Alex Reeve returns us to the Victorian era, London based crime series with the third with her trans man, Leo Stanhope, now working as a journalist on the Daily Chronicle, writing science articles and book reviews. He is still living with pharmacist landlord, Alfie and his 13 year old daughter, Constance, now planning a move to bigger premises with the woman he is going to marry, Mrs Gower. He is still visiting Jacob Kleiner, his wife, the blind Lilya and Eddie, for chess evenings, although Jacob's health is failing, making him hard to handle as he remonstrates that Leo was not there for him when he needed him. Despite the occasional difficulties in their relationship, Rosie Flowers, with her popular pie shop, feels that the only man she can trust, given her traumatic history, is Leo, although she contemplates a light foray by stepping out with Leo's colleague, Harry Whitford, the feckless son of the editor, with his love of the drink.
It all begins with Leo receiving an anonymous letter claiming he needed to prevent a murder taking place in a penny gaff putting on wrestling bouts in Berner Street, Whitechapel, in London's East End. With no-one else taking it seriously, Leo goes there with Constable Norman Pallett. Soon after his visit, the Chronicle receives a telegram, the owner and referee of the penny gaff, Oswald Drake has been found hanging, with the mark of a syringe on his body. In this, the oddest of cases, Leo finds himself visiting a convent of the Sisters of Mercy, and is responsible for DS Ripley arresting a suspect. The media are baying for blood and a quick hanging, and Leo who had never managed to get any of his work printed on a prominent position in the paper, suddenly finds himself the man of the moment as he coins the headline, The Butcher of Berner Street. With Frederick Lampton, a politician advocating that women should have no rights, jumping on the bandwagon of condemning the female suspect, and suffragettes campaigning for her release, riots ensue as Leo begins to dig deeper into the case.
With how matters conclude for Leo at the end, it looks as if this might be the last in Alex Reeve's compulsive historical crime series. Here, Leo continues to suffer as he tries to put on a front as a man on a daily basis, living in constant fear of being discovered as he imagines the horrors he will face in prison, all exacerbated when he is attacked and assaulted. Added to this, is the growing burden of guilt that he feels as it begins to look as if he might have made a mistake in identifying the suspect as the killer, and that the victim may not be the charitable and good man he is being portrayed as. This is a riveting Victorian crime series, although here Leo seems to be all over the place, however, it is gratifying to see how many in his close circle put themselves at risk when come to support him when he finds himself in deep trouble with the police. Many thanks to Bloomsbury for an ARC.