In this seventh volume, a kind of bridge between adventures, Olruggio questions whether Qifrey may be using his young apprentices, and Coco in particular, in his revenge plot for his lost eye at the hands of the Brimmed Hats, with all their Forbidden Magic. As that occurs, Coco decides she wants an answer to the question about whether they will ever be able to find her mother and heads to the Tower of Tomes to find out, joined, eventually by Qifrey. The main thing that gets accomplished in this volume is a kind of circling back to foundations:
“Think back on what you’ve established--pondering, inquiring, practicing, innovating, discussing, and solving the problems before you, one step at a time. It wasn’t so long ago that you didn’t know the first thing about magic. But look at all the trials you’ve overcome with your friends. . . When an answer is not forthcoming, we can rely on the wisdom contained here [he taps on her forehead] to find a different way. So long as you don’t stop imagining, you’ll be able to produce any number of answers. That is the essence of magic”--Qifrey, to Coco
So, it's a coming of age story, something everyone has to go through, problem-solving your way to adulthood (oh, how I wish schools focused on this more!) And in this series, at the heart of the project of imagining, of magic itself, is drawing, creating. Coco is learning to draw her way to hope.
“There is always hope. That’s just the kind of witches we are”--Qifrey
Also, the confrontation between Q and Olruggio gets resolved, also re-establishing that they are not adversaries, but friends. All this is preparation for Silver Eve, a witches festival, and then bigger, scarier challenges beyond that. A feel good volume, basically, with the award-winning drawing of Kamome Shirahama, at her unusually good usual.