turtle. . .to Jean Reidy's TRUMAN. But, now that I have seen and read the book, I am glad that I am a secondary ELA teacher. I'm in a unique position to introduce students to this picture book who might be parents selecting books in the next ten years. And, I have some influence in placing books some ten years below me into the K and 1 and 2 spaces where TRUMAN might best be situated (for marketing purposes).
I've never been one to stay in my lane. Nor, seemingly, is Truman (a turtle).
From the cover art depicting Sarah stretched out on a carpeted floor (and across the dust jacket which will be fun to share with readers. She is face to face with the book's hero Truman, who looking up at his owner, looks part Ed Asner, part Yoda, and part Patrick Star. There is an infant-like roundish presentation of this turtle that presents as an innocence that drives Jean Reidy's picture book.
The outer case looks like birthday confetti and the end papers are done in a nice concentric circle pattern suggestive of a turtle's shell pattern. From under and around the case the lighter, muted color schemes remind me of softer picture books like A SICK DAY FOR AMOS MCGEE.
The title page reveals that the case may, in fact, be how something as small a Truman might see a frosted donut shared on any given morning with a friend.
Truman was small,
the size of a donut--
a small donut--
and every bit as sweet.
Jean Reidy has introduced us to the archetypal INNOCENT. Innocents driven by sweet and naturally-inclined safety seekers. Perfect that the main character presents like Pooh. And comes with a shell. He lives with Sarah and this points to the fidelity of the INNOCENT. Presented in contrast to the noisy, boisterous vehicles and machines further settles Truman into the INNOCENT archetype.
He was peaceful
and pensive,
just like his Sarah.
Not only is our main character sweet, peaceful, pensive, we're beginning to see a sense of identification with "his Sarah." And a developing fidelity (which is the INNOCENT archetype response to a task).
There is a visual depiction of Truman's size as demonstrated by his placement with a donut or lying on the carpet near Sarah, dwarfed by the paper and the crayons surrounding him.
Truman lives in an innocent world filled with innocent activities. It is the world outside that honks and growls and shrieks.
Jean Reidy's picture book is shaping up to become mentor text in archetypal presentation and discussion. Reidy has created a character who is the model of Dr. Carol S. Pearson's INNOCENT archetype. Paired with the ORPHAN archetype for the interplay between the two, there is something in TRUMAN that goes beyond the limitations (perceived) of the thirty-two page picture book.
And the interplay between INNOCENT and ORPHAN plays out as it most often does in stories:
"One day. . ."
When Sarah puts on a brand new shirt and a backpack that could have fit thirty-two small tortoises inside and places two more than usual green been in his dish (both are opportunities to count along with younger readers making this book a One Book Four Hands selection), he thinks nothing of this and begins to munch on the beans.
Psst. . .over here. . .with the reviewer. . .an INNOCENT'S response to danger or to a dragon is to "deny it" according to Pearson. Two more green beans than usual. No big deal.
Truman's ORPHAN archetype is immediately awakened when he realizes that, while Sarah has left before, her backpack was larger, and she had a banana and a bow. . .and the extra beans.
Let's take a moment to review literary terms. Alliteration is the repetition of a consonant sound. Add the two word imperative from Sarah to Truman, "Be Brave," and you have enough Bs to create a colony.
Truman's awakening ORPHAN is demonstrated within this spread and his awareness is splashed over the sprinkled-frosting backdrop of the case. Whether Reidy intended this juxtaposition of orphanage over a ghostly reminder of INNOCENCE lost is discussion worthy as all of the symbols of his past relationship with Sarah are presented as ghostly white outlines.
Are we getting the sense that this picture book would work well in your unit on archetypes yet? And, if we were able to tap into this aspect/element of the picture book's potential in all grades, this book would be earning that fifth star all over the place (and why I am awarding the book its rightful fifth star).
It's in this moment. This call that Truman begins to become aware of an outside world. A world outside of glass enclosures and beans and rocks.
A Call to Adventure is met with the natural Refusal as Truman waits "a thousand hours" for Sarah's return before Crossing the Threshold to enter into the Belly of the Whale (this time an "endless rug" wherein our hero, Truman, encounters the sucking and the sharp and the hulking and the menacing of other figures on the rug).
Reidy is hitting all of the markers of the Hero's Journey now that Truman has been "orphaned." Even the road of trials has gone silent underneath him.
Older readers will recognize that the deepest part of the Hero's Journey is the Symbolic Death. But this step is also called "A Dismemberment" which is what has occurred between Truman and Sarah.
But, Campbellian's will also remember that right after this low point (depicted by the dark door with light streaming underneath) is when our hero makes contact with the Goddess. In Jean Reidy's picture book, we have already met this Goddess and her voice comes back to Truman is a moment of epiphany and apotheosis as Truman remembers to be be BRAVE! (the spread cast in yellow is reminiscent now of light and illumination signifying that our tortoise friend is now in a state called apotheosis, drawing deep for the innate gift that has been suggested/placed inside of him).
The ultimate boon is the end of the book (no spoilers), but we do see a Magic Flight/Rescue in Sarah's "scooping" of Truman. And by the end of the book, we see Sarah and Truman sharing a story that features a brave (and now proud Truman). The Master of Two Worlds. Free to Live with an acceptance that his Sarah will sometimes go south.
By the way. . .remember that part in OF MICE And MEN when Slim asks George which way Lennie might have gone. George's response:
"Well. . .we come from the north, so he would have went south."
I know you remember. I just thought of that. Hmmm. . .south.
Jean Reidy's TRUMAN is a delightful look at a relationship between a little girl and her pet turtle (perhaps this is how we should have started this review).
I love TRUMAN.
This is how I should end this review.