This is the first in-depth study of the Israelite prohibition of images in the light of comparative material from the surrounding cultures. The author proposes a distinction between tolerant de facto aniconism and programmatic aniconism and argues that there was a development from West Semitic de facto aniconism (cults focussed on aniconic stelae) to programmatic aniconism (Israelite iconoclasm and the prohibition in the decalogue). Aniconism as such is found to be a conventional practice in several West Semitic cultures; the development into programmatic aniconism is, however, an Israelite phenomenon. There were two main forms of aniconism in the ancient Near material aniconism (aniconic symbols such as stelae, masseboth ) and empty-space aniconism (empty thrones). Various cultures in the ancient Near East yield important comparative material. The emphasis is on West Semitic cults with open-air cult places (high places, bamoth ), which had sacrificial slaughter and a sacral meal shared by the participants and their god (represented by an aniconic stele), in contrast with Mesopotamian temples, with the care and feeding of the gods (represented by a cultic image). The author deals with the following cultural Egypt, Mesopotamia, Syria, Phoenicia, Arabia, the Nabatean domain, and Palestine.
Tryggve N. D. Mettinger, No Graven Image?: Israelite Aniconism in Its Ancient Near Eastern Context, Coniectanea Biblica. Old Testament Series ; 42. (Stockholm: Almqvist & Wiksell International, 1995). • Introduction o Old Testament texts from the time around the exile, notably the polemics against idols,2 seem to imply that Israel herself looked upon her aniconism as one of her defining features. 13 o Second, Israel's notions of God manifest themselves by means of various media: in texts (language), rites (gestures and body language) and iconography (art). If we compare what is found in Israelite iconography with the relevant descriptions and proscriptions of the Hebrew Bible, a remarkable phenomenon, a paradox indeed, immediately strikes the eye: while Israel shows extreme hesitation in the artistic realm towards anthropomorphic representations of the deity, the literary level of expression, attested in the literature of the Hebrew Bible, abounds with anthropomorphisms.15 o The veto on images is primarily directed against images of foreign gods anstands in the service of the first commandment, but even so the prohibition implies that images of Yhwh are also excluded 16 o THE HOLY OF HOLIES empty throne imagery in Jerusaelm and in another temple in Arad massseboth § The empty throne in Jerusalem's temple and the masseboth at Arad are just two different attestations of Israelite aniconism and together indicate that there was indeed an aniconic tradition centuries before the express interdict on images. o DEF § I shall thus use the term "aniconism" as referring to cults where there is no iconic representation of the deity (anthropomorphic or theriomorphic)24 serving as the dominant or central cu/tic symbol, 25 that is, where we are concerned wit either (a) an aniconic symbol or (b) sacred emptiness. I shall call the first of these two types "material aniconism" and the second "empty-space an icon ism". § FORMS • 1. representations of deities • 2. Votaries or representations of worshippers § Aniconism is epiphanic. helps epiphanic. • 2. Mesopotamia and Egypt o Totem or emblem dominanted before OB. Then icons rly come in o This resurgence of such symbols, denoted as kakkum, "weapon", or lurinnum, "emblem", "standard",8 is especially strong in the second half of the second millennium and lives on in the first millennium alongside with the production of new cult stat- ues. o Fetishes appear § In army encampments in fields 41 § Kassite ANICONIC symbolic figures of sockets, mounts, horns, utensils. 45 they leave things empty • 7 Israelite Aniconism: The Question of Its Origin o Aniconism is most probably a late development o Teraphim, probably ancestor figurines 137 o Israel develops a form of aniconism ·that is laid down in a solemn interdict on images. The literary formulation of this interdict is late (around the time of the Exile), but there is a history of aniconic practice behind this programmatic formulation. 140