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برگ‌های درخت دیروز: چند شعر بلند قدیمی

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46 pages, ebook

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About the author

آزیتا قهرمان

15 books6 followers
Azita Ghahreman, is an Iranian poet.[1] She was born in Iran in 1962. She has written four books in Persian and one book in Swedish. She has also translated American poetry. She is a member of the Iranian Writers Association and International PEN.
She has published four collections of poetry: Eve's Songs (1983), Sculptures of Autumn (1986), Forgetfulness is a Simple Ritual (1992) and The Suburb of Crows (2008), a collection reflecting on he exile in Sweden (she lives in an area called oxie on the outskirts of Malmö) that was published in both Swedish and Persian.
Her poems directly address questions of female desire and challenge the accepted position of women.
A collection of Azita's work was published in Swedish in 2009 alongside the work of Sohrab Rahimi and Christine Carlson. She has also translated a collection of poems by the American poet and cartoonist, Shel Silverstein, into Persian, The Place Where the Sidewalk Ends (2000). And she has edited three volumes of poems by poets from Khorasan, the eastern province of Iran that borders Afghanistan and which has a rich and distinctive history.
Azita's poems have been translated into German, Dutch, Arabic, Chinese, Swedish, Spanish, Macedonian, Turkish, Danish, French and English. A new book of poetry, Under Hypnosis in Dr Caligari's Cabinet was published in Sweden in April 2012.
[edit]Books

Eva's Songs, (persian)1990
Autumn Sculptures,(persian) 1995
Where the sidewalk ends, Shell Silverstein(Translated to Persian with Morteza Behravan) 2000
The Forgetfulness has a Simple Ceremony,(persian) 2002
Here is the Suburb of Crows,(persian) 2009
four Poetry books ( collected poems 1990-2009 in Swedish), 2009
under hypnosis in Dr kaligaris Cabinet, (Swedish) 2012
Poetry Translation Center London( collected poems in English) 2012

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Profile Image for Behzad.
653 reviews122 followers
December 24, 2022
زبان تصویری با ساختار روایی که سطرها و بندها را به هم ربط میدهد، با لحنی که شاید مجاز باشم آن را زنانه بدانم؛ با حال و هوایی شاعرانه و اندکی نوستالژیک و تا حد زیادی سنت شکن. مناسب برای چندباره خوانی که در هر خوانش تصاویر تازه ای را در ذهن زنده میکند.
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