One August Night returns readers to the island of Crete and the small village of Plaka, near Elounda. It also reunites them with some of the characters from The Island, in particular Anna Vandoulakis and her husband Andreas, Anna’s sister Maria and her husband Dr Nikos Kyritsis, and Manolis, Andreas’s cousin. Those who haven’t read The Island need not worry because key events from the last section of the earlier book are repeated, although this time experienced first hand by the reader; this means One August Night can definitely be read as a standalone.
The Island had a particular resonance for me having visited Spinalonga, the site of a former leper colony, many years ago during a holiday on Crete; it was a similar visit that inspired the author to write The Island. Long since abandoned, for me it possessed an eerie quality and it was unsettling to imagine the people living there, believing themselves exiled from friends and family forever. Interestingly, the author had a quite different reaction to her visit to Spinalonga, as she reveals in her Afterword.
One August Night focuses on events just prior to and after the return of those exiled on the island, a return made possible by the discovery of a cure for leprosy. You might think it a cause for celebration and indeed for some it is, bringing the prospect of being reunited with relatives and friends, and a return to something like a normal life, albeit that many bear the physical and mental scars of their illness. However, the return of others means bringing to the surface a tangled web of relationships, both past and present.
As always, Victoria Hislop creates a vivid picture of life in Crete and Greek culture more generally. I particularly enjoyed the way she described the traditional celebration of events such as baptisms and saint’s days at which there are always plentiful supplies of food and drink, including the locally produced raki. One scene that sticks in my memory is when Manolis visits a taverna where traditional music is being performed.
“Manolis suddenly caught the opening notes of a zeibékiko song and felt something inside him stir. The lyrics of this particular song seemed to mirror his life, jabbing at his heart. As if possessed by the power of the music, he rose from his seat… The movements were personal but the tradition of the zeibékiko was known to everyone. It was a dance that should only be performed by a man, and only by a man with grief to express. As the musicians played and the insistent beat thumped and repeated and thumped again, Manolis revolved slowly in a trance-like state, his eyes glazed, unfocused. Someone threw a plate at his feet and one of the girls tossed a flower that she had been wearing in her hair. He was aware of neither.”
It is at a celebration on an August night in Plaka intended to mark the return of those from Spinalonga, that a shocking event occurs. Although it’s an event that will be no surprise to those who have read The Island, One August Night concentrates on the ramifications for those involved, for their families and friends, as well as for the wider community. In recounting its consequences, the author explores the strong ties of family that underpin Greek society including the concept of philótimo, or honour.
Focusing particularly on the lives of Maria and Manolis in the years that follow, the author takes the reader beyond Plaka, and indeed beyond the island of Crete, as both Maria and Manolis struggle with the legacy of that eventful August night. Feeling she must find a way to repay the good fortune that saw her cured of leprosy and married to Nikos, Maria’s solution involves a breathtaking act of forgiveness. But despite being fully cured, the stigma of her leprosy remains although, as she observes, stigma can be a weapon in the right circumstances. Manolis’s solution is to try to banish the past and the memories that haunt him by seeking a new life away from Crete.
In One August Night the author creates a story that encompasses passion, jealousy and anger but shows how, in time, those feelings can be replaced by others and that, even after a tragedy, it is possible to find a degree of happiness and the release that comes from finally facing up to the truth.