Stories. From the day we are born, we hear stories. Stories about our world, stories about others, stories about ourselves. They become part of the fabric of who we are, how others perceive us, shape our identity, our world view, and seep into our subconscious. Until we can no longer tell where the story ends and where we begin. What parts of our identity are our own, are true, and what is part of the stories about us. That truth is the beating heart of Bastards and Scapegoats- a story so rivetingly fresh, so astutely provocative and beautifully profound that you’ll be thinking about it for days later. Intensely meta and emotionally turbulent, this is some of Cora’s best writing to date.
Our heroine Vera has been trapped in a narrative beyond her control from the day she was born. Born to a single teenage mother, subject at a young age to the gritty realities of poverty, she’s learned to survive. Doing everything she can to support her mother who works several jobs, Vera learned to care for herself at a young age. But at least she had her mother- her best friend, her person. Until her mother finds a new person- a rich and powerful politician who sweeps her off her feet- and soon Vera finds herself in a dress she hates schmoozing with the elite. From rags to riches overnight, Vera isn’t sure how to adjust to her new world, which includes a fancy college and a new family and a now distant mother. But the most jarring of all? Hamilton Beuregard- the arrogant, trouble making new step-uncle that she can’t seem to escape. She’s not sure what he wants with her, and any entanglements with him won’t only irritate her new stepfather but will also cause immense public scandal for this political family. Only problem is Hamilton doesn’t seem to care- and won’t stay away. What ensues is an angsty, complicated, sensual, and tumultuous story as we are immersed in drama much bigger than that of these two. Like all other CoraLee June books, Bastards and Scapegoats is addictively entertaining- and SEXY AF- you’ll be addicted from page one.
But, this is so much more than that. Because remember- this is about stories. The stories of two bastards, turned two scapegoats. Vera is trapped in her own story- perpetually trying to disprove the narrative told about children from poverty, from single parent homes, from teen pregnancies. But most of all, she’s trying to atone for the story she’s heard from her own mother about Vera’s impact on her life. She’s born the burden of her mother’s decisions her entire life- and has put herself in a tightly wound and repressed box to protect her mother- to repay her. She’s a secondary character in her own life- motivated by guilt and responsibility. She’s mature, deeply patient and compassionate. There’s a stoic responsibility to her, a muted vulnerability, a charming naivete. But, her atonement is her own perfectionism. Hamilton, on the other hand, doesn’t want to atone. He embraces his narrative- the outcast, delinquent son born out of a scandal. He’s arrogant, brash, destructive, volatile, but at his core, incredibly broken. While Vera swallows her pain and hurt, Hamilton weaponizies his. But we also see another man under his defiant shell- a sweet, loving, and tender caregiver and protector. Where do the real Hamilton and Vera begin and where do the stories told about them end? And can they take control of their own story?
AH- well, that is what makes this book so profound and interesting- because both of these characters are so lost in the narratives that surround them, they’re trying to figure out that answer, too. And that is what makes the chemistry and connection between these two so undeniable, so INTENSE. Almost fated. Both started as bastard children who from their first breath unequivocally changed...perhaps ruined….their parents’ lives. A burden that has been so heavy, it has cracked their very foundation. A burden that tortures them. And soon, the bastards also became scapegoats for everyone else's troubles and pain-so much so that THAT story now controls them. And it routinely emotionally assaults and hurts them. Neither has been living for themselves- because both have been living to address those narratives. These stories that shaped others’ perceptions of them have now shaped their OWN perceptions of themselves. With Vera staunchly trying to rebuke her narrative- only to lose her own identity within it. And Hamilton spitefully claiming his narrative, leaning into it to hurt others only to hurt himself. Both are lost, are broken and hurt, but they find solace, freedom, and UNDERSTANDING in the very last person they expected- each other. They finally find someone who sees beyond the story and sees their core- in a way that pushes them to look within for their own truth, their own needs in ways neither have before.
Unpacking all of that, though, is messy and destructive- and Hamilton and Vera are ever bit combustible and toxic as they are healing and liberating to one another. Because reclaiming your own story, taking control of your narrative is a daunting task when your entire being has been shaped by the stories and needs of others. And both learn quickly finding your own truth can be painful and scary- especially when you are opening your heart to another. Both are on a quest to scribe their own story- to be the architect of their own truths. And that is where they falter- where they struggle, because truth isn’t told- it’s discerned, it’s lived. And to find the truth in each other, they have to face the truth within themselves. Hard enough on its own, but especially when but all facing the chaotic web of lies and secrets that surround them.
This is what I love most about Cora’s writing- her commitment to painting a truth about humanity through the metaphysical experience of her characters. The ways in which she breathes life into complex, nuanced, entirely dimensional characters whose journeys have something to say about how we exist as humans- characters whose stories are both deliciously entertaining and sexy but whose journeys also have a point of view. And what a poignant and relevant message for the time we are living in- when truth is now a relative concept.
Of course, this is a duet- so it ends on a heart breaking, soul shattering cliffhanger that will leave you bereft and begging for the next book. I don’t know what the path forward will be, but I’m left with so many delicious questions, the most important of all is this: who controls their stories now? MUAHAHA I can’t wait!