First of all thank you to the author and publisher for providing me with a free advanced copy to read and review honestly.
I wasn’t looking forward to writing this one. I gave the first book high marks and so was very disappointed to discover how much I did not like this book. This feels to me like a classic case of “let’s just write something so we could make it a trilogy.” I was bored almost throughout and couldn’t wait to get through it. As far as the PTSD goes, I don’t have much to say and no real opinion on the handling of the topic. Let’s just leave it be.
Some big spoilers ahead - reader beware!
The Plot:
In the second book, Faye and her group (the Protectors) continue to prepare for the war against Typhon. They discover he has a plan to attack the Mer-city, which Faye has begun visiting on the reg as part of a strategic alliance. She is battling with the mental and emotional trauma of the big battle from the previous book throughout.
The Characters:
I have already introduced Daron, Faye, and Alec in my previous review. In this book we get to meet (or know more of) the following:
Telanes: Oh I said in the previous review that I had a feeling who was going to be a love interest in the next book, and I was right (although I didn’t share it because I didn’t want to post spoilers). Telanes is the man every woman wants, or at least should: he is hot, patient, understanding, caring... he is as STEADY as they get. And so of course yet again we are teased for no reason or fault: Telanes is completely in love. Fay acts like he’s transparent, or like the teenager who will spoon with you every single night and call you in the middle of the night to come be with her, but will never even let you get to first base. Telanes spends the whole book giving, but being looked through like he’s made of air. And perhaps his damned steadiness is ultimately his downfall as a character: he never shows any complex human (or centaur?) emotion. Never jealous, never frustrated with being friend-zoned at best and simply ignored at worst... just... nothing. A placard of a Prince Charming that even all the monster-fighting he engages in doesn’t win him the coveted princess. As a reader, I am pissed for yet again being *bad-word* teased with a non-existent romance. This isn’t how you build sexual tension; ask Sarah J. Mass who superbly gave us 5 books’ worth of rising attraction in her Throne of Glass series.
Marious: the Mer prince. Here, another missed opportunity. Daron, who is our Ether guide in a sense from the beginning, distrusts Marious. A smoking gun in the first act that never fires. Marious truly falls in love with Faye and the other shoe never drops. He could have been so much more delicious if he was double crossing the gang or had some real ulterior motive. If he has it in the final book of the series that would be some sort of saving grace, but probably will cause much eyebrow raising at why nothing was hinted enough in this book.
Lana: Faye’s attendant-turned-bestie. A real supporting character, Faye’s only sense of normalcy in her otherwise depressed and traumatized existence. As such, little wonder at her being disposable.
The Good:
I really enjoyed the 2-3 chapters of the climactic battle. Well written, fast-paced, and I actually read them with interest and bated breath. Unfortunately, try as hard as I might, I could not think of much else.
The Bad:
Oh man, so much. I have already expressed my ire at being teased for no reason. There needed to be some romance there, simply because it was already written into it in the form of Telanes and Marious. It’s like the author was gun shy or didn’t know how to actually deliver on the promise she herself had made when she committed to the idea of people finding Faye romantically interesting. Having this bait and switch happen for a second book in a row isn’t nice. It’s just plain annoying to the reader.
Next we have Alec and Daron, who are the most boring couple in the world. Yes, a steady and loving relationship is nice in real life, but not when you have to create drama to keep your reader awake. Here, another missed opportunity at real conflict: they could have fought and separated over Daron’s protectiveness. They could have had to lose something to learn that they need to earn one another. None of that happens and so their chapters bored me to tears.
This whole story, nothing really happens. Faye struggles internally, yes, with trauma, but as a result she hardly DOES anything in this book and a main character with no action? Well that’s just wrong. Maybe in real life PTSD and depression really are crippling, but you can’t get away with it in a book; you need to write action. The whole plot meanders until the main battle, the climax of the story, but we are bored and spent by then. There were no other real challenges to fuel us along the way.
Speaking of conflict, there are no real bad guys in this story. Typhon and Heracles are held at such a safe distance away, that we don’t feel the high stakes at all. I didn’t feel the need to root for our characters, since the danger never felt real to me. It never truly involved me or was set up to make me feel like I had a stake in it. A reader that is comfortably watching through the glass is not what one should want; you want me bleeding and sweaty in there with you. That didn’t happen for me (with the exception of the two battle episodes. They were too little and too late).
Even Heracles, the bad, absent father and the supposed plot-twist involving him fell flat for me. Faye doesn’t think about him or care about him. She isn’t even all that surprised by his helping her. The chapters narrated by him don’t serve as anything, especially not as a much-needed window into his soul and inner workings. Want to write a complex evil father-daughter relationship? Go read Holly Black’s Folk of the Air trilogy and see how that’s done.
Lastly, there’s the writing. I have already expressed my unhappiness with authors giving their characters elementary-school level dialogue. Simplistic, inane, says-nothing filler-talk. I recently rewatched Dawson’s Creek and thought, “yes! Teenagers did speak like this! With complex ideas and a vocabulary of more than 100 words at best!” My point is, I’m sure teens still do, and I resent authors who pass on the chance to give their characters rich, expressive mouths.
The Ugly:
Probably me, drooling over my Kindle as I struggle to keep my eyes open 10 minutes into my nightly reading ritual and this book.
The Bottom Line:
A classic case of what should have probably been a duology. The pace and plot would have probably been tighter. I will probably only read the third because I’m a committed masochist who wants to believe this could somehow still be saved.