Love is in the air, unfortunately nobody is sharing an atmosphere. Hana’s unrequited crush keeps on unrequiting and Nanase’s still very taken with him despite knowing all this. Shocking not-very-shocking announcements lead to a quick side trip and, well, a bad idea is always a bad idea...
This book is so interesting from a structural perspective - it is rehashing some of the most common plot hooks from the shojo manga genre, yet within that there is a lot going on that feels fresher than maybe it should be. A little tweaking goes a long way - the bicycle scene is perfect example of a simple inversion that livens something up.
There’s no question of a confession to work towards here - by the end of this book everybody knows everything and we know where everybody stands. I seriously praise the book for giving its characters the sense god (or appropriate kami) gave a goose to actually read a room.
Nanase is a surprisingly strong character, far more than I’d anticipated. Her earnest desire to help Hana, even as he’s crushing her heart into small bits, is very compelling and even if her falling in love is a mite fast, it works. She seems meek, but she’s really just quiet and the book clearly shows that there’s a difference. She has no problem handling herself and I really like her confidence.
Hana’s a bit more closed off still and he definitely has the more mixed emotions of the two, just because he seems to find it way more awkward hanging out with a girl he’s shot down for some reason. That’s not to say the two don’t have great chemistry though, because they do. It’s not necessarily obvious from the dialogue, but they just seem to fit together.
The pivotal scene in this volume takes place at the beach and, while it is rather understated until the end, I very much loved it. Two people are working through their problems and then somebody tries to take the easy (and stupid) way out. The resulting climax just hammers home my point about Nanase - she kicks butt (although I believe she is guilty of bicycle theft).
That said, Hana has a very, very nice moment later on involving the blackboard and it’s just a bit of quiet, confident storytelling that shows character growth in a subtle manner that I appreciated. It’s these little moments that are making this series for me.
It’s not all sunshine and roses - I still find the art a bit looser than I’d like during some of the more SD panels. Certainly not the best examples of that type I’ve seen. The regular art is still quite excellent, don’t get me wrong, but loose art is, well, an art in itself.
And you can’t escape that this book basically has three characters and as much as it works some magic within the story it’s telling, you’ve certainly heard this story told to you before and there’s no getting around that.
3 stars and I’d honestly say the good parts lift this to a 3.5 pretty easily. There are some really good moments throughout. With the promise of the current plot being resolved, I’m interested to see where these two go from here. It’s standard, but a good standard.